ÉVALUATION IMDb
8,1/10
17 k
MA NOTE
Ajouter une intrigue dans votre langueA dramatization of the relationship between heart surgery pioneers Alfred Blalock and Vivien Thomas.A dramatization of the relationship between heart surgery pioneers Alfred Blalock and Vivien Thomas.A dramatization of the relationship between heart surgery pioneers Alfred Blalock and Vivien Thomas.
- A remporté 3 prix Primetime Emmy
- 17 victoires et 32 nominations au total
Yasiin Bey
- Vivien Thomas
- (as Mos Def)
Charles S. Dutton
- William Thomas
- (as Charles Dutton)
Avis en vedette
In 1930, the skilled carpenter Vivien Thomas (Yasiin Bey) loses his job and is hired by the arrogant Dr. Alfred Blalock (Alan Rickman) as a janitor in Vanderbilt. But soon Vivien is promoted to lab technician due to his skills. Vivien expects to join the medical school but his savings are lost in the Great Depression. Dr. Blalock moves to the Johns Hopkins University and brings Vivien with him. Along the years, they develop the bypass surgery using dogs as guinea pigs. When they save the first blue baby, their surgery technique becomes a worldwide success. But Vivien has no credit for his accomplishment. Will time correct this omission?
"Something the Lord Made" is a wonderful film that discloses the story of the first bypass surgery. The situation of Vivien Thomas is heartbreaking, in a period of great racism in the United States of America. The conclusion of this true story is gratifying and moving. My vote is eight.
Title (Brazil): "Quase Deuses" ("Near Gods")
"Something the Lord Made" is a wonderful film that discloses the story of the first bypass surgery. The situation of Vivien Thomas is heartbreaking, in a period of great racism in the United States of America. The conclusion of this true story is gratifying and moving. My vote is eight.
Title (Brazil): "Quase Deuses" ("Near Gods")
It's gratifying to know that I'm not the only one who was surprisingly moved by this story. I had known only a tiny part of the story before the movie: that a white surgeon and a black technician developed the process that could save "blue babies." That's a huge accomplishment, but only a portion of the story.
Alan Rickman does a splendid job portraying Dr. Blalock. There are a few moments when his southern accent slips and a little British comes through, but in terms of portrayal of the character, he is convincing. Blalock is ambitious, and in fact so focused on his professional and medical goals that sometimes he's clueless as to what others are going through to get him what he wants. He's also at turns arrogant and compassionate...exactly what one would have to be to do what he did. One thing the movie communicates very effectively is just how much of a revolution this surgery was: not merely operating on a baby heart, Dr. Blalock opened the gate to surgery on *any* human heart. Rickman doesn't overdo it, but he gets the character across.
Mos Def steals the show, however, in his subtle portrayal of Vivien Thomas. There's no grandstanding in this performance; he makes us believe that we know Thomas, and that to know him is to love him. He plays a man who had more character in his little finger than most people find in their whole lives, and he does it with zero ham. It isn't just that he gives an understated performance...he becomes this man who feels deeply even though he doesn't express it loudly. You see it in his eyes, in his pauses, in his voice. It's hard to describe, except to say that beneath the calm, quiet, even deferential exterior there is, undeniably, a whole person, a fully human, noble, wise, mature, gracious character.
A previous commentator asks if the presentation, near the end of the story, of an honorary degree was supposed to be an apotheosis of sorts. Perhaps. I suspect, however, that it isn't the conferring of a degree but the unveiling of the portrait, that actually vindicates Thomas and lifts him to his place in the medical pantheon of Johns-Hopkins' larger-than-life wonder-workers. At the end of the film, Vivien is sitting in the lobby, looking at his own portrait next to that of Blalock's when he's paged as "Dr. Thomas." He has to wipe the tears from his eyes to respond to the page. Maybe it's the degree and the portrait together.
The same commentator asked whether the film omitted mention of Thomas's eventual title. Actually, there's a scene immediately after their arrival in Baltimore in which the Director of Laboratories gives Vivien some money and tells him to bring coffee and a donut. At the end of the film, when Blalock calls Vivien's office, we see Vivien's title on the office door: Director of Laboratories. The irony is sweet.
This is a compelling, touching film, with wonderful performances all around.
Alan Rickman does a splendid job portraying Dr. Blalock. There are a few moments when his southern accent slips and a little British comes through, but in terms of portrayal of the character, he is convincing. Blalock is ambitious, and in fact so focused on his professional and medical goals that sometimes he's clueless as to what others are going through to get him what he wants. He's also at turns arrogant and compassionate...exactly what one would have to be to do what he did. One thing the movie communicates very effectively is just how much of a revolution this surgery was: not merely operating on a baby heart, Dr. Blalock opened the gate to surgery on *any* human heart. Rickman doesn't overdo it, but he gets the character across.
Mos Def steals the show, however, in his subtle portrayal of Vivien Thomas. There's no grandstanding in this performance; he makes us believe that we know Thomas, and that to know him is to love him. He plays a man who had more character in his little finger than most people find in their whole lives, and he does it with zero ham. It isn't just that he gives an understated performance...he becomes this man who feels deeply even though he doesn't express it loudly. You see it in his eyes, in his pauses, in his voice. It's hard to describe, except to say that beneath the calm, quiet, even deferential exterior there is, undeniably, a whole person, a fully human, noble, wise, mature, gracious character.
A previous commentator asks if the presentation, near the end of the story, of an honorary degree was supposed to be an apotheosis of sorts. Perhaps. I suspect, however, that it isn't the conferring of a degree but the unveiling of the portrait, that actually vindicates Thomas and lifts him to his place in the medical pantheon of Johns-Hopkins' larger-than-life wonder-workers. At the end of the film, Vivien is sitting in the lobby, looking at his own portrait next to that of Blalock's when he's paged as "Dr. Thomas." He has to wipe the tears from his eyes to respond to the page. Maybe it's the degree and the portrait together.
The same commentator asked whether the film omitted mention of Thomas's eventual title. Actually, there's a scene immediately after their arrival in Baltimore in which the Director of Laboratories gives Vivien some money and tells him to bring coffee and a donut. At the end of the film, when Blalock calls Vivien's office, we see Vivien's title on the office door: Director of Laboratories. The irony is sweet.
This is a compelling, touching film, with wonderful performances all around.
One of the earmarks of a great true story on film is that, when it's over, you find yourself wishing it had been longer and wanting to know more about the subject. This is definitely the case with "Something the Lord Made." I can't wait to do a little reading up on this very intriguing story! Alan Rickman as Alfred Blalock is excellent, as he always is, but the real pleasure is in watching Mos Def as Vivien Thomas. Through his lovely, subtly nuanced performance, we are able to truly appreciate this incredibly gifted and complex man. The writers did an excellent job of making the viewer aware of the racial climate in Viven Thomas' life; note the early scene in which Vivien and a friend are walking and talking, and each time some white people approach them on the sidewalk, they step aside and yield right of way without hesitation. And yet, there is no heavy-handedness or preachy air to these scenes. The racial injustices that Vivien Thomas endured are obvious, but the viewer is not clubbed over the head with them.
10rwerblin
I'm a physician who has been involved with children with congenital heart disease, including "blue babies." This movie will move you, regardless of who you are. Drs. Blalock & Taussig, whose ingenious procedure is used to convey the aspects of this film (Blalock-Taussig Shunt), were two of my 'heros.' The amazing genius and operative dexterity of surgical research phenomenon Vivian Thomas, and his focus on, love for, and persistence with his work against seemingly unscale-able obstacles, in superbly portrayed by Mos Def. His achievements, out of his background and lack of opportunities, made me feel that I should have been able to do much more than I have, given how much more was just handed to me. We should all feel we can accomplish greatly, and without resorting to destructive acts or words, when seeing the manner with which this class-act man performed. The depiction of the incredible bravery of Blalock, Taussig, and Thomas, who were embarking on not just uncharted, but forbidden surgical waters, warned that if such an "adventure" went awry, they'd be "on their own", made me feel timid and lacking in fortitude, by comparison. SEE (actually FEEL) THIS MOVIE!!
The performances of both Alan Rickman & rapper Mos Def shine brightly in this film of racism, perseverance, & the pursuit of advancements in medical science/surgery. Rickman's self-righteous & pompous Dr. Alfred Blaylock compliments greatly Mos Def's quiet, determined, & passive-aggressive role as lab assistant/technician Vivien Thomas.
The two men met at a time when medical science was headed for major discoveries & taking chances was not the order of the day. During the 30's & 40's, America was a different place for people of color in the negative sense & the medical community offered little or no opportunities for non-whites as well. Most people of color worked menial labor jobs liked servants or skilled craftsmen & lived with no luxuries & not much hope for more. Vivien Thomas, a carpenter by trade, stumbles upon a job assisting prominent surgeon & professor Dr. Alfred Blaylock. The snobbish Blaylock working on experiments to cure patients of shock to no avail. Soon, Dr. Blaylock discovers that Vivien is more than just a lowly assistant but a very intelligent young man yearning for a chance to prove himself to the powers that be. Vivien develops new techniques & surgical devices to create a "blue dog" & a way to reverse the condition. Realizing the potential to turn the medical community on its ear, Dr. Blaylock takes Thomas on a long & arduous journey with him through bigotry, scientific discovery, tension between the two men themselves, & successful "blue baby" surgeries. Although Thomas did not receive the notoriety & accolades that usually come with advances in medicine, he carried on for many years working with & teaching doctors his techniques Johns Hopkins. Thomas was elevated to Director of Surgical Services but still had not reached his ultimate goal. Finally after the death of longtime partner & friend Dr. Blaylock, Thomas was awarded an honorary doctorate of medicine by his colleagues & the prestigious Johns Hopkins. After a lifetime of self-sacrifice, determination, & love of medicine, Thomas had arrived & felt the satisfaction he always wanted; Vivien Thomas was now a face in the medical community that had shunned him for so long.
"Something the Lord Made" is a feast for the heart & the mind. All those who view this movie will walk away with better appreciation for those individuals who made the ultimate sacrifices in their own lives to change our existence for the positive. Rickman & Mos Def play off each other brilliantly & make you believe. Rickman always gives you everything called for in a role & does not disappoint in this film. I was most impressed with Mos Def's performance & gained a newfound respect for this young actor.
If you are not "moved" by this film, you'd better check your pulse. Your heart may need some fixin'!!!
The two men met at a time when medical science was headed for major discoveries & taking chances was not the order of the day. During the 30's & 40's, America was a different place for people of color in the negative sense & the medical community offered little or no opportunities for non-whites as well. Most people of color worked menial labor jobs liked servants or skilled craftsmen & lived with no luxuries & not much hope for more. Vivien Thomas, a carpenter by trade, stumbles upon a job assisting prominent surgeon & professor Dr. Alfred Blaylock. The snobbish Blaylock working on experiments to cure patients of shock to no avail. Soon, Dr. Blaylock discovers that Vivien is more than just a lowly assistant but a very intelligent young man yearning for a chance to prove himself to the powers that be. Vivien develops new techniques & surgical devices to create a "blue dog" & a way to reverse the condition. Realizing the potential to turn the medical community on its ear, Dr. Blaylock takes Thomas on a long & arduous journey with him through bigotry, scientific discovery, tension between the two men themselves, & successful "blue baby" surgeries. Although Thomas did not receive the notoriety & accolades that usually come with advances in medicine, he carried on for many years working with & teaching doctors his techniques Johns Hopkins. Thomas was elevated to Director of Surgical Services but still had not reached his ultimate goal. Finally after the death of longtime partner & friend Dr. Blaylock, Thomas was awarded an honorary doctorate of medicine by his colleagues & the prestigious Johns Hopkins. After a lifetime of self-sacrifice, determination, & love of medicine, Thomas had arrived & felt the satisfaction he always wanted; Vivien Thomas was now a face in the medical community that had shunned him for so long.
"Something the Lord Made" is a feast for the heart & the mind. All those who view this movie will walk away with better appreciation for those individuals who made the ultimate sacrifices in their own lives to change our existence for the positive. Rickman & Mos Def play off each other brilliantly & make you believe. Rickman always gives you everything called for in a role & does not disappoint in this film. I was most impressed with Mos Def's performance & gained a newfound respect for this young actor.
If you are not "moved" by this film, you'd better check your pulse. Your heart may need some fixin'!!!
Le saviez-vous
- AnecdotesAccording to a Johns Hopkins Medical Archives website about Blalock, Thomas, Taussig, and the Blue Baby surgeries, Eileen Saxon, the infant depicted in the movie as the first to undergo the procedure, became cyanotic again several months later. She died after another attempt at the surgery. Her experience helped the surgical team determine that the procedure worked best on patients who were over 3 years old.
- GaffesWhen Reader's Digest publishes a photograph of the first operation, one participant is identified as Dr. Michael DeBakey. Although he was a professor at Tulane, he was on leave as a consultant to the Surgeon General in Washington.
- Citations
Alfred Blalock: They say you haven't lived unless you have a lot to regret. I regret... I have some regrets. But I think we should remember not what we lost, but what we've done.
- ConnexionsFeatured in The 56th Annual Primetime Emmy Awards (2004)
- Bandes originalesBoogie Woogie Bugle Boy
Written by Hugh Prince (as Hughie Prince) and Don Raye
Performed by The Andrews Sisters
Courtesy of MCA Records
Under License from Universal Music Enterprises
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- La création de Dieu
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h 50m(110 min)
- Couleur
- Mixage
- Rapport de forme
- 1.78 : 1
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