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Call Me: The Rise and Fall of Heidi Fleiss

  • Téléfilm
  • 2004
  • 1h 24m
ÉVALUATION IMDb
5,5/10
1,4 k
MA NOTE
Jamie-Lynn Sigler in Call Me: The Rise and Fall of Heidi Fleiss (2004)
CriminalitéDrameRomanceCrime véritable

Ajouter une intrigue dans votre langueThe story of Heidi Fleiss, known as "The Hollywood Madam", who was the daughter of a prominent Los Angeles doctor and eventually became a prostitute for a well-known Los Angeles madam. She t... Tout lireThe story of Heidi Fleiss, known as "The Hollywood Madam", who was the daughter of a prominent Los Angeles doctor and eventually became a prostitute for a well-known Los Angeles madam. She took over her boss' operation and soon was raking in $300,000 a month by hiring only the mo... Tout lireThe story of Heidi Fleiss, known as "The Hollywood Madam", who was the daughter of a prominent Los Angeles doctor and eventually became a prostitute for a well-known Los Angeles madam. She took over her boss' operation and soon was raking in $300,000 a month by hiring only the most beautiful and highest-class hookers and catering to wealthy Hollywood types, European a... Tout lire

  • Director
    • Charles McDougall
  • Writer
    • Norman Snider
  • Stars
    • Jamie-Lynn Sigler
    • Saul Rubinek
    • Emmanuelle Vaugier
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    5,5/10
    1,4 k
    MA NOTE
    • Director
      • Charles McDougall
    • Writer
      • Norman Snider
    • Stars
      • Jamie-Lynn Sigler
      • Saul Rubinek
      • Emmanuelle Vaugier
    • 16Commentaires d'utilisateurs
    • 5Commentaires de critiques
  • Voir l’information sur la production à IMDbPro
  • Voir l’information sur la production à IMDbPro
  • Photos1

    Voir l’affiche

    Rôles principaux67

    Modifier
    Jamie-Lynn Sigler
    Jamie-Lynn Sigler
    • Heidi Fleiss
    • (as Jamie-Lynn DiScala)
    Saul Rubinek
    Saul Rubinek
    • Dr. Paul Fleiss
    Emmanuelle Vaugier
    Emmanuelle Vaugier
    • Lauren
    Ian Tracey
    Ian Tracey
    • Sgt. Willeford
    Natassia Malthe
    Natassia Malthe
    • Charisse
    Blu Mankuma
    Blu Mankuma
    • Police Chief
    Corbin Bernsen
    Corbin Bernsen
    • Steve
    Brenda Fricker
    Brenda Fricker
    • Madame Alex
    Robert Davi
    Robert Davi
    • Ivan Nagy
    Hrant Alianak
    Hrant Alianak
    • Prince Hassan
    Griselle Amaro-Galvan
    • Hispanic Maid
    Jared Day
    • Reporter #2
    Crystal Balint
    Crystal Balint
    • Tracey
    Kylie Beaven
    • Young Amy
    Jim Calloway
    Jim Calloway
    • Security Guard
    Tom Carey
    Tom Carey
    • Jon
    Lisa Marie Caruk
    Lisa Marie Caruk
    • Debra
    Skerivet Daramola
    • Luther Jenkins
    • Director
      • Charles McDougall
    • Writer
      • Norman Snider
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs16

    5,51.3K
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    Avis en vedette

    4caspian1978

    Jaime-Lynn can't act!

    For starters, a movie like this should have been produced to air on cable. That way, sex scenes, foul language and nudity could have been used to save this film. How can you tell a story about prostitution and drugs in LA with PG rated material? Somehow, the network showed some new wave style of nudity that showed very little with fast paced editing and dissolves. It was nice to see Ms. Jaime-Lynn in a role like this, I only wish she had more to work with. Still, the casting for this film was terrible. The Casting Director should be questioned by a congressional panel on why the actors in this movie were terrible. On a serious note, I feel bad that Jaime-Lynn did not hit a home run with this movie. From here, she has to prove herself with some gritty independent features to make herself stand out among the other mediocre actors of her generation.
    4Pedro_H

    Bad central casting, softcore porn styling and hooking clichés quickly sink this quick-buck enterprise.

    Wild child Heidi Fleiss goes from party girl to queen of Hollywood commercial sex - but the careless house-of-cards soon starts to wobble. Based on an over-reported true story.

    Money. Sex. Power. Like cherries on a one armed bandit when they line up you should give a decent pay-out. Here, however, they barely give out a profit.

    For a start sex on the mainstream screen is all about foreplay, tease and aftermath rather than the act. The power soap operas like Dallas and Dynasty used sex with far more effect than these producers because they knew the audience could fill in the blank between the bedroom door and next morning themselves. Here we are forced to watch a coupling only being performed for financial gain. There is no before and no after. Nothing has changed. We learn nothing. Does the fact that big money is being exchanged add anything or change anything? Is it any more dramatic (or different) from what goes on in a motel room on the wrong side of town?

    Jamie-Lynn Sigler was good (as the questioning daughter) in the Sopranos, but that was an undemanding role. Here she plays a complex women who is supposed to be smart and yet at the same time very dumb. Well dumb if not going to jail is one of your high priorities in life. She also mixed selling drugs with selling sex - one of the golden no-no's. She all but painted a cross on her forehead. Add her refusal to pay bribes/inform to the police and you have a perfect "how not to do it."

    Nick Bloomfield's documentary was far more interesting as it played her life as unscripted comedy and tragedy. A bizarre version of the American dream where being famous and being infamous are pretty much the same. I am all for the legalisation of prostitution, but if these are the people that are going to benefit then maybe things are not so bad as they are...
    3movieman_kev

    this "unrated" fiasco

    Whomever had the bright idea to cast Jamie-Lynn DiScala as the notorious Hollywood madam deserves to be fired on the spot. The girl is hot? yes. Can see act? No Her attempt are laughable and her refusal to disrobe leads the director to have the most obvious body double I have EVERY witnessed. This barely passes muster as a TV movie, the "unrated" version is beyond laughable.Steer clear, this film blows harder the the real Mrs. Fleiss did when she was getting started.

    Eye Candy: Most of the time when you see Jamie-Lynn DiScala naked it's a body double (I know BOOO!!), but the first time when she dances for Robert Davi you can see a nip slip, not much I know but the best you gonna get; also Emmanuelle Vaugier shows her ass

    My Grade: D-
    frodosribs

    Jason Stewart's Moles Deserve Emmy Nomination

    Jason Stewart's first big role is nothing short of amazing. I can't believe he hasn't accumulated a larger body of work at this point in his career. His radio production talents notwithstanding, this fine young actor is geared to take the lead for the next generation. Think Brando in Streetcar Named Desire, except with more gusto. Think Nicholson in The Last Detail, but with more unpredictability. Think Neil Patrick Harris on Doogie Houser, but thinner. However,the moles on his face steal the show. The depth, heart, and sincerity they bring to his persona are one to grow on. Rumor has it that he will be connecting the dots for facial tattoo purposes for a future roll in the next Hannibal Lecter film.
    9ajikude

    totally underrated

    Meadow is great. great acting. good story. enjoyable.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The original title of this film was "Going Down: The Rise and Fall of Heidi Fleiss".
    • Gaffes
      When Heidi is having sex with the rock star, after he comments about her "taste", she rolls over and the skin-colored cover on her "private" area is visible.
    • Citations

      Heidi Fleiss: [narating, as bikini girls scramble for cover during police raid] If you're going to have an illegal business, you'd better be driving the best car, living in the best house, screwing the best-looking people and spending every dollar you make, because sooner or later, you're going to get caught.

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    Détails

    Modifier
    • Date de sortie
      • 29 mars 2004 (United States)
    • Pays d’origine
      • Canada
    • Langue
      • English
    • Aussi connu sous le nom de
      • Going Down: The Rise and Fall of Heidi Fleiss
    • Lieux de tournage
      • Calgary, Alberta, Canada
    • sociétés de production
      • Nomadic Pictures
      • Once Upon a Time Films
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 24 minutes
    • Rapport de forme
      • 1.78 : 1

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