Cache-cache

The set up is kind of fun, then the center of the film gets a little boring, then secrets are revealed and you realize you've been lobotomized by stupidity. Elizabeth Shue's cleavage is the best supporting character in this otherwise teeth grindingly dumb movie.

The movie is about as light an R as you can get. It tiptoed past the PG-13 with a little bit of blood, but I have to wonder if they wanted the PG-13 and were surprised by this rating.

Here's a question: what is the tipping point in DeNiro's career that took his from greatness to these crap dwellings? Even Angel Heart is a masterpiece compared to most of the schlock we've been getting from Bobby during the last DeCade. To the real Robert De Niro: Come out come out wherever you are!

This was okay but nothing special. Frankly, I hate to see a young likable talent like Dakota Fanning play morose, ugly roles like this. Let her be a kid who laughs, has fun and acts like a kid, such as she did in "The Cat In The Hat." Since then, she's playing in rougher and rougher films although "Dreamer" with Kurt Russell, I am told, is a nice film.

Anyway, you know that with her and Robert De Niro, you're going to get some excellent acting. The movie also offers a lot of suspense. While it was not fun seeing a young girl mentally tortured and depressed all the time, it was nice to see De Niro play such a low-key role for most of he film.

I would think, without giving anything away, that one viewing of this film would be enough, even if one likes it. Once you know the ending, well......

If you are not a big fan of either Fanning or De Niro (I am) , I wouldn't even give it one viewing.

Maybe Robert De Niro's doctor in Godsend (2004) went to the same medical school of horrors as his Dr. David Callaway in Hide and Seek, this year's De Niro toss away film, from which he deposits his considerable paycheck along with cash from Meet the Fockers. Why he doesn't concentrate his fortune and connections (as Clint Eastwood does) to craft an artful small film that would allow his acting gifts is the only mystery for me from his prolific but arguably spotty career.

Young Emily Callaway (Dakota Fanning) has lost her mother (Amy Irving) to suicide. Psychologist dad moves her to an older, rambling house in the woods in upstate New York to start a new life. Not new are the abundant clichés of the horror film: the suspicious neighbors, whom director John Polson makes as creepy as possible; the questionable sheriff; the doors leading to scares; the mutilated dolls; Emily's imaginary friend, Charlie, who appears to be causing numberless offenses in the house; and knives placed as objects of intrinsic interest; and a vulnerable girl friend, Elizabeth (Elisabeth Shue). I stopped counting, for the film is one extended cliché after another.

The interest for serious filmgoers might be the depiction of the psychological stat after a loss to suicide. Whatever the term might be such as "post-traumatic stress disorder syndrome," the film does a credible job showing how difficult it is for Emily to lead a normal life after the loss of her mother (and for her father as well). While there are echoes of Stephen King (The Shining's "Here's Johnny" comes to mind) and Hitchcock (think shower scene), there is no comparison in quality with those classics. The audience at the preview enjoyed some of the stock shock moments behind the many closed doors. Hide and Seek will titillate horror fans but disappoint discerning film buffs, who look for some believable edge and innovation.

Milton in Paradise Lost expressed the descent from happiness to despair: "Farewell happy fields, Where joy forever dwells: hail, horrors!" Hide and Seek is not a classic horror film; it is a classic underachiever.

Movie Buffs (snobs) will not be surprised by the stereotypical Hollywood ending, but the movie is not too bad throughout. Dakota Fanning puts on the typical scary little girl show to a above average level, and the cinematic action will make you squirm in your seat a few times. Therefore this movie isn't one that I would say you definitely need to see, but if you have some time to waste its a pretty good time. Also it gets bonus points for being a good date movie. The absolute worst thing about this movie is its lack of humor, though the dark overtones are necessary for a true horror movie there needs to be an element of humor(saving The Exorcist), even the Ring had its moments at the beginning with the two girls in the bedroom, this movie has no humor which makes us feel very little for the characters. This is the major downfall, but its still worth a viewing.

Widower David and his daughter Emily leave the big city for the country after the tragic death of the Misses. Due to the fate of her mother Emily is going through a tough patch, one might say she has some issues when weird things like mutilated dolls and dead animals appear. But the clincher is her new found "imaginary" friend Charlie. As Charlie asserts himself more and more, darker things start to happen and we all know what that means.

Not a horrible film but the script is horribly clichéd. I enjoyed myself but not quite the way the filmmakers had in mind. My friend and I traded quips back in forth as if we were at our own MST3K party or something. I noticed many others in the audience doing the same so we weren't alone. DeNiro was solid if a bit restrained. Fanning is a pretty good actress for a ten year old. She held her ground with DeNiro and even bested him several times. Hell she barely blinked for the first 45 minutes of the film. The direction wasn't spectacular, not overly flashy but didn't need to be. The script…ahh the script is where the film skids into a tailspin. A veritable Frankenstein's Monster of plots, devices and red herrings that served other films well but became a tepid pool here.

Disappointing but not a total waste of time if you can forgive its shortcomings.