The 4400

I actually quite enjoyed the first series. I was compelled to watch through to the final episode to see the characters story arc's develop.

Yes there are the typical Sci-fi clichés (maybe 4400 by the time the show is finished?). But I would say that this is a Sci-fi show and not a Sci-fact show, and by it's very nature it's a work of fiction, thus real world science doesn't really matter or nessecarily apply.

The scene the first post was alluding to was (I'm sure) not intended to be a dazzling display of the script writers grasp of near and outer orbital rocket science, but a characterization of both the governmental paranoia and hopeless desperation that humans can exhibit when faced with seemingly futile situations.

Personally, I don't think the acting is too bad, yes it does smack of countless other Sci-fi shows and draws heavily on many common themes running through all Sci-fi series, but what shows don't? There is little originality in Sci-fi these days, but the premise of this show is at least relatively unexplored.

How many shows do you know that effectively try to portray the multitude of challenges that face abductees when they try to re-integrate into a society that seemingly doesn't want them, can't understand them or are jealous of them?

Comparisons are inevitable, but when you're subconsciously thinking "Mulder and Scully" or "Rouge and Wolverine" while you are watching supposedly new characters then as a script writer you've got to try to distance yourself from what could easily be considered as stereotypes. This is probably my greatest (and only real) criticism.

If the script writers were just a little less derivative, and a bit more adventurous then I think we have a winner.

P.S. Oh, and they need to stop the re-caps at the start of every darn episode, the fast forward button on my Tivo's getting worn out as it is.

Mqark.

The 4400 is a very interesting story that I have not seen before. What happens after a person has been abducted by ETs and returns a number of years later. They find their loved ones dead. The neighborhoods they knew are gone. Their family had assumed they're dead and moved on. What would the readjustment be like? That is the story of this very fascinating miniseries is about. I will be sure to watch the rest of this series to see what happens. I'm sure some people will learn how to cope and some will not. But is there something more sinister going on? The 4400 is the cure for the summer boredom. I wish the networks would stop putting on one idiotic reality show after another and have shows that are at least have some ambition to them. Why does junk like The Simple Life and Fear Factor stay on the air and shows with ambition are banished to cable. That's where the viewers should go. Watch this show.

Watching the 4400 is a bit like going to quiet café for a quick bite to eat and, unexpectedly, having one of the best meals of your life.

Hard to follow, and occasionally borderline kitsch, somehow The 4400 keeps you hooked with the fascinating characters, deep plot and unpredictable turns.

The storyline is highly original. The actors and the characters that they play are highly engaging. It tests some scientific and moral boundaries and makes some other programmes seem like music videos in comparison.

I think it is a sci-fi classic which, like Dune, will be loved by a small hardcore of fans, whilst most will just scratch their heads wondering what it is all about.

Amending my statement as to the greatness of this show, which, I should point out, has been online since '05. Let me reiterate most vehemently: this was by far one of the best shows ever on TV. I think that Heroes is such a corporate fraud of this program. I liked Heroes for a while, but never forget that I knew from the beginning that it was a corporate takeover of the much better 4400. Now I can barely stand it. The plot is all twisted and crazy. The 4400 at least deserves a mini-series followup in which some of those tangled threads are sown up. This is by far one of the best shows ever. Take a look and see. The hero vs. villain plot was really fleshed out in season 4, only to end to abruptly. I know that the writers strike had a part in the shows demise, but still: NBC owns USA and thereby at least could grace us with a replay on SciFi, another NBC holding. They replayed KINGS or whatever its called, and it is no where near this caliber. I say again: mini-series of 4400 to resolve some stuff or else!

The 4400 is in a word - amazing! The acting is excellent and I'm glad it's an ensemble piece. The vulnerability of Shawn as he struggles with his abilities & social life is well captured by Patrick Flueger. Maia (Conchita Campbell) is innocently cryptic. The romance between Richard & Lily is sweet and deals sensitively with racial issues. Tom & Diana learn to care about the returnees as people, not subjects, and certainly prove themselves in the fantastic finale. The remainder of the cast including Kyle (Chad Faust) in a mysterious coma and Jordan (Bill Campbell) as the sinister, self appointed leader of the 4400 are also well cast. The storyline kept me gripped throughout. The music was well chosen, especially "Bye Bye, Baby" in the pilot. I love the title sequence too. The effects are superb. The second season proved to be just as exciting and emotional, as the first. It also introduces Jeffery Combs, my favourite Star Trek actor. It's his best role yet. Each key character gets a storyline of their own, which intercut nicely with the overall arc. For every question answered, there's a new one raised, so you're never bored. This is essentially a show about people, rather than solid sci fi, which is a definite plus. Well worth buying the DVDs. I'm sure Season 3 will be equally fantastic. I can't wait. A+++