En bonne compagnie

Got in to see one of those audience recruited screenings. I was expecting sort of vanilla type movie, but was VERY PLEASANTLY SURPRISED...it is GOOD! Not superb, but definitely fun, original and very very topical! Dennis Quaid plays an ad exec whose company is taken over by a big conglomerate. Topher Grace, who is half Dennis' age, becomes his boss, and we see the dramatic and comedic dynamic (too may "ics") of the two men as they try to cope with an in flux work and home life. Dennis Quaid and Scarlett Johansson are very good, but Topher Grace is the body slam surprise performance here. Also, as a bonus for the audience, all the supporting cast is filled in with great character actors. I hate spending ten bucks on a ho-hum movie, but this one is definitely worth it. Story-9, Acting-8, Humor-9, Drama-8....OVERALL: 8.5

Splendid performances by Dennis Quaid, Topher Grace, and Scarlett Johannson.

Dennis Quaid plays the 51 year old ad executive whose company has been taken over by mogul Teddy Kay. Topher Grace is the hot shot who is sent into the mix to shake things up (fire people).

The interactions among the three stars is wonderful. I also enjoyed the genuine affection the family members had toward each other. It is nice to see family life portrayed in such a positive light.

The movie engaged me from beginning to end. The characters grow into their parts as the movie progresses.

By the unexpected ending I was totally engaged, caring about each one of these people.

Director Paul Weitz's Best Screenplay; Topher Grace's Break-Out in Film (his first and best film performance to date); Scarlett Johansson continued her rapid ascent in film at only age 19, and Dennis Quad hits a home run in one of his most endearing and connected performances.

Ignore the trailer that fails to capture the subtle moments in the film.

This is a nearly perfect "little film" with a great story that draws you in with believable charecters, and first rate performances by every actor.

'In Good Company' takes one through the balancing of middle-age fatherhood and career (Quad), with heart, humor, and a positive family-first theme (without resorting to cliches or the "Hollywood" treatment). Safe for 12+ year olds, and identifiable characters and themes for adults.

Add in the perspective of a bright mid-twenties professional's (Topher Grace) search for happiness - meaningful career, love, a wife, starting a family, and a life-mentor/father-figure (Quad), while navigating the good, the bad, and the indifferent of corporate personalities, and interesct the two generations, and you have a film that engages one from beginning to end.

Soundtrack is wonderfully in sync with the emotions of the film.

Co-star Johansson is flawless in building upon her breakout 'Lost In Translation' and 'Pearl Earring' performances. This mid-2000 decade acting period was when she made her mark, rapidly ascending to stardom, and honing her acting skills in key roles when she was only 18 to 20 years old.

Johansson's character (Quad's daughter and Grace's love interest) is essential to drawing Quad/Grace towards their inevitable surrogate father/son relationship, and she does so perfectly, making every actor around her look good - why she didn't receive Best Performance In A Supporting Role nomination is perplexing, but probably due to her already highly-recognized performances over the previous 18 months - quite an impressive resume for a teenager.

A must-see film and one that is just as great the second and third time viewing it.

"In Good Company" is a mixed bag as a comedy drama. It definitely won't seem to be a hilarious film to most people, but apparently is to some. The drama is enough to have this film stand alone in that area - with some rewriting to get rid of some of the weak attempts at humor in the dialog. Perhaps some young people who have become so used to divorce in society, and dysfunction in families, can feel at home and see this as comedy.

I give it six stars for two reasons. First, the leads, especially Dennis Quaid and Topher Grace play their parts very well. Second, it takes a very good overall shot at the corporate business world. Not all big corporations are as hard-hearted as Globecom is in this movie. But most have become part of a new-age culture of business lingo that is obfuscatory, insensitive, and diverting - all to be able to hammer home profit and gains at all costs.

So, with some light humor and mostly distraught emotions and life drama situations, this film does a little number on the greed that seems to guide the business culture today. It does have a nice ending with some learning maturing of the male leads.

Greetings again from the darkness. Saw the Dallas premiere this evening of the newest from director Paul Weitz ("About a Boy" and "American Pie"). Weitz continues to show promise as a director, although again he struggles with poor pacing, even sometimes dragging the story line. Overall, this one will surprise as it is not as formulaic as the previews would lead us to believe. Dennis Quaid ("Far From Heaven", "The Alamo") continues his resurgence into movie stardom with another fine turn, this time as a middle aged ad salesman whose world gets rocked personally and professionally all in one day. Topher Grace ("That 70's Show") is the Yin to Quaid's Yang when he is introduced as his half-his-age, with no experience boss. Of course, it only gets worse for Quaid as his new, young boss falls for Quaid's college student daughter, Scarlett Johansson ("Lost in Translation" and "Girl With a Pearl Earring") AND his wife tells him she is pregnant - despite "being past all that". Johansson doesn't deliver the nuanced performance of "Lost in Translation", but Topher Grace will awaken many to his acting ability (check him out in "Traffic"). Philip Baker Hall, David Paymer and Marg Helgenberger are all fine in supporting roles and the great Malcom MacDowell is terrific in a brief cameo as a corporate big wig similar to Warren Buffett. Nice little story that provides a few touching moments and a couple of good laughs. This one should have decent box office appeal, while providing a Hollywood anomaly by displaying a well adjusted, happy family.