L'exorciste: Aux sources du mal

In all honesty, I have to say that between this work, and the Remy Harlin Exorcist prequel, the story is told, and told well. Unfortunately, you NEED to watch both versions in order to GET the whole story and see effects worth seeing.

I don't know which is worse, to make two versions of the same movie, and have them both fall short, or to have waited 30 plus years to get the story in the first place.

Either way, if you're an Exorcist fan, I highly recommend viewing both versions to get the whole picture.

It's neither worse, nor better than the Remy Harlin Version, and rates a 5.0/10 from...

the Fiend :.

I had wanted to see this film for ages, even before seeing the terrible Renny Harlin version. Renny Harlin!? What the hell were they thinking? I missed it on its limited cinema release, but eventually saw it on DVD, and as much as I want to say that I enjoyed it, I can't. I can honestly see now why they weren't happy with the final product, but to completely re-shoot it, and to hire a director like Renny Harlin, is just madness.

The main problem I had with the film was the complete lack of atmosphere, and that should be the main thing with an Exorcist film. There was no feeling of fear or any creepiness in the film at all. It was all very bland.

It's good to be able to compare the two films. Harlin's version is a Hollywood dumbed-down horror action film, while Schrader's film is a slower-paced, thinking person's version, but unfortunately lacking in any real horror moments.

I really was hoping I would have enjoyed the film, but I have to be totally honest and give my true opinion Overall I would rate the film 6 out of 10, maybe even 5 out of 10. The Harlin version would be less than that.

I was among the lucky ones to see this film in Brussels too. Are you going to like this film or not ? Well it all depends on what you expect. As a horror film fan, for me there is no doubt : no one will ever make a better Exorcist film as William Friedkin's original. They can make 100 more exorcists, the 1st will remain the reference, it was innovating in many ways. Exorcist 2 took its best horror sequences from the first one. Number 3 was a cop movie. Now we have numbers 4 and 5 with the same story and even the same actors sometimes. So where is the difference ? I saw them both but I did not expect to see a better movie than the first. It is probably why I liked them both. So if you prefer horror, well see Harlin's one, it is a decent successor. And if you like Paul Shrader' s movies, I don't think you will be disappointed with his version, witch is softer but deeper. But please, as he said to the public before the film : forget everything you have seen about the exorcist movies before and watch the film with a open mind.

I found it fascinating at first, but it then dwindles to a boring talkie with a bit of action now and then. There were no real scares and it wasn't really frightening or disturbing, as we've come to expect from Exorcist movies. The CGI effects were very stocky, especially the animals. The hyenas were so stocky it was like watching a video game. As the film progressed, I related less and less to it, and later, found it very boring.

It's interesting that WB finally released this title - although a limited release - after shelving it then shelling out the money to have another director (an arguably lesser director) do it all over again. What did they thing Renny Harlin would give them that Paul Schrader hadn't? And if WB wanted a summer kid-flick-hit, what would make anyone with the power to sign a cheque think Harlin could do it? This Paul Schrader version is wonderful. It's intelligent, and probably the only follow up in The Exorcist franchise that succeeds on more than a monetary level. I'm not a Harlin fan - he directs without vision. But I think from a purely academic stand point, it will be interesting to pair up both versions - Paul Schrader's and Renny Harlin's - of this movie on DVD and see the differences of where an insightful director will go and how a limited director doesn't even how to get there.