Los Borgia

'Los Borgias' is a nice film to look at. The sets, costumes and art direction are quite good and I think they fit with the time period. I also think director Antonio Hernandez has tried to make the film as historically accurate as possible. However, even though the film spans more than 2 hours, I felt that it was lacking in something. The characters aren't properly developed. The relationships between the characters are displayed quite well. It was rumoured that Rodrigo had an incestuous relationship with his daughter and the director too remains ambiguous in his depiction rather than 'taking sides'. I felt that the writer could have done more to delve into the psyche of Rodrigo and Cesar. Further on the technical side, the cinematography is inconsistent and the soundtrack is very standard. The performances at times appear theatrical. Lluís Homar is passable. Sergio Peris-Mencheta fits the part. The best performance comes from Angela Molina but her role is tiny and almost insignificant to the story. María Valverde performs decently. Paz Vega is wasted. As some have mentioned, 'Los Borgia' may have work better as a longer feature film (with adequate story and character development) or a TV series. Hernandez's film is a good enough one-time watch that attempts to provide some historical insight. At least it got me interested in reading about this dysfunctional family.

Really nice film. I enjoyed it a lot, and was not long at all. May be is because I love historic films.

One of the best things about the film, is the way the Pope and the cardinals are depicted. They are not pious people like in many films. Instead they behave like emperors and politicians, which is probably nearer the reality. There is also some nudity, but I don't think they abuse of it at all, even more if we read about the morals of the Borgia family.

The only thing I didn't like much about the film, is that it narrates only the facts surrounding the Borgia family and their political interests, buts speaks very little about the overall situation in Europe, and the important changes in Europe's art and society during the 14th and 15th century.

impressive cast. honest story. and desire to present with great accuracy a very complicated tale. and the result is not bad. but it is too correct. the preoccupation of director to not make errors is first cage of its potential. so, the gestures are almost theatrical, the performance is limited, the story is prudent and action , in few moments, not credible.so, it is a good film but not more. too long and too short in same measure, not really profound but full of good intentions, it remains sketch of a fresco who can present essence of a powerful family.and its perfect ingredient is Angela Molina in a delicate - subtle role.is it enough ? I do not know. but I think than Lluis Homer can be more credible in this kind of role and the art of Paz Vegas is not indicated for a shadow - role.

Once upon a time there was a lazy director who always lost his morning bus and arrived so late at the filming sessions that they had to be filmed without him. I can't imagine any other reason why the acting is so soft and unconvincing. In fact, most of the actors/actresses could have been removed from the scenes, and you wouldn't have noticed almost any changes. Any of them stands out amongst the others (with some respectable exceptions as Angela Molina, who is quite under-used in the cast).

After seeing half of the picture (yes, you are correct: I won't stand the fully 140' runtime) I really can't say what is this movie about. Neither can say anything about the characters. I just remember a boring, boring, boring feeling during the past 1h10': There are just two or three different scenes, repeated and combined until you certainly know what's coming next. Music is exhaustingly dramatic and monotonic.

The good thing: The epoch costumes and the sets, which is not still enough reason to watch this movie.

I haven't seen any passion, power nor interest. And I don't care where the plot is going to the other half picture; It shall go without me.

a film with many virtues. care for historical accuracy, costumes, music, tension, performances. and wise manner to propose a fresco about the ambition and self definition.. but not enough to be a great film. because it seems be only a beautiful sketch, full of good intentions, seductive in few scenes, saved by the presence of Angela Molina but too tensioned for present the story more than as a kind of parable about power. a film who impress for the detail's exploitation. for the ambition to reflect the spirit of a period in the inspired manner. and for the new perspective about Borgias, realistic, interesting, cold, with few drops of romance.