Ajouter une intrigue dans votre langueAntoine Fuqua's documentary on the blues, shot at Radio City Music Hall in New York City.Antoine Fuqua's documentary on the blues, shot at Radio City Music Hall in New York City.Antoine Fuqua's documentary on the blues, shot at Radio City Music Hall in New York City.
- Prix
- 1 victoire et 2 nominations au total
India Arie
- Self
- (as India.Arie)
Avis en vedette
Lightning in a Bottle was not exactly what I expected. I went into the film expecting more of a documentary, and came out with more of a concert film. Yes, there were bits of history in the film, which were well presented. I am not terribly knowledgeable on the blues; just having enjoyed the music rather than learning it's history. Regardless of what I expected versus what I got, I enjoyed the film.
My favorite scene was simply a great camera angle. Watching Buddy Guy play, from below the guitar, while the light streamed between his deftly moving fingers gave me a feeling that is difficult to describe. Something about the light, and the music, and the hands that brought me there.
Several of the musical numbers were outstanding, notably Buddy Guy, BB King, Natalie Cole and Bonnie Raitt. I also enjoyed some of the "oldsters" like Hooker and Clarence Gatemouth Brown.
When Angélique Kidjo convinced Buddy Guy to come back on stage and accompany her on "Voodoo Chile" I was amazed! She was so full of energy, and she had that old pro wrapped around her tiny finger as she strutted on stage. To me, the performance was electric, and the smile on Guy's face makes me think he agreed.
I also enjoyed watching India.Arie perform Strange Fruit. Her voice is soothing, and there was an underlying passion that I think embodies the blues.
As for Lightning in a Bottle...I think it was described in the film, but not named specifically. It was said that you can write down all the lyrics, and the notes, there is still unmistakably something not present on the page. It takes a blues artist to find the missing essence and infuse it into the performance. If we could bottle it, we'd be millionaires, huh?
My favorite scene was simply a great camera angle. Watching Buddy Guy play, from below the guitar, while the light streamed between his deftly moving fingers gave me a feeling that is difficult to describe. Something about the light, and the music, and the hands that brought me there.
Several of the musical numbers were outstanding, notably Buddy Guy, BB King, Natalie Cole and Bonnie Raitt. I also enjoyed some of the "oldsters" like Hooker and Clarence Gatemouth Brown.
When Angélique Kidjo convinced Buddy Guy to come back on stage and accompany her on "Voodoo Chile" I was amazed! She was so full of energy, and she had that old pro wrapped around her tiny finger as she strutted on stage. To me, the performance was electric, and the smile on Guy's face makes me think he agreed.
I also enjoyed watching India.Arie perform Strange Fruit. Her voice is soothing, and there was an underlying passion that I think embodies the blues.
As for Lightning in a Bottle...I think it was described in the film, but not named specifically. It was said that you can write down all the lyrics, and the notes, there is still unmistakably something not present on the page. It takes a blues artist to find the missing essence and infuse it into the performance. If we could bottle it, we'd be millionaires, huh?
I rented this DVD tonight, and was extremely impressed with the entire program. An amazing house band led by drummer extrodinare Steve Jordan, backing the absolute cream of the crop of blues legends. Not to mention some surprising performances by some new artists paying homage to the greats of the blues. Being a huge blues fan for at least 25 years, I was shocked to accidentally run across this DVD in my local video store. For one, I didn't even know it had been made..and I was also amazed that our video store had the good taste to stock it on their shelves. My next move is to buy a copy for my own collection. One of the strangest things to me is that some of the best songs on this collection are only found in the bonus tracks and did not make the feature. For example an incredible version of "The Sky Is Crying" by Warren Haynes (one of the greatest white guitarists alive) and the legendary Gregg Allman. Plus some other great gems, from Buddy Guy and others. If you love the blues, do yourself a favor and see this movie. I plan on seeing it many more times myself. A totally inspirational music film for lovers of ANY music. I give it two thumbs up and the rest of my fingers too.
This is a concert film more than a documentary. Anthony Fuqua directed a show that has been recorded for posterity and for those of us, unfortunate enough, not present in the audience. The whole purpose of the concert seems to be to pay a tribute to all the great musicians that have made the blues a musical genre that is unique. This is music derived from the pain of whoever is experiencing it, who obviously is going through a rough patch in life.
Some of the best interpreters of this type of music are seen on stage. Most of the old timers that performed have had distinguished careers and are still around to delight us, their fans with their renditions on these, mostly, sad songs in a way that gives us the viewers pleasure by watching them.
The best way to appreciate this film is to let it surround you and enjoy a couple of hours in excellent company.
Some of the best interpreters of this type of music are seen on stage. Most of the old timers that performed have had distinguished careers and are still around to delight us, their fans with their renditions on these, mostly, sad songs in a way that gives us the viewers pleasure by watching them.
The best way to appreciate this film is to let it surround you and enjoy a couple of hours in excellent company.
I really enjoyed this movie. It was a mixture of Blues history, music, interviews and historical footage - heavy on the Blues music. It was a treat to have some of the oldies, especially Buddy Guy, getting intense and passionate while doing their music. "Voodoo Chile" was magical. I also enjoyed the younger/newer artists doing covers on some of the songs. I would have given this movie a "9 or 10" except for one inappropriate performance. Chuck D did his sloppy version of one of the classics and used it to interject his negative opinion of President Bush. It didn't fit the rest of this "classy" film. I highly recommend this film to anyone that likes the Blues. It would be an especially good film to watch with a few music-loving friends because it feels like you're getting a personal concert. Check it out!
penseur wrote about Buddy Guy's rendition of Jimi Hendrix's Red House. Red House is an old blues standard that a million people cover, so Guy wasn't covering Hendrix he was just playing Red House.
I don't mean to nitpick but it's frustrating when I see things like "Clapton's I Shot the Sheriff" or "Aerosmith's Train Kept A Rollin". Covering blues tracks is a fundamental, and great, part of rock and roll, but the songs should be remembered for what they are, not some mega-bands rendition of them. Led Zeppelin's first album was almost entirely blues covers and it was awesome. Those guys constantly give credit to the great American blues legends. Without them there is no Led Zeppelin.
I don't mean to nitpick but it's frustrating when I see things like "Clapton's I Shot the Sheriff" or "Aerosmith's Train Kept A Rollin". Covering blues tracks is a fundamental, and great, part of rock and roll, but the songs should be remembered for what they are, not some mega-bands rendition of them. Led Zeppelin's first album was almost entirely blues covers and it was awesome. Those guys constantly give credit to the great American blues legends. Without them there is no Led Zeppelin.
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- How long is Lightning in a Bottle?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Молния в бутылке
- Lieux de tournage
- Radio City Music Hall - New York City, New York, États-Unis(concert venue)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – États-Unis et Canada
- 201 711 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 5 300 $ US
- 24 oct. 2004
- Brut – à l'échelle mondiale
- 201 711 $ US
- Durée
- 1h 43m(103 min)
- Couleur
- Mixage
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