Cette fois-ci, Jason Bourne cherche à reconstruire son passé, mais il est persécuté par un assassin.Cette fois-ci, Jason Bourne cherche à reconstruire son passé, mais il est persécuté par un assassin.Cette fois-ci, Jason Bourne cherche à reconstruire son passé, mais il est persécuté par un assassin.
- Réalisation
- Scénaristes
- Vedettes
- A remporté 3 oscars
- 29 victoires et 42 nominations au total
Edgar Ramírez
- Paz
- (as Edgar Ramirez)
8,0677.7K
1
2
3
4
5
6
7
8
9
10
Avis en vedette
90U
Great
The best one of the original trilogy it's non stop thrills and twists and amazing gripping story only gets better with every scene, Matt Damon was great again, Maybe in my opinion there could of been more action but that's just me but apart from that it's a very intelligent gripping film and should not be missed.
Bourne Again Fan
"The Bourne Ultimatum" begins recklessly mid-chase and in pulse-pounding fashion explodes from there as Jason Bourne (Matt Damon, absolutely superb) tracks down the masterminds behind the CIA black-ops that turned him into the perfect killer in a final attempt to learn his true identity. A devastatingly icy David Strathairn as the "man behind the curtain" is added to the returning cast of regulars including Joan Allen (excellent) and Julia Stiles (non-existent).
Like the second entry in the series, I wished Paul Greengrass' shaky hand-held camera would go static at least for the few minutes of downtime. However, that being said, it's a perfect way to capture the tense, claustrophobic feel of the intimate hand-to-hand-combat scenes and works equally well in the chase scenes which are mostly on foot and across rooftops with the occasional big car pile-up. Part of the fun of the Bourne series is the constant globe-hopping and manipulation of technology and communications that seem to defy the laws of physics and current capabilities. The Bourne films seem to exist in some sort of gritty hyper-reality that is full of technological-based magic. It makes no sense that everyone seems to be just in the right place at the right time, but I'll be damned if it isn't a blast to watch them get there.
With the absence of the emotive and involving Franka Potente, the writers attempt to create some emotional connection between Damon and Stiles, but she is so blank-faced an actress it never really leads to anything. Still, this can be forgiven, for unlike the "Identity" and the "Supremacy", this "Ultimatum" reveals all and we finally learn the truth about Bourne's past. It's an entertaining and satisfying conclusion to the series, and if they have any good sense, and Damon gets his wish, this will be the perfect end to it.
Like the second entry in the series, I wished Paul Greengrass' shaky hand-held camera would go static at least for the few minutes of downtime. However, that being said, it's a perfect way to capture the tense, claustrophobic feel of the intimate hand-to-hand-combat scenes and works equally well in the chase scenes which are mostly on foot and across rooftops with the occasional big car pile-up. Part of the fun of the Bourne series is the constant globe-hopping and manipulation of technology and communications that seem to defy the laws of physics and current capabilities. The Bourne films seem to exist in some sort of gritty hyper-reality that is full of technological-based magic. It makes no sense that everyone seems to be just in the right place at the right time, but I'll be damned if it isn't a blast to watch them get there.
With the absence of the emotive and involving Franka Potente, the writers attempt to create some emotional connection between Damon and Stiles, but she is so blank-faced an actress it never really leads to anything. Still, this can be forgiven, for unlike the "Identity" and the "Supremacy", this "Ultimatum" reveals all and we finally learn the truth about Bourne's past. It's an entertaining and satisfying conclusion to the series, and if they have any good sense, and Damon gets his wish, this will be the perfect end to it.
The original Bourne trilogy at its best
Finally getting round to seeing the original Bourne film trilogy, after hearing nothing but good things, there hasn't been any regret watching them. Wasn't sure initially as to whether they'd be my cup of tea or not, hence why it took so long to see them, but that was not the case.
'The Bourne Identity' was a very pleasant surprise, giving a fairly well-worn genre a much needed freshness. It had its imperfections, but was a very solid and even very good film with much to recommend and introduced a cast-against-type Matt Damon in one of his best roles. 'The Bourne Supremacy' was an example of a sequel that was every bit as good as its predecessor, maybe lacking its freshness but also made a few improvements along the way. The original Bourne trilogy ends with 'The Bourne Ultimatum', which has been regarded often as the best of the three, cannot disagree.
Some of the hand-held shaky cam is used a little too excessively (epileptics be warned!) and the ending could have been a little less frenetic and confused and had more careful tying things together and explanation.
Visually, on the other hand, a vast majority of the time 'The Bourne Ultimatum' like its predecessors looks slick and stylish with even more breath-taking locations. There were many instances when the hand-held shaky cam did intensify the tense claustrophobia of the atmosphere and intensity to very good effect, never making things incomprehensible.
Like 'The Bourne Supremacy', the music score is even more dynamic, atmosphere enhancing and more layered this time round, while Paul Greengrass' drama-documentary style and background to his directing is used to full advantage. 'The Bourne Ultimatum' has the sharpest, most intelligent and subtle script of the three films, in a way that is just dazzling.
The story never lets go of its grip and never strains credibility or reality. It is a tense adrenaline rush throughout, with the best mix of exciting action, the best of it is absolutely thrilling, and meaty story-telling, with lots of emotion and characterisation meat, that develops Bourne the best of all three films. Paul Greengrass' directing style and his experience in drama-documentary is once again used to full advantage.
Matt Damon has really made the character of Bourne his own, at the time of 'The Bourne Identity' it was very much a cast-against-type role but now it is one of his best. Julia Stiles and particularly Joan Allen are marvellous, as is a suitably malevolent David Strathairn, and while the supporting cast are a little underused they all do uniformly sterling work (one would be very hard pressed to get a bad performance out of Albert Finney for example).
In conclusion, what a conclusion to the Bourne trilogy. 9/10 Bethany Cox
'The Bourne Identity' was a very pleasant surprise, giving a fairly well-worn genre a much needed freshness. It had its imperfections, but was a very solid and even very good film with much to recommend and introduced a cast-against-type Matt Damon in one of his best roles. 'The Bourne Supremacy' was an example of a sequel that was every bit as good as its predecessor, maybe lacking its freshness but also made a few improvements along the way. The original Bourne trilogy ends with 'The Bourne Ultimatum', which has been regarded often as the best of the three, cannot disagree.
Some of the hand-held shaky cam is used a little too excessively (epileptics be warned!) and the ending could have been a little less frenetic and confused and had more careful tying things together and explanation.
Visually, on the other hand, a vast majority of the time 'The Bourne Ultimatum' like its predecessors looks slick and stylish with even more breath-taking locations. There were many instances when the hand-held shaky cam did intensify the tense claustrophobia of the atmosphere and intensity to very good effect, never making things incomprehensible.
Like 'The Bourne Supremacy', the music score is even more dynamic, atmosphere enhancing and more layered this time round, while Paul Greengrass' drama-documentary style and background to his directing is used to full advantage. 'The Bourne Ultimatum' has the sharpest, most intelligent and subtle script of the three films, in a way that is just dazzling.
The story never lets go of its grip and never strains credibility or reality. It is a tense adrenaline rush throughout, with the best mix of exciting action, the best of it is absolutely thrilling, and meaty story-telling, with lots of emotion and characterisation meat, that develops Bourne the best of all three films. Paul Greengrass' directing style and his experience in drama-documentary is once again used to full advantage.
Matt Damon has really made the character of Bourne his own, at the time of 'The Bourne Identity' it was very much a cast-against-type role but now it is one of his best. Julia Stiles and particularly Joan Allen are marvellous, as is a suitably malevolent David Strathairn, and while the supporting cast are a little underused they all do uniformly sterling work (one would be very hard pressed to get a bad performance out of Albert Finney for example).
In conclusion, what a conclusion to the Bourne trilogy. 9/10 Bethany Cox
Take Dramamine
Shaky camera the whole way through. I don't know why directors do that- our brains correct for motion while walking so our visual field is not shaky. It seems this movie has few scenes where Matt Damon is talking- it's a lot of running and chasing and other characters chasing.
This is the first Bourne movie to get an Oscar- they probably felt the series was die some awards since the previous movies are so good. This one is missing the soundtrack or really any songs that were prominent in the first two movies. Only repeated violin sounds.
Even the martial arts scenes you can't really see because of shaky camera.
This is the first Bourne movie to get an Oscar- they probably felt the series was die some awards since the previous movies are so good. This one is missing the soundtrack or really any songs that were prominent in the first two movies. Only repeated violin sounds.
Even the martial arts scenes you can't really see because of shaky camera.
I've never seen such an impressive action movie in my LIFE
Having not seen the previous two in the trilogy of Bourne movies, I was a little reluctant to watch The Bourne Ultimatum.
However it was a very thrilling experience and I didn't have the problem of not understanding what was happening due to not seeing the first two films. Each part of the story was easy to understand and I fell in love with The Bourne Ultimatum before it had reached the interval! I don't think I have ever watched such an exquisitely made, and gripping film, especially an action film. Since I usually shy away from action and thriller type movies, this was such great news to me. Ultimatum is one of the most enthralling films, it grabs your attention from the first second till the last minute before the credits roll.
Matt Damon was simply fantastic as his role as Jason Bourne. I've heard a lot about his great performances in the Bourne 1+2, and now, this fabulous actor has one more to add to his list. I look forward to seeing more of his movies in the future.
The stunts were handled with style - each one was done brilliantly and I was just shocked by the impressiveness of this movie. Well done.
However it was a very thrilling experience and I didn't have the problem of not understanding what was happening due to not seeing the first two films. Each part of the story was easy to understand and I fell in love with The Bourne Ultimatum before it had reached the interval! I don't think I have ever watched such an exquisitely made, and gripping film, especially an action film. Since I usually shy away from action and thriller type movies, this was such great news to me. Ultimatum is one of the most enthralling films, it grabs your attention from the first second till the last minute before the credits roll.
Matt Damon was simply fantastic as his role as Jason Bourne. I've heard a lot about his great performances in the Bourne 1+2, and now, this fabulous actor has one more to add to his list. I look forward to seeing more of his movies in the future.
The stunts were handled with style - each one was done brilliantly and I was just shocked by the impressiveness of this movie. Well done.
Le saviez-vous
- AnecdotesThis is the only Bourne film to win an Academy Award. It won three, in all the categories for which it was nominated, while the other Bourne movies weren't even nominated.
- GaffesWhen Bourne follows Desh on the scooters in Tangier, Desh receives a phone call. He handles the cell phone with his right hand which controls the throttle on the scooter. By taking his right hand off the throttle, the scooter would suddenly have slowed down.
- Citations
Noah Vosen: [in car, on cell phone] Perhaps we can arrange a meet.
Jason Bourne: Where are you now?
Noah Vosen: I'm sitting in my office.
Jason Bourne: I doubt that.
Noah Vosen: Why would you doubt that?
Jason Bourne: If you were in your office right now we'd be having this conversation face-to-face.
[Bourne hangs up]
- ConnexionsEdited from La mémoire dans la peau (2002)
Meilleurs choix
Connectez-vous pour évaluer et surveiller les recommandations personnalisées
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- The Bourne Ultimatum
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 110 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 227 471 070 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 69 283 690 $ US
- 5 août 2007
- Brut – à l'échelle mondiale
- 442 824 138 $ US
- Durée
- 1h 55m(115 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant






