Le fêtard Ben Stone ne s'attendait pas à revoir la fille d'une aventure d'un soir sur le pas de sa porte huit semaines plus tard et lui annoncer qu'elle est enceinte.Le fêtard Ben Stone ne s'attendait pas à revoir la fille d'une aventure d'un soir sur le pas de sa porte huit semaines plus tard et lui annoncer qu'elle est enceinte.Le fêtard Ben Stone ne s'attendait pas à revoir la fille d'une aventure d'un soir sur le pas de sa porte huit semaines plus tard et lui annoncer qu'elle est enceinte.
- Prix
- 8 victoires et 26 nominations au total
Avis en vedette
Much of what is wrong with Knocked Up is simply an over-reliance on Seth Rogen to deliver the laughs. To be sure, Rogen is a funny guy - he handled the jump from second-tier supporting actor (a la 40 Year Old Virgin) to leading man surprisingly well, appearing confident and charismatic. The problem is that as the film goes on, he just doesn't get a whole lot to work with from his supporting cast. Rogen doesn't have enough in him at this point to carry an entire film on his shoulders, but often he is forced into that role, providing the only humor in many scenes (especially in the second half of the movie). At times it almost seems as if Rogen has landed in the wrong film, delivering clever quips and laughs while the barely-likable characters around him remain too serious. Paul Rudd manages to break this up, taking some of the burden off Rogen, but Katherine Heigl and Leslie Mann's unfunny and quasi-sympathetic characters drag them down.
To be sure, the first half of Knocked Up is great, but by the second half the script becomes mired in slow, cliché drama. Marital dissatisfaction and the loss of youth are interesting themes to explore, but in doing so, Knocked Up fails to establish a consistent tone. As the film trudges past the 90-minute mark, it is sometimes humorous, sometimes dour, often clichéd, all resulting in an awkward mix of styles.
Overall, Knocked Up was a good effort, but a little more editing of the script would have helped a lot. I don't mind long movies at all, but 20 minutes could have been trimmed from this film to good effect.
"Knocked Up" tells a story that a lot of people fear, and a lot of people can relate to. The two individuals in the spotlight are very incompatible with each other, and yet they try to be in a relationship for the sake of the unborn baby. The film s funny at times, but most of the time the five pot heads are far too annoying to be entertaining. Watching them acting irresponsibly like spoiled teenagers is not my idea of comedy.
I cannot help compare "Knocked Up" with "This Is 40", which is the sequel of this. I found "This Is 40" funny but fragmented; "Knocked Up" is cohesive but not so funny. I think it is over-hyped. If it wasn't for Katherine Heigl's charm and Leslie Mann's attitude, "Knocked Up" would have been a bore.
"Jessica Alba fell down!!! Ahahahahahaha!"
"He yelled 'sex' really loud!!! Pssshhahahahahaaheheheheeee!"
No. Die.
Knocked Up, on the other hand, is actually pretty clever most of the time. And even the movie's vulgarity isn't done in an over-the-top, simply-for-gross-out way (cite the fat bitch from Good Luck Chuck). It's what I guess you could call 'relevant vulgarity.' Anyway, the movie is extremely funny. Every joke is naturalistic, but not expected. The movie's characters are all convincing and multi-dimensional, and above all likable. Seth Rogan really does make the movie, though. He is hilarious, but he comes off more like a real nice, frank, down-to-Earth guy. Just the kind of guy you'd like to sit down and have a beer with. The kind of guy you'd more than like to get smashed with. The kind of guy you'd really like to have ill advised unprotected sex with. The kind of guy you'd love to raise a bastard child with. Needless to say, he's the reason the movie works.
The basic premise is simple: a young TV reporter celebrates a promotion by getting drunk and inadvertently pregnant. The father-to-be is a good natured, pot-head slacker who has no money. When she decides to have the baby, she's not sure what her relationship with the father should be... and the movie progresses from there.
It's a simple plot but the dialog is what makes this movie shine. No matter the scene, it was always fun to hear what the characters were going to say. Even though most of them were one-dimensional, the dialog made them seem human and easy to relate to. A fast-movie plot also kept the movie moving along - something was always happening and there was never a dull moment.
While there is a certain level of crudity throughout, the movie is generally lighthearted and innocent. It's a fun movie to see.
Le saviez-vous
- GaffesWhen Ben and Pete are in the Las Vegas hotel room, the Sands Hotel is seen out the window. The Sands was imploded in 1996 to make way for the Venetian.
- Citations
Debbie: I'm not gonna go to the end of the fucking line, who the fuck are you? I have just as much of a right to be here as any of these little skanky girls. What, am I not skanky enough for you, you want me to hike up my fucking skirt? What the fuck is your problem? I'm not going anywhere, you're just some roided out freak with a fucking clipboard. And your stupid little fucking rope! You know what, you may have power now but you are not god. You're a doorman, okay. You're a doorman, doorman, doorman, doorman, doorman, so... Fuck You! You fucking fag with your fucking little faggy gloves.
Doorman: I know... you're right. I'm so sorry, I fuckin' hate this job. I don't want to be the one to pass judgement, decide who gets in. Shit makes me sick to my stomach, I get the runs from the stress. It's not cause you're not hot, I would love to tap that ass. I would tear that ass up. I can't let you in cause you're old as fuck. For this club, you know, not for the earth.
Debbie: What?
Doorman: You old, she pregnant. Can't have a bunch of old pregnant bitches running around. That's crazy, I'm only allowed to let in five percent black people. He said that, that means if there's 25 people here I get to let in one and a quarter black people. So I gotta hope there's a black midget in the crowd.
- Générique farfeluBaby photos of the cast and crew are shown during the closing credits.
- Autres versionsIn the UK theatrical release, during the first scene where the guys work on their website, the material regarding Short Cuts was replaced by a skit on Total Recall and the three breasted lady, containing Jason's impression of Arnie saying "damn it Cohaagen, give dem di ayer". This scene is absent from both region 1 and 2 DVDs, and only the Short Cuts is included. The Total Recall bit doesn't even appear in deleted scenes, meaning it seems to have vanished.
- Bandes originalesAll Night
Written by Stephen Marley, Damian Marley (as Damian Robert Nesta Marley),
Coxsone Dodd, Jackie Mittoo
Performed by Damian Marley featuring Stephen Marley
Courtesy of Universal Records
Under license from Universal Music Enterprises
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Knocked Up
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 30 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 148 768 917 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 30 690 990 $ US
- 3 juin 2007
- Brut – à l'échelle mondiale
- 219 922 417 $ US
- Durée
- 2h 9m(129 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1