ÉVALUATION IMDb
6,2/10
35 k
MA NOTE
Un journaliste américain en mission dans la brousse australienne rencontre un crocodile mangeur d'hommes alors qu'il est piégé sur une île de boue en pleine inondation.Un journaliste américain en mission dans la brousse australienne rencontre un crocodile mangeur d'hommes alors qu'il est piégé sur une île de boue en pleine inondation.Un journaliste américain en mission dans la brousse australienne rencontre un crocodile mangeur d'hommes alors qu'il est piégé sur une île de boue en pleine inondation.
- Prix
- 1 victoire et 4 nominations au total
Gareth Hamilton-Foster
- Backpacker
- (uncredited)
Avis en vedette
Granted, it's not perfect, and the idea is not 100% original (from a cinematic point of view) but one thing I love about Greg McLean's films is that he takes what are essentially Australian icons and flips them totally askew. For instance in Wolf Creek the films brutal killer - Mick Taylor is basically Mick Dundee turned psycho. And in Rogue, he yet again takes a well known Australian reptile and sets it loose on some unsuspecting tourists.
There's no denying McLean can shoot a beautiful movie, and some of the wonderful scenes of the Australian top-end are simply stunning. The characters all portray strong performances, especially when the pressure sets in and they begin to crack. McLean also does a good job at drip feeding the dread and teasing the audience with nothing but growls, grunts and slippery tails. It's an age old formula where directors don't show the full extent of the threat till the end - well, thankfully we don't have to wait that long, as when the croc does reveal itself - we see that it is frickin'MASSIVE! And what's even more scary is that these thing's actually exist up there.
The croc itself is naturally CGI with some animatronics, and it's a relief to see that it looks "real". The movement and animation is authentic and the sound design is also effective in giving the audience that jolted feeling a 3 tonne croc would give.
It's a tense, taught and well directed film, and the only gripe I have about it is that it seems a little short - maybe that was put down the fact that I was so immersed into the film? But it did feel a little short. It also lacked the brutal punch Wolf Creek gave us back in 2005, but never the less, it's a cute little Aussie horror thriller where McLean pays sound homage to classics like Jaws and Aliens. And it's also good to see more "genre" films like this coming out of Australia, and it's also good to know people like the Weinsteins and Warner Brothers are backing horror films from Australia for international releases and distribution.
For anyone into their Reptillian chills and thrills - I highly recommend ROGUE.
There's no denying McLean can shoot a beautiful movie, and some of the wonderful scenes of the Australian top-end are simply stunning. The characters all portray strong performances, especially when the pressure sets in and they begin to crack. McLean also does a good job at drip feeding the dread and teasing the audience with nothing but growls, grunts and slippery tails. It's an age old formula where directors don't show the full extent of the threat till the end - well, thankfully we don't have to wait that long, as when the croc does reveal itself - we see that it is frickin'MASSIVE! And what's even more scary is that these thing's actually exist up there.
The croc itself is naturally CGI with some animatronics, and it's a relief to see that it looks "real". The movement and animation is authentic and the sound design is also effective in giving the audience that jolted feeling a 3 tonne croc would give.
It's a tense, taught and well directed film, and the only gripe I have about it is that it seems a little short - maybe that was put down the fact that I was so immersed into the film? But it did feel a little short. It also lacked the brutal punch Wolf Creek gave us back in 2005, but never the less, it's a cute little Aussie horror thriller where McLean pays sound homage to classics like Jaws and Aliens. And it's also good to see more "genre" films like this coming out of Australia, and it's also good to know people like the Weinsteins and Warner Brothers are backing horror films from Australia for international releases and distribution.
For anyone into their Reptillian chills and thrills - I highly recommend ROGUE.
It took me two full years to get around to seeing Rogue. Its been on my watch-list since its release, mostly because it was directed by Greg Mclean who did such an excellent job with "Wolf Creek", but I figured it would just be a step or two up from a good SyFy channel creature feature... maybe on a par with Lake Placid or its ilk, so I took my sweet time getting to it.
Wow was I surprised!
Just like Wolf Creek, Rogue builds slowly and steadily, introducing us to a group of sympathetic, yet humanly flawed characters. This is a great change of scenery from the usual Hollywood "model" stereotypes that usually fill such films. There's not a teenage jock or beach babe in sight. Likewise, the film takes its time to really set the location down in stone, with lingering shots on the wildlife and scenery that make you really feel like you're in the location with the characters.
When the action starts, it moves quickly but believably. Remember in "Deep Blue Sea" when the entire plot pivoted on the fact that a helicopter winch unexpectedly shorted out? Well, there are no such illogical coincidences or convenient plot accidents here. Everything the characters do, and everything the animal does, is explained logically and realistically. This makes the whole scenario frighteningly believable because very rarely does any character do something that makes you say "Oh C'mon!". Another refreshing change from the Hollywood norm.
The plot itself is pretty basic - our protagonists are stranded on a tiny island in a tidal river. They have a few hours before the tide engulfs the ground beneath their feet. Their boat is wrecked. It would be a case of simply swimming to the embankment and walking home if it weren't for the fact that a territorial 25-foot Crocodile has them pinned to the landmass. It could be the setup for a terrible, poorly done, B-movie, but Mclean takes his time and paces it so well as to make the whole thing seem very real and very dangerous. It's not entirely predictable either... if you could accurately guess at the opening of this film which characters live and which die I would be impressed. I've seen the large majority of animal attack offerings and this is one of the first that kept me guessing.
I'm truly amazed that Rogue doesn't get more conversation and critical acclaim. I'd say as far as animal attack horror movies go, this one should take a place on the winners podium right up there alongside "The Host" and "Jaws". It's a fantastic movie and it deserves the recognition.
Wow was I surprised!
Just like Wolf Creek, Rogue builds slowly and steadily, introducing us to a group of sympathetic, yet humanly flawed characters. This is a great change of scenery from the usual Hollywood "model" stereotypes that usually fill such films. There's not a teenage jock or beach babe in sight. Likewise, the film takes its time to really set the location down in stone, with lingering shots on the wildlife and scenery that make you really feel like you're in the location with the characters.
When the action starts, it moves quickly but believably. Remember in "Deep Blue Sea" when the entire plot pivoted on the fact that a helicopter winch unexpectedly shorted out? Well, there are no such illogical coincidences or convenient plot accidents here. Everything the characters do, and everything the animal does, is explained logically and realistically. This makes the whole scenario frighteningly believable because very rarely does any character do something that makes you say "Oh C'mon!". Another refreshing change from the Hollywood norm.
The plot itself is pretty basic - our protagonists are stranded on a tiny island in a tidal river. They have a few hours before the tide engulfs the ground beneath their feet. Their boat is wrecked. It would be a case of simply swimming to the embankment and walking home if it weren't for the fact that a territorial 25-foot Crocodile has them pinned to the landmass. It could be the setup for a terrible, poorly done, B-movie, but Mclean takes his time and paces it so well as to make the whole thing seem very real and very dangerous. It's not entirely predictable either... if you could accurately guess at the opening of this film which characters live and which die I would be impressed. I've seen the large majority of animal attack offerings and this is one of the first that kept me guessing.
I'm truly amazed that Rogue doesn't get more conversation and critical acclaim. I'd say as far as animal attack horror movies go, this one should take a place on the winners podium right up there alongside "The Host" and "Jaws". It's a fantastic movie and it deserves the recognition.
Before i saw this movie i said to myself probably it will be like any other crocks movie which most of them were pretty obvious and not really suspenseful and the acting were mostly bad . In most of them the crock didn't look real and the size was not realistic enough. In this movie it looked really fine and they did a good job to show the crock only when it was the right time and by that they made it more realistic and interesting.This movie caught me by surprise, it was a quite suspenseful movie with good build up and acting and the end was quite good. I recommend to watch it, i'm sure you will enjoy. I'm giving this movie 8 out of 10.
I thought this would be a real cheesy B movie but was in for a great surprise.
Starting with the cinematography and the initial town scenes I figured this may be half decent. Things picked up even more with the scenes on the boat introducing the characters. Small touches like the guy letting his loved ones ashes into the water and the photographer having a sly chow down on a hidden sandwich were really cool touches. Bigger budget films should take note! It got better from there, not showing too much of the croc and building suspense with good pacing and realistic reactions from the cast. The cinematography and editing on the river journey were great. After seeing this I almost want to go to the Northern Territories. Almost, but not after the Croc finally shows its face.
This is one primal beast. The film does a good job of keeping it under wraps for the early portion of the film but when it finally shows its face its a great moment. The visual fx are faultless and the croc acts in a very realistic manner.
In the second act the filmmakers do a great job at ratcheting up suspense, using a great set up involving the river. I wont spoil it here but its so simple but very effective.
I am a jaded monster film fan and this one had me wanting to see it for a second time straight away.
Crocs and Alligators seem to be the whipping boys of the film industry with so many comedy or low budget appearances. To finally to see one with real teeth and to give it a go with a good story and great fx is fantastic. I would recommend this to anyone after a monster night out.
Starting with the cinematography and the initial town scenes I figured this may be half decent. Things picked up even more with the scenes on the boat introducing the characters. Small touches like the guy letting his loved ones ashes into the water and the photographer having a sly chow down on a hidden sandwich were really cool touches. Bigger budget films should take note! It got better from there, not showing too much of the croc and building suspense with good pacing and realistic reactions from the cast. The cinematography and editing on the river journey were great. After seeing this I almost want to go to the Northern Territories. Almost, but not after the Croc finally shows its face.
This is one primal beast. The film does a good job of keeping it under wraps for the early portion of the film but when it finally shows its face its a great moment. The visual fx are faultless and the croc acts in a very realistic manner.
In the second act the filmmakers do a great job at ratcheting up suspense, using a great set up involving the river. I wont spoil it here but its so simple but very effective.
I am a jaded monster film fan and this one had me wanting to see it for a second time straight away.
Crocs and Alligators seem to be the whipping boys of the film industry with so many comedy or low budget appearances. To finally to see one with real teeth and to give it a go with a good story and great fx is fantastic. I would recommend this to anyone after a monster night out.
To begin with, wolf creek was a solid horror film, certainly not mainstream, quite a challenge to watch, rather sordid and macabre, pretty much unwatchable, though i admired it's stylish look, and its daring. Rogue has the same sort of appeal, though it is far more accessible, the suspense is brilliant, keeping the crock hidden for most of the show, this makes the film hugely successful, but little glimpses, a tail, a missing tourist, who was there only a second ago, really makes the film one that makes you laugh that giddy fear laugh we all know. This film had my nerves in a stitch and it was all brought together by a heart pounding finale. Another thing that really proved affective was the films realism, the crock looked very real, was of plausible size, but most definitely wasn't small. if you love the old school suspense tricks of Alien (i stress this film is not in the same league) then this is definitely a good night at the movies.
Recommendation: nothing can really prepare you
Recommendation: nothing can really prepare you
Le saviez-vous
- AnecdotesIn the scene where Sam Worthington fell out of the boat, the shoot was delayed as there were reports of a five metre long crocodile spotted in the area. After several hours of Worthington terrified to enter the water and ruining the takes, writer/director Greg McLean decided to jump into the water and have a swim to convince him to do it properly. It was only after the scene was shot that they found out the crocodile had been relocated several weeks earlier.
- GaffesIt is stated that the river is a tidal river. But during the boat trip up river and into the lagoon, there are no river banks and the vegetation grows right to the water's edge. If this were a true tidal river, there would be dirt banks and evidence of tidal action all along the river.
- ConnexionsFeatured in The Making of Rogue (2008)
- Bandes originalesTake a Long Line
Written by John Brewster, Rick Brewster and Doc Neeson
Performed by The Angels
J. Albert & Sons Pty Limited
License courtesy of Albert Music
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Rogue
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 26 900 000 $ AU (estimation)
- Brut – États-Unis et Canada
- 10 452 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 7 711 $ US
- 27 avr. 2008
- Brut – à l'échelle mondiale
- 4 631 926 $ US
- Durée1 heure 39 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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