La fille à un million de dollars

I don't know why, but I went into the theater thinking I was about to see a female Rocky Balboa kind of deal. I left the theater in a daze. Overwhelmed by the simple truth of its conclusion. My hat to Clint Eastwood. What an extraordinary career. An artist of enormous proportions so well camouflaged behind a shy smile and a charming, clumsy attitude. I remember focusing on Clint Eastwood through a very different lens after sitting through "Pale Rider" a mythological, lyrical western. Actors love him because he, clearly, doesn't lie to them, doesn't kiss their asses. He quite simply gives them room to maneuver. Even someone like Meryl Streep, felt freer and capable to stretch herself all the way to Italy under his wing. Sean Penn, Kevin Bacon, Tim Robbins, Jude Law, Morgan Freeman, Gene Hackman yes mostly men but there was also, other than Meryl Streep, Genevieve Boujold. Marcia Gay Harden, Laura Linney and now Hillary Swank with a performance that not even "Boys don't Cry" could predict. The film is a triumph in every department. My stomach ached from feeling. That's a compliment Mr. Eastwood. Thank you very much.

No words will do justice to this movie. Just watch.

It would be difficult to imagine a more perfect trio of performers the likes of Hilary Swank, Clint Eastwood, and Morgan Freeman in their respective roles in the emotionally-charged "Million Dollar Baby."

My favorite scenes were the early sequences in which Maggie (Swank) visits the dowdy boxing gym and co-opts Eastwood's crusty boxing trainer Frankie into becoming her mentor. Along with the veteran, retired boxer Eddie, played by Freeman, the performances were as electric as the Ali shuffle.

In the overall arc of the story of "Million Dollar Baby," there were three extraneous subplots: (1) Frankie's visits to church and his talks with the priest; (2) the story of the mentally-challenged young man named Danger, who appears in the gym and is taunted by the boxers; and (3) Maggie's family members introduced in two scenes filled with such vulgarity that much of the film's hard-earned credibility was lost. Not only would the film have worked effectively without the subplots, it would have been a much better film without them.

While Eastwood's direction was superb, much credit should also go to the designers, especially the stylish work with lighting. I cannot recall a film as dimly lit as this one, and the subdued lighting contributed substantially to the characters and mood evoked in this sensitive film. The three main performances were standouts. But this film was also a very successful team effort.

Wow- what an incredible movie! There are so many layers to this film, one could almost see it 4 times and get something new out of it every time. I loved first and foremost its message that we create ourselves through our drive, loyalty, ambition, dedication, and work. Secondly, I love its insistence in the good of the American Dream, and I loved its excitement and beautiful, touching message toward the end. A movie about violence and ambition that evolves into a movie about love, hard-earned sacrifice, and doing something meaningful with one's life. Grade A entertainment with a beautiful message to boot! Hilary Swank and Clint Eastwood should both win their second Oscars for their contribution to cinema.

Clint Eastwood is a legendary film personality. I am a great fan of his. As an actor, I had my reservations with him, but as a storyteller, I have truly inhaled him. 'Million Dollar Baby' is amongst his finest films, a superb film, that almost reaches a Landmark level!

About a hardened trainer/manager works with a determined woman in her attempt to establish herself as a boxer. 'Million Dollar Baby' begins with some humor, then it improves itself into becoming a motivational punch, but ends as a dry and depressing saga. I adored almost everything about the film, except the final 20-25 minutes. The culmination is very depressing. In fact, one just doesn't imagine it would have to end this way! But in all fairness, this one is a winner!

Eastwood's understanding to the subject is objective and that's biggest plus point. Tom Stern's Cinematography is splendid. Joel Cox's editing is razor-sharp.

In the acting department, Hilary Swank delivers a Knock-out performance. She is the life of the show. Morgan Freeman is wonderfully restrained. Eastwood's performance, is a pure of example, of apt multi-tasking. Jay Baruchel as Danger, is flawless. Anthony Mackie is his usual self. Brian F. O'Byrne is passable.

On the whole, the list of accolades this 2004 flick received is truly unprecedented. It's got a legendary tag. From this writer, Thumbs Up!