4

thank god ilya K made this film, even though it doesn't add up to anywhere near as much as it could have.

This is in many ways a very talented first-time directors art-house showcase film, pinching ideas willy nilly (not least from a certain Russian photographer) and rubbing the audience's face relentlessly, and to some degree a little unnecessarily, in his inventiveness. If it was calculated to make him the darling of festivals, which I'm sure was hardly the main point, it worked.

Does it hide its shock tactics structural weaknesses (the second half is a real, repetitive mess) behind notions of the auteur, of interpretive demands that must be made on an audience, on "social comment", and the usual avant=gardist stuff? Yeah, it does. That doesn't mean it's worthless. You just wish that Ilya K and Sorokin, apparently a great novelist, had thought a little more about cinematic narrative forms and what you can do with them.

That said, it's an unforgettable, beautiful mess of an artwork.

Strangiest movie that brings us back to so-called "parallel cinematograph" that used to be in ex-USSR in 80-s. Wonderful hand camera (long and wide views at the same tome), actor playing, "parallel" artifacts and so on will definitely bring you a lot of pleasure, especially for those who used to live in that country. See also: - "Nastroyschik" by Kira Muratova; - some early movies by Yufit like "Daddy, Santa Claus is dead". What is something exceptional is its sound - full of screaming birds, industrial sounds. It pressed me down to feel the movie as i needed to feel it. Actor ensemble also deserves to be granted, specifically Shurov - leader of punk-ska band "Leningrad".

This is what we really can call "new Russian cinema".

My best recommendations!

I've seen this film some weeks ago. When i came out of the room, I was disturbed. The first hour is pleasant, showing us a funny conversation between three persons who are tying to create something interesting about their being. Then, the long trip in the strange land where degenerated old ladies live is mind shocking, repetitive and hard to see. But the effect is clear. When you felt the isolation, the promiscuity watching Dogville, Chetyre gives you the same medication with a ten times harder concentration. A few weeks after seeing it, you keep a clear and screeching memory. This film is an experience, it brings something different, some points of view are bothering, but a strange feeling added to gorgeous landscape remain in your head after seeing it.

I liked "4" very much. Its nothing to Hollywood-addicts but it really uses the media in great way. If you accept that the story is in some way a spherical aberration there's are lots of scenes who are really spicy. It shows in a humoristic and absurd way some views of maybe Russians prejudice but also intensified. The long walk in the mud is relay long but a nice and artistic way to show it. The party and drinking with the old Russians woman are gorgeous. The long dialog in the beginning is interesting and it works... The theme 4 (things) is an entertaining thread and many very very fine just nice scenes with a great photo. It's a Russian "shortcut"

4 stray dogs on the street open the film. 4 persons (3 customers and a bartender) accidentally meet at a bar late night. The three drinkers make up their alternate fictional professions. The woman among them is one of 4 sisters. This woman Marina, (played by actress Marina Vovchenko) meets up with two of her other sisters (played by real life sisters, if we go by their surnames and physical similarity). The fourth sister just died. Dogs are everywhere, following all the characters--at the meat factory, at the village to eat up the dolls (made up of chewed up bread!), following the thief who robs the watch on the hand of one of the initial three drinkers at the bar. There is a Muslim who breeds bizarre round piglets (genetically modified?) and kicks a dog (2 animals devout Muslims hate to deal with) and is promptly reprimanded for his action by a non-Muslim. 4 planes take off with prisoners who are forcibly trained to be soldiers. The village reminds one of the derelict world of Tarkovsky's "Stalker" The odd male in the all-female village commits suicide.

There is some fascinating elements to the film (script by Vladimir Sorokin. Does the film belong to the director Ilya Khrzhanovslky (his debut feature film) or to Sorokin or to both? The film is audacious and critical of modern Russia.reminding one at times of Joseph Heller's "Catch 22." Somewhere, the mad script comes together. Reminds one of another debut film --this time from China--Bo Hu's "An Elephant Sitting Still" (2018), This film could have had an alternate fitting title "4 dogs not sitting still."