Les fous de la moto

I attended a pre-release screening of the movie in Philadelphia, and I went in expecting a lot of zany sequences, funny violence and a truckload of laughs, and I wasn't disappointed.

Messrs. Travolta, Allen, Lawrence and Macy fit their parts well, and while the story doesn't demand a lot from the actors, they are good as middle-aged professionals tired of their boring lives. The film's theme is a road-trip across America on Harley-Davidson's, with leather jackets ("Wild Hogs" is what they call themselves) and all the other paraphernalia. The whole movie is littered with stereotypes and clichéd characters and plots, and this lends an air of predictability to it. Some people might say that it's closer to an animation, given the generous helpings of crashes and falls, but then I didn't find it to be a put-off because it doesn't pretend to be an action film. You fall, you look funny, you get back up, and story moves on.

At the outset, I thought that there might be a resemblance to Fear and Loathing in Las Vegas, with it's concept of two tired guys out to discover the American Dream, but it isn't so. The humour is rib-tickling at times, and mostly slapstick. Among individual performances, nobody really steals the screen, but the overall chemistry between the Wild Hogs is good. Ray Liotta plays the bad guy with an overdose of menace, and Marisa Tomei did a good job of looking pretty. Some of the cinematography is breathtaking, but for a road trip across America, there was very little of variety in location.

I won't advise spending $15 on it in a theater, but it'll be a fun watch with friends, when the DVD comes out, much like how I would judge Eurotrip.

Great comedic storyline,cast of actors & locations. Watched this more than once,still brings laughs.

To compare Wild Hogs to comedic greats and classic movies about mid-life crisis would be absolutely foolish. Sitting back and enjoying the wild ride is your best choice in getting the full enjoyment out of this flick. Containing a diverse cast that works quite well, a handful of funny cameos, tons of predictable yet enjoyable scenarios, and a rather surprising amount of physical humor; Wild Hogs is a startlingly delightful comedy that isn't afraid to reach low for a laugh. Coming off as more than just a guilty pleasure, we have good acting running the show, as our longtime cinema veterans mesh together and bring out their best comedic skills to deliver a nice trip through the United States.

Wild Hogs follows four middle-aged men losing excitement (among other things) in their daily aspects of life. Doug (Tim Allen) isn't the fun guy he used to be, Bobby (Martin Lawrence) is not able to run his own home, Woody (John Travolta) has lost pretty much everything, and Dudley (William H. Macy) has nothing to begin with. The four of them decide to take their boring lives out for a spin, and try to relive the glory days of college-- ride off in their motorbikes across the country. The main conflict is whether or not they can unleash the Wild Hogs in them and be able to reach California in one piece. The other problem arises when the well-known tough biker gang Del Fuegos crosses paths with them.

The premise is something we've all seen before, yet it can still be done well with the right group of people. Mixing John Travolta, Martin Lawrence, Tim Allen, and William H. Macy is something that truly would not, and could not have been predicted by anybody. Nonetheless, this unique quartet does a fantastic job. Not one actor is overused or overacting, and we see each of the actors' talents brought to life. Tim Allen puts his physical humor to the test and succeeds. John Travolta brings his comedic chops and also is shockingly hilarious. Martin Lawrence has his good movies (Nothing to Lose) and his really bad movies (Black Night, Big Momma's House 2) but in here, he doesn't go too far, doesn't attempt too hard, and holds his own as the uncertain Bobby. Topping them all is William H. Macy, whose physical comedy tops all the others in this movie. Rounding out the cast is an assortment of cameos and short roles that despite being good were quite underused (Marisa Tomei, Stephen Tobolowsky, Ray Liotta, John C. McGinley, Peter Fonda).

The laughs in here are present pretty much throughout the film, and it ranges from funny little one-liners, to physical comedy, to lowbrow comedy, to even a bit of absurdity. A bit of it is predictable, yet some of it comes flying out of nowhere (literally and figuratively). We have a nice bit of cinematography to capture some of it, including a nice shot of "death" taking a liking to William H. Macy and a brilliant game of "Bullslapping." The director, Walt Becker, knows better and lets the camera roll and the actors take control of what is going on. He was fortunate enough to capture the fun and silliness with little effort.

We don't have Oscar material in the least bit, but we have material that will spark laughing riots from the audience time and time again. Like most decent comedies of this decade, its best not to be taken seriously, because analyzing and nitpicking would distract from the overall experience. Like what the characters in the film originally wanted; it was a trip with no rules, no barriers, and no remorse. Wild Hogs does just that; it was a raw, strong PG-13 ride with the violence, sex, profanity, and look-away moments that anyone on the open road would witness. Also supporting this movie is a nice soundtrack, cleverly adding some good Southern rock, Bon Jovi, AC/DC, and even White Zombie. Try to catch some subtle Disney humor involving the actors and character's names.

Bottom Line: So what if the script isn't groundbreaking? So what if the direction didn't enhance anything? So what if the story became a bit predictable? We have four veteran actors making fools of themselves for almost two hours on the open road, and with very little time in between potential laughs. It was just pure popcorn entertainment, and isn't that what you want on a Friday night? Wild Hogs will not inspire you to do something, but it will inspire some conversations and maybe even a second viewing. Besides, it is rare to see Tim Allen and Martin Lawrence provide a slew of funny moments. While this movie could have benefited from fewer clichés and more unpredictability, it stands tall as the first good comedy of 2007.

I know it's a cliché, but this is a "must see movie". It was the shortest 99 minutes I have ever spent watching a movie. Ninety-nine minutes without a let-up or a let-down. Ninety-nine minutes of hilarity. Even thought this movie was funny, it also had redeeming values! We get to learn that men who thought they were wimps discover they have a pair of balls. The rules say this review must be at least ten lines. Ten lines are not really necessary for this action/comedy. It was fast. It was funny. Go see it. I guess I've got to add more lines to get this qualified. You will see a side of John Travolta that you haven't seen before. The same with William Macey. Tim Allen was Tim Allen and Martin Lawrence was Martin Lawrence. Ray Liota, as always, was great. And Marisa Tomei as beautiful as ever. Go see it.

18 August 2007. Even though there were few discontinuities, explanatory scenes left out, overall this movie is one of the more hilarious and funny movies of the year. It manages to maintain its sense of bewildering, humorous sight gags. William Macy is great, being the classic but sophisticated computer nerd while John Travolta gets to show off some of his breadth of both comedic and drama acting. This movie one of the best smooth endings into the credits and a satisfyingly decent if not completely believable twist. There is the typical macho, middle age man crises along the lines of "City Slickers." However, in this movie there is a better blending of home and family, interaction with the motorcycle gang Wildhogs as well as more social interaction with other characters. Presenting a performance and script above expectations, eight out of Ten Stars.