ÉVALUATION IMDb
5,8/10
1,6 k
MA NOTE
Ajouter une intrigue dans votre langueTwo suburban couples experiment with sex, drugs and bohemia in early 1970's Los Angeles.Two suburban couples experiment with sex, drugs and bohemia in early 1970's Los Angeles.Two suburban couples experiment with sex, drugs and bohemia in early 1970's Los Angeles.
- Prix
- 1 victoire et 2 nominations au total
Barbara Ann Duffy
- Model
- (as Barbara Duffy)
Lola Kelly
- Model
- (as Deirdre Gaffney)
Histoire
Le saviez-vous
- AnecdotesThe Japanese Mae West in the orgy scene who says, "Murray, peel me a grape" is Anna Biller's mother Sumiko, dubbed by Bridget Brno. The guy at the bar in the brown plaid suit behind Rick is Anna's father Les Biller. He originally had one line as a drunk.
- GaffesThe $50 bill that Clyde gives to Mrs. James is clearly a modern-day "big-head" bill, not a 1970s-vintage currency.
- ConnexionsFeatured in SexTV: Pornscapes/Viva/Forbidden City (2007)
- Bandes originalesCamille 2000 Titles
Composed and Performed by Piero Piccioni
From the OST "Camille 2000" ET 905 (Easy Tempo)
Courtesy of Right Tempo SNC www.righttempo.net
1970 Piero Piccioni (P) 1998 right Tempo SNC
Commentaire en vedette
An affectionate send-up of 60's and 70's sexploitation schlock, Viva is the brainchild of star, writer, director, producer, editor Anna Biller. Word has it she also catered the film, drove the actors to set and held the boom while simultaneously acting in front of the camera. I'm only half kidding. But it illustrates a problem with the film which is that with one person assuming so many of the key creative roles there's the risk of a loss of objectivity in the creative process and fewer people to hold the tendency towards self-indulgence in check.
Watching Viva, I couldn't help but feel it would have made a great short. There's about thirty minutes of interesting material here stretched out over a two hour running time. Once you get what the film is going for in its beginning act with the intentionally stilted performances, the mod set design, the garish color palette, Viva holds few surprises the rest of the way. That isn't to say the film is without its pleasures. Biller has the look of those films down pat - the aforementioned set design, the cinematography, the hair and makeup are completely evocative of the type of film-making Russ Meyer, Italian director Pasquale Campanile et al. made their names in back in the day. The performances, though, are uneven. Biller is fine as the titular character but some actors (notably the actor playing the hair dresser) do everything but look straight into the camera and wink directly at the audience. There's an art to acting in this kind of satire (see the Planet Terror portion of Grindhouse.
All in all, an interesting addition to what seems to be an emerging trend of films that attempt to revive long dead genres apparently beginning with 2003's Down With Love and then gaining mainstream popularity with Robert Rodriguez's Sin City in 2005.
Watching Viva, I couldn't help but feel it would have made a great short. There's about thirty minutes of interesting material here stretched out over a two hour running time. Once you get what the film is going for in its beginning act with the intentionally stilted performances, the mod set design, the garish color palette, Viva holds few surprises the rest of the way. That isn't to say the film is without its pleasures. Biller has the look of those films down pat - the aforementioned set design, the cinematography, the hair and makeup are completely evocative of the type of film-making Russ Meyer, Italian director Pasquale Campanile et al. made their names in back in the day. The performances, though, are uneven. Biller is fine as the titular character but some actors (notably the actor playing the hair dresser) do everything but look straight into the camera and wink directly at the audience. There's an art to acting in this kind of satire (see the Planet Terror portion of Grindhouse.
All in all, an interesting addition to what seems to be an emerging trend of films that attempt to revive long dead genres apparently beginning with 2003's Down With Love and then gaining mainstream popularity with Robert Rodriguez's Sin City in 2005.
- Mr_Bombdiggity
- 14 avr. 2007
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- How long is Viva?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Вива
- Lieux de tournage
- société de production
- Consultez plus de crédits d'entreprise sur IMDbPro
- Durée2 heures
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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