Ajouter une intrigue dans votre langueA veteran cowboy and his nephew save five Chinese girls from prostitution while trekking from Oregon to Wyoming.A veteran cowboy and his nephew save five Chinese girls from prostitution while trekking from Oregon to Wyoming.A veteran cowboy and his nephew save five Chinese girls from prostitution while trekking from Oregon to Wyoming.
- A remporté 4 prix Primetime Emmy
- 16 victoires et 41 nominations au total
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Exceptionally Fine Western Mini Series
I gave this 10 stars.
Both parts of this 2 part mini series deserve 10 stars. It was an extremely well done film.
I got the impression at the end of the film that this was based on real people and their experiences, which I had no idea was the case when I began watching it.
Robert Duval as Print Ritter carries the film, although all of the performers did good jobs.
The storyline was fresh, original and interesting, something I see so seldom these days, it really made it stand out. Another thing that made this stand out from the usual garbage that passes for entertainment in film these days - was the heroes really were heroes. These men were brave and did the right thing. They had values and ethics.
The story revolves around Print Ritter (Robert Duval) and his nephew Will, I think was his name, (and sorry but I didn't know who any of the actors were except for Duval)driving a herd of horses north to sell.
They end up with people they didn't count on being along for the trip--4 or 5 young Chinese girls, who do not speak a word of English, a fiddle player, and a couple of other people who join the group later in the story.
The Chinese girls are very young, the oldest might be 18. They have been sold by their parents and sent to America where they will be forced into prostitution.
None of the 4 men who eventually travel with the girls and protect them, try to take advantage of them, and the two romances in the story, are kept low-key.
The bad guys in the film are just that - they're wicked through and through. No explanation or psycho-analysis given or needed. This picture is getting back to the basics of the American western, good vs. evil.
There's gunfire when needed, confrontations when needed, and great characterizations, as our group journeys along and encounters various people and adventures.
And yes, there's even a plot! Another element I've discovering missing all too often in films of late.
Both parts of this 2 part mini series deserve 10 stars. It was an extremely well done film.
I got the impression at the end of the film that this was based on real people and their experiences, which I had no idea was the case when I began watching it.
Robert Duval as Print Ritter carries the film, although all of the performers did good jobs.
The storyline was fresh, original and interesting, something I see so seldom these days, it really made it stand out. Another thing that made this stand out from the usual garbage that passes for entertainment in film these days - was the heroes really were heroes. These men were brave and did the right thing. They had values and ethics.
The story revolves around Print Ritter (Robert Duval) and his nephew Will, I think was his name, (and sorry but I didn't know who any of the actors were except for Duval)driving a herd of horses north to sell.
They end up with people they didn't count on being along for the trip--4 or 5 young Chinese girls, who do not speak a word of English, a fiddle player, and a couple of other people who join the group later in the story.
The Chinese girls are very young, the oldest might be 18. They have been sold by their parents and sent to America where they will be forced into prostitution.
None of the 4 men who eventually travel with the girls and protect them, try to take advantage of them, and the two romances in the story, are kept low-key.
The bad guys in the film are just that - they're wicked through and through. No explanation or psycho-analysis given or needed. This picture is getting back to the basics of the American western, good vs. evil.
There's gunfire when needed, confrontations when needed, and great characterizations, as our group journeys along and encounters various people and adventures.
And yes, there's even a plot! Another element I've discovering missing all too often in films of late.
Never doubt a Western that Duvall is attached to
Watching AMC's Western miniseries Broken Trail is similar to reading a compelling novel - the beauty's in the details. Rather than rushing story and character development in order to get to the next action scene (so as to appease those with Attention Span Deficit Syndrome), Broken Trail understands that the mark of a really good Western lies with interesting, colorful characters and a storytelling style that convinces you to keep watching.
I've always been a fan of Westerns and always will be; that's why it's so disappointing that today's movie/TV landscape doesn't seem to have the time, money, or patience to do the genre right. Hopefully, Broken Trail is just the beginning of a reversal to this trend.
If you're a fan of Western epics in the vein of Lonesome Dove then I strongly suggest you check out Broken Trail. The story is a little unconventional as far as Westerns go, but you know what? It works. And it works well.
I was initially curious how captivated I would be by watching two men accompany five Chinese girls across the Western wilderness, but rather than focusing on the concept, this is all about the journey and the adventures and characters that are encountered along the way. Church proves himself quite a versatile actor (how far has he come since Wings?), and Duvall puts in the type of effortless performance that I could watch him deliver every week. He's not unlike Augustus McCrae, but what does it matter? He plays the character flawlessly. Here's a tip - never doubt a Western that Duvall is attached to.
Moving at a smooth, campfire pace, Broken Trail presents characters you'll care about, conflicts you'll want to see resolved, cinematography that will convince you to take a trip out West, and enough Western justice to keep the die-hard fans of action content. Just keep in mind that the shootouts aren't thrown in for the mere sake of satisfying those who demand violence in their Westerns. All the gunplay comes as a necessity to the story and is allowed to happen exactly when it needs to. It's never forced for the sake of hurrying things along.
This is a miniseries that is reason enough alone to justify your cable or satellite bill, and we can only hope that enough viewers tune in to influence more quality programming like this in the future.
I've always been a fan of Westerns and always will be; that's why it's so disappointing that today's movie/TV landscape doesn't seem to have the time, money, or patience to do the genre right. Hopefully, Broken Trail is just the beginning of a reversal to this trend.
If you're a fan of Western epics in the vein of Lonesome Dove then I strongly suggest you check out Broken Trail. The story is a little unconventional as far as Westerns go, but you know what? It works. And it works well.
I was initially curious how captivated I would be by watching two men accompany five Chinese girls across the Western wilderness, but rather than focusing on the concept, this is all about the journey and the adventures and characters that are encountered along the way. Church proves himself quite a versatile actor (how far has he come since Wings?), and Duvall puts in the type of effortless performance that I could watch him deliver every week. He's not unlike Augustus McCrae, but what does it matter? He plays the character flawlessly. Here's a tip - never doubt a Western that Duvall is attached to.
Moving at a smooth, campfire pace, Broken Trail presents characters you'll care about, conflicts you'll want to see resolved, cinematography that will convince you to take a trip out West, and enough Western justice to keep the die-hard fans of action content. Just keep in mind that the shootouts aren't thrown in for the mere sake of satisfying those who demand violence in their Westerns. All the gunplay comes as a necessity to the story and is allowed to happen exactly when it needs to. It's never forced for the sake of hurrying things along.
This is a miniseries that is reason enough alone to justify your cable or satellite bill, and we can only hope that enough viewers tune in to influence more quality programming like this in the future.
Philosophic Western
How does an honest man make his way in a corrupt world? Walter Hill has been investigating this question since his days as a screenwriter, with a couple of stopovers in Dashiell Hammett country (his dauntingly unsuccessful version of Hammet's RED HARVEST, filmed as LAST MAN STANDING), comedies (48 HOURS), but here, in this leisurely western, he has found a perfect vehicle for this problem, and the right actor for the role in the ever-watchable Robert Duvall. And the answer is that you wind up accumulating a pack of people as wounded as yourself, ducking your head against the storm and slogging on through: a nephew estranged from his mother, your sister, a Virginian who can't stop traveling, five Chinese virgins intended for a mining camp's whorehouse... the list goes on. In the midst of a beautiful land -- the magnificent Canadian plains, west of Calgary where they rise to the Rockies -- they slog on, doing their best.
To what end? When death and violence surround you, then the wise man comes to recognize that the effort is all he can offer.
It is a pleasure to watch canny old pro Duvall at work, and to watch Thomas Haden Church, as his nephew, play off against him. And the beauty of moving horses across the Canadian plains is the revival of a seemingly lost art; the westerns, once the myth of America and bedrock of the film industry, are now an occasional production from people nostalgic for the form. But their nostalgia is suffused with a strong sense of film-making and this mini-series should not be missed.
To what end? When death and violence surround you, then the wise man comes to recognize that the effort is all he can offer.
It is a pleasure to watch canny old pro Duvall at work, and to watch Thomas Haden Church, as his nephew, play off against him. And the beauty of moving horses across the Canadian plains is the revival of a seemingly lost art; the westerns, once the myth of America and bedrock of the film industry, are now an occasional production from people nostalgic for the form. But their nostalgia is suffused with a strong sense of film-making and this mini-series should not be missed.
10sprins
great
Just finished watching part two. Great story. I can not wait to read the book. Both Duvall and Church brought so much to their characters and the story. I really hope that the "great west " was settled by men like these. Men who were not afraid to do the right thing. Men who showed courage, morals, kindness, and stood up to those who would bring harm and injustice to the innocent. . The kind of men that I would consider it an honor to "ride" with. I could not help sharing in the pain and confusion that the girls felt. I feel ashamed as a man to know that we treated innocent women that way and still do. I am glad the story ended as it did. Duvall's character showed that he could be tough as nails but still have a heart when it came to the girls. Church's character showed true grit and also had a soft side that he could not hide. Overall it was a truly great story brought to life by two men who did an excellent job portraying their characters.
Very Impressive, Realistic & Involving Western
I can only hope they someone keeps making Westerns because the few that have been made the last few years have been outstanding. This one, a TV miniseries, is just great. I can't enough good things about it. I saw it recently on DVD. It was a three-hour film. I thought I read somewhere that it was four hours, so I don't know if this version has been down. I only know what I saw, and I liked about everything I saw.
Looking at the IMDb reviews here before making a rental helped me out a lot. It prepared me for a slower film. In other words, I knew what to expect.....and that helped. I didn't expect a rough film with a ton of violence and nasty characters, language, etc.
What surprised me was just how interesting a film this was for being three hours long and not having a lot of action. I attribute this to the dialog, the acting, characters you care about and the wonderful cinematography. It's hard to beat the scenery in a nicely-filmed western.
The words coming out of the two stars of the picture, Robert Duvall and Thomas Haden Church were extremely believable material. These guys were tough, but not abrasively- macho, compassionate but not sappy. As "Prentice Ritter" and "Tom Harte," respectively, they fascinating to watch. I liked what they said throughout the movie and they were extremely believable characters. They looked and talked the part.
This story is different because it's mainly about helping five young Chinese women, who are destined for prostitution, slavery and who knows what else. Ritter and Harte didn't volunteer for the job; it accidentally came upon them as they were escorting horses North for a nice payday. The two men showed wonderful compassion for these girls, despite the fact they slowed their mission down and had a problem with communication.
There has to be some villains in a western and we have them here with "Big Rump Kate" and others but they are not overblown and we don't see so much of them they they get annoying. For a Walter Hill film, this was astonishing in how low-key it was told.
We also get a bit of a romance, just a glimpse between Duvall's character and one played by Greta Scacchi ("Nola Johns"). It has a different kind of ending to it, one I didn't expect and one that will emotionally affect you.
It simple terms: this is a nice movie, a good story about good guys doing a good deed for the right reasons. Watching them do it, under adverse conditions, was almost a privilege. A big thank you to all involved with this movie and giving us fans of this genre hope that it isn't completely dead.
Looking at the IMDb reviews here before making a rental helped me out a lot. It prepared me for a slower film. In other words, I knew what to expect.....and that helped. I didn't expect a rough film with a ton of violence and nasty characters, language, etc.
What surprised me was just how interesting a film this was for being three hours long and not having a lot of action. I attribute this to the dialog, the acting, characters you care about and the wonderful cinematography. It's hard to beat the scenery in a nicely-filmed western.
The words coming out of the two stars of the picture, Robert Duvall and Thomas Haden Church were extremely believable material. These guys were tough, but not abrasively- macho, compassionate but not sappy. As "Prentice Ritter" and "Tom Harte," respectively, they fascinating to watch. I liked what they said throughout the movie and they were extremely believable characters. They looked and talked the part.
This story is different because it's mainly about helping five young Chinese women, who are destined for prostitution, slavery and who knows what else. Ritter and Harte didn't volunteer for the job; it accidentally came upon them as they were escorting horses North for a nice payday. The two men showed wonderful compassion for these girls, despite the fact they slowed their mission down and had a problem with communication.
There has to be some villains in a western and we have them here with "Big Rump Kate" and others but they are not overblown and we don't see so much of them they they get annoying. For a Walter Hill film, this was astonishing in how low-key it was told.
We also get a bit of a romance, just a glimpse between Duvall's character and one played by Greta Scacchi ("Nola Johns"). It has a different kind of ending to it, one I didn't expect and one that will emotionally affect you.
It simple terms: this is a nice movie, a good story about good guys doing a good deed for the right reasons. Watching them do it, under adverse conditions, was almost a privilege. A big thank you to all involved with this movie and giving us fans of this genre hope that it isn't completely dead.
Le saviez-vous
- AnecdotesIt was a two-hour movie in the beginning, but AMC wanted to develop an original series, so they made it longer (from the book "Difficult Men: Behind the Scenes of a Creative Revolution: From The Sopranos and The Wire to Mad Men and Breaking Bad" by Brett Martin).
- GaffesIn the end of part 1 after #4 was raped, Tom shoots the rapist's thumbs off. First, he aims at the rapist's right hand, and the hand shown with an exploding thumb is a left hand. Then when Tom aims at the man's left hand, the exploding thumb is on a right hand.
- ConnexionsFeatured in Broken Trail: The Making of a Legendary Western (2006)
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Daughters of Joy
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h 32m(92 min)
- Couleur
- Mixage
- Rapport de forme
- 1.78 : 1
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