Doc Martin

Doc Martin is as close as it gets to perfection. Martin Clunes and Dominic Minghella should (and I'm sure do) take intense pride over their creation. The writing is the best in the business, the director Ben Bolt is amazing, and the acting is subtle, natural, hilarious and touching. In addition to Martin Clunes, Caroline Catz has shown herself to be one of the best of her generation. And the scenery and music, of course, are beautiful.

Pleeeeeeaaaaaaaase, please, please Mr. and Mrs. Clunes: Don't sell out to us Yanks. Let the American version of Men Behaving Badly be your guide...Don't do it, ever, under any circumstances!

I love a good TV series/drama, and Doc Martin is exactly that and more. Every time it comes on, it always makes my night, and is consistently wonderful and engrossing.

Doc Martin has some beautiful production values. The photography is always skillful, but I just love the beautiful, almost picturesque scenery. The music is lovely too, not just the accompanying music in scenes but the main title theme too.

Where Doc Martin also scores is in the writing. Of all the shows on ITV, this for me is one of the most consistent in terms of written quality, always being funny, subtle, honest and touching. The story lines are also very well explored, any issues or problems the characters face are done in a gripping way that doesn't patronise or offend.

The direction is great too, while the pace is never too rushed or too slow and each episode is a perfect length and leaves you satisfied when it ends.

The characters are always engaging, especially the title character, who is really quite lovable once you get to know him. The acting helps to make these characters likable, Caroline Catz and Ian McNiece are always great, but it is Martin Clunes who holds the show together and he is brilliant. I quite liked Clunes even before this show, especially in Goodbye Mr Chips, but after seeing him here I confess I love him even more now.

All in all, just wonderful and I am amazed how consistently strong it is. 10/10 Bethany Cox

Doc Martin is so unusual and wonderfully off-kilter that it becomes addictive within 20 minutes of exposure.

The titular Doc is a guy who was probably a curmudgeon before puberty. He's a surgeon from sophisticated, worldly London who moves to (fictional) Portwenn on the coast of Cornwall because he suddenly becomes ill at the sight of blood. This is not a good omen for a surgeon. He quits to become a general practitioner and he's satisfied, thanks very much, with checkups, prescriptions and referrals.

The foul-mannered, blunt-spoken Doc smugly considers himself above the crowd, but he soon learns he is really BELOW the crowd, out of step with Portwenn's eccentricities, value systems and peculiar burghers, who make the mere lunatics of London look normal by comparison.

Martin Clunes is terrific in the lead role. He is a tall, charismatic and not exactly handsome actor who looks like he would be more comfortable playing cops and heavies. He is, instead, a consummate comic actor. His facial and physical comedy, his frequent bouts of exasperation and bewilderment, are things to behold. (Note: some wags have compared him to 'House,' from the popular TV drama of the same name. House is played by Hugh Laurie, another splendid Brit, and that's about where the comparison begins and ends. They are two very different characters in two very different shows.)

Portwenn's local population, with its twisted logic that somehow makes perfect sense, is represented through the tour-de-force acting of supporting players: Bert (Ian McNeice, who always dazzles playing offbeat, world-weary philosophical characters); Louise (the charming and beautiful Caroline Catz), who either loves Martin or wants to kill him; corn-rowed Elaine (lovely Lucy Punch) as the ditzy assistant with her own set of secretarial ethics; and Doc's Aunt Joan (the great Stephanie Cole, who has been delighting audiences since the 1960s).

Dominic Minghella, he of the Minghella mob of talented artists (brother Anthony directed 'The English Patient'), is the brains behind this brilliant controlled chaos.

Don't miss this program. TV shows that are both funny AND intelligent are the rarest of TV fare.

And a fast footnote: let us all bow our heads and pray that Hollywood doesn't try to remake this.

I thought that the story of an arrogant top-flight London surgeon trying to run a practice in a chummy town in Cornwall would make for a one-note fish-out-of-water series, but instead it has been a delight every week. Doctor Martin Ellingham, for a reason that will be revealed later in the series, decides to transplant himself to a seaside village in Cornwall where he spent a few summers as a child with an aunt, who presently runs an organic farm there. Being a terse, intensely closed, firmly impersonal fellow, he is appalled at the ways of the village people who consider themselves as one big, happy, nosy family. Of course, in a series like this, we expected the clash of cultures between the coldly efficient doctor and the quirky little town to be the main storyline, but it is the diversity of their quirkiness (some of which will surprise you!) and the inventive medical cases that call the doctor's attention, and the personal incidents that test his patience, that will keep you coming back for more each week. While there is a lead cast -- Doctor Ellingham (who intensely dislikes the too familiar "Doc Martin" that people insist on calling him), the head schoolteacher who develops an interest in him, despite herself, the affable teddy bear of a police constable, the exasperating receptionist with a chip on her shoulder, and the jokey, prank-loving plumber played by the wonderful Ian McNeice -- none of the characters that show up fleetingly in the beginning is actually a one-off. Eventually, everyone's back story is brought to the fore. This makes the town more and more three-dimensional and you may find yourself caring quite a lot for the individuals that make up this engaging little village; yes, even for the irascible doctor, whose own back story is rather quite poignant and makes his unbending personality more understandable. The best thing about the series is that it accomplishes all this without the schmaltz that usually ruins programs of this genre. For intelligent, humorous and charming entertainment, spend an hour in the village by the sea of Doc Martin. Who knows? Maybe someday, people will be trying to find Portwenn in the same way that fans of veterinarian-writer James Herriot have been looking for his fictional Darrowby. I would certainly give it a try.

I do not understand why some people do not understand why they love this series nor understand why they love Doc Martin. Some dedicated viewers really don't understand why they are so hooked! So I shall tell them why they love Doc Martin. Doc Martin is real. I am a registered nurse and have worked in the Operating Room (theater, if you are picky) and I can tell you this man exists. That is why I switched to the Medical Floor, to get away from the Doc Martins of the hospital. Good grief, they are intimidating. It takes years to find out how weak and vulnerable and sad they are. When a patient codes and doesn't make it, the Doc Martins of the world are left to handle their grief and feelings alone. Isn't that sad? We notice (and love) Doc Martin first of all because he oozes alpha male chemistry and we react to that with a mixture of love and hate, contempt and admiration. We love him second of all because he has transcended most of his feelings (unlike us) and has moved to a higher plane of capability because of it and we benefit from his capability and confidence. We love him thirdly because he needs our love and he has been so mistreated and has such voids within him. There are all kind of subtle clues that Doc Martin is wonderful, but none so telling as the fact that dogs love him and are not impressed by his screams and sneers. You cannot fool a dog! Why does America love this series so much? Because the British do a much finer job than we do at so many many film endeavors. From the impeccable casting to the brilliant writing and believable dialogue to the ability the British have to plumb the depths and soar the heights of human drama and comedy without having holes and gaps that need filled with obscenity or worse. Thanks to the British for their genius. They are even brilliant in the way they use color to match the characters to the environment and create an ambiance that disarms the viewer. I love British films and "Doc Martin" best of all. I suspect another reason America is enthralled with the Doc Martin series is because we Americans are having socialized medicine crammed down our unwilling throats, and watching socialized medicine in action adds a certain little touch of horror spice to the story that Brits probably do not even notice.