Plus étrange que fiction

With his unassuming eyes and sheepish, "awe shucks!" demeanor, Will Ferrell is quite simply the guy you root for—the eternal boy trapped in a gangly 6'3" frame. Just a single look can make you giggle and smile so effortlessly that you're often unaware that you're actually doing it. It is with this notion that Stranger than Fiction—Ferrell's first major foray into a theatrical world outside the realm of in-your-face frat boy silliness—just makes sense. By surrounding Ferrell's charisma with a subdued, darkly comic script and a talented supporting cast, we get a film that is both fresh and heartfelt.

Directed by Marc Forster and penned by Zach Helm, Stranger than Fiction is an odd mix-mash, combining a standard comedy with existentialist ideas. Number crunching IRS agent and genuine loser, Harold Crick (Ferrell) one day wakes up to find his life being narrated word for word by burnt out writer Karen Eiffel (Emma Thompson). Odd thing is, Eiffel is writing an actual book where Crick just happens to be the main character. To make matters worse, she plans on killing him off as soon as she can make it through a particularly arduous stretch of writer's block.

Originality is one thing that is absent from a majority of contemporary Hollywood pictures, so Fiction immediately gets points for simply trying something different. I suppose it's icing on the cake that the film is genuinely good. Crick, knowing that is death is imminent, begins to break out of his cloistered shell and to experience the fruits of his life. And, in the process he forms a bond with a tax breaking baker (Gyllenhal) and seeks advice from a literature professor, played by a particularly charming Dustin Hoffman

However, even though it is well intentioned, the execution isn't flawless. The romance that develops between Gyllenhal's outcast baker and Ferrell's strait-laced Crick doesn't feel entirely organic. We admire the relationship and smile at its sugar coated sweetness, but we don't necessarily believe their connection. It may taste good, but it doesn't exactly wash down smoothly. Neither, does the film's over reliance on reinforcing generic, "Carpe Diem" philosophies. Towards the second act, things do get sappy. Luckily, by the conclusion, the plot has bounced back to a wonderful limbo of both oddly comic and genuinely heartwarming moments.

For all its flaws, Stranger than Fiction, works. Like a good novel, Forster has fashioned something that is strange, stylistic, and unexpectedly inspiring. And, despite the chinks in its existentialist armor, that's surely something worth writing home about.

This movie was such a great surprise! I saw this at an advanced screening just days after suffering through Marie Antoinette. What a pleasant escape! The cast did an outstanding job. Who doesn't love Will Ferrell, but to see him in this role gives me a whole new level of respect for him as an actor. He simply shines on screen! Maggie Gyllenhaal is a delight. Emma Thompson is brilliant as always. Simply wonderful! The writing was terrific. It was so nice to see a movie that could make you laugh and think (not too hard) at the same time. Direction was well done as well - it was even visually appropriate.

Go see it and take a friend. You will laugh and be happy for a change after leaving a movie.

"Stranger than Fiction" is the complex tale of a simple IRS man named Harold Crick (an appealing Will Ferrel) who one day awakes to his own voice-over narration only to find he is the unwitting main character in the new tragic novel from acclaimed author Karen Eiffel (an excellent return to form for Emma Thompson). Imagine a Charlie Kaufman penned film where all the cynicism and nihilism is replaced with an endearing and heartfelt melancholy that creates a surprising amount of emotional involvement in characters who would've otherwise been over-reaching literacy devices, and you'll get a feel for the sincere type of entertainment Marc Forster's film provides.

Forster, with his keen eye and eclectic visual sense, populates the film the sharp and contrasting visual angles, camera tricks, and in-frame oddities (like the play with numbers) constantly keeping the viewer engaged and on their toes. Fun supporting turns from Dustin Hoffman as a literary theorist employed by Krick to help find out if the story he is in is a comedy or tragedy, and Queen Latifah as Eiffel's no-nonsense publishing assistant help guide the viewers through imaginative stretches that are occasionally too clever by half. Ferrel gets to show some nice range here, and much like Robin Williams did with "The World According to Garp" and Jim Carrey did with "The Truman Show," graduates with honors into more high-minded quasi-serious roles. His co-lead Thompson is subtly method and well studied as the reclusive sociopathic author who just can't help killing her characters.

What really seals the deal is Maggie Gyllenhal as Farrell's love interest, the anti-establishment baker he is assigned to audit. She literally lights up the screen. There's one expertly framed and perfectly lit shot of her standing outside her townhouse inviting Farrel in for the night where the light from street lamp off screen is filtered in through the shadows of tree branches and hits her face in such a way that in that brief flickering frame you become insanely happy to be watching such a pleasant marriage of literary concepts inside a visual medium. At this point you don't care how the film ends. You're just grateful to experience that giddy moment of pure movie entertainment.

I have been very surprised recently that I have actually enjoyed several Will Ferrell movies. Why surprised? Well, to put it bluntly, most films made by ex-Saturday Night Live performers have been pretty wretched (though there are some exceptions) and I usually avoid them like the plague. With films like DR. DETROIT, NEIGHBORS, A NIGHT AT THE ROXBURY, FUNNY FARM, BEST DEFENSE, HERE'S PAT, etc., it's easy to understand my misgivings. However, despite my strong bias, I must admit I really enjoyed TALLADEGA NIGHTS as well as STRANGER THAN FICTION--though they are both very, very different movies.

While TALLADEGA NIGHTS is extremely silly and a great parody, STRANGER THAN FICTION is not exactly a comedy, though it has some nice comedic moments. Instead, it's a fantasy, comedy and romance all rolled into one and it was nice to see Ferrell finally underplay a role. His character was extremely obsessive-compulsive and emotionally constricted--yet this was NOT played for laughs--an excellent decision.

The film initially seems a lot like the old skits on "The Carol Burnett Show" which featured a writer typing a story and you saw actors playing it out as if they were real. However, the simple story idea was drawn out but didn't seem padded and offered some lovely insights into deeper philosophical issues. It was NOT a film for dopey teens or an undemanding audience, but a thoughtful and intelligently constructed film that caught my interest.

If you are looking for screwball comedy or lots of laughs, then you will no doubt be disappointed. However, if you watch the film with few preconceptions and expectations and have an open mind, I am sure you'll enjoy the film. It's nice to see that I was wrong about the film and the "SNL curse" did not seem to apply.

this off-beat movie is the opposite of predictable. i love the fact that the humour is subtle and over-acting does not live here. it's saying something that it has the spirit of groundhog day. i now have to keep typing to meet the draconian minimum review length of 5 lines. so like most people i probably wont bother in future.