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La loi & l'ordre - Crimes sexuels
S 1.E 14
Tous les épisodesTout
  • Distribution et équipe technique
  • Commentaires des utilisateurs
  • Anecdotes
IMDbPro

Limitations

  • L'épisode a été diffusé 11 févr. 2000
  • TV-14
  • 44m
ÉVALUATION IMDb
8,1/10
1,3 k
MA NOTE
Jenny Bacon in La loi & l'ordre - Crimes sexuels (1999)
CriminalitéDrameMystèreThriller

Ajouter une intrigue dans votre langueAt a victim's request, the police commissioner tries to convince Cragen to close a rape case whose statute of limitations is about to expire. Benson and Stabler finally realize that one of t... Tout lireAt a victim's request, the police commissioner tries to convince Cragen to close a rape case whose statute of limitations is about to expire. Benson and Stabler finally realize that one of the victims knows the rapist, but she's not willing to talk.At a victim's request, the police commissioner tries to convince Cragen to close a rape case whose statute of limitations is about to expire. Benson and Stabler finally realize that one of the victims knows the rapist, but she's not willing to talk.

  • Réalisation
    • Constantine Makris
  • Scénaristes
    • Michael R. Perry
    • Wendy West
  • Vedettes
    • Christopher Meloni
    • Mariska Hargitay
    • Richard Belzer
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    8,1/10
    1,3 k
    MA NOTE
    • Réalisation
      • Constantine Makris
    • Scénaristes
      • Michael R. Perry
      • Wendy West
    • Vedettes
      • Christopher Meloni
      • Mariska Hargitay
      • Richard Belzer
    • 3Commentaires d'utilisateurs
  • Voir l’information sur la production à IMDbPro
  • Voir l’information sur la production à IMDbPro
  • Photos

    Distribution principale26

    Modifier
    Christopher Meloni
    Christopher Meloni
    • Detective Elliot Stabler
    • (as Chris Meloni)
    Mariska Hargitay
    Mariska Hargitay
    • Detective Olivia Benson
    Richard Belzer
    Richard Belzer
    • Detective John Munch
    Michelle Hurd
    Michelle Hurd
    • Detective Monique Jeffries
    Dann Florek
    Dann Florek
    • Captain Donald 'Don' Cragen
    Jenny Bacon
    Jenny Bacon
    • Jennifer Neal
    Judith Hawking
    • Victoria Kraft
    Jenna Stern
    Jenna Stern
    • ADA Kathleen Eastman
    Seana Kofoed
    Seana Kofoed
    • Lois Creen
    John Driver
    • Commissioner Lyle Morris
    Sam Freed
    Sam Freed
    • Private Investigator
    Isiah Whitlock Jr.
    Isiah Whitlock Jr.
    • Robbery Division Captain
    John Doman
    John Doman
    • Dan Lattimer
    Leslie Ayvazian
    • Susan Valdera
    Harvey Atkin
    Harvey Atkin
    • Judge Ridenour
    Peter Francis James
    Peter Francis James
    • Judge Beck
    Paul Reggio
    • Roy
    Tom Bloom
    • Andrew Garrick
    • Réalisation
      • Constantine Makris
    • Scénaristes
      • Michael R. Perry
      • Wendy West
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs3

    8,11.2K
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    10

    Avis en vedette

    5bkoganbing

    All its pacifist tenets

    This story begins with Captain Craigen testifying before a police review board and getting reamed by the chief for his closure rate. Rather arbitrarily the chief picks out a cold case where 3 women are raped and all that links them is the DNA of the perpetrator. So with only that the squad goes to work on a case where they have 72 hours to close it before the statute of limitations runs out.

    The women victims are Jenny Bacon, Judith Hawking, and Susan Kofoed and all are an interesting study in reaction to victimization. Kofoed is the most interesting, she's withdrawn into herself and post the crime has embraced Quakerism and all its pacifist tenets about forgiveness and non- violence. Which doesn't sit well with the other two victims as well it shouldn't.

    I thought SVU went a bit overboard on this one. I cannot conceive of a believing Quaker not wanting the official criminal justice system to run its course. And Kofoed does know something the others don't and she won't reveal.

    As for the doer when they catch him, it's quite a surprise. Basically hiding in plain sight due to a clerical error.
    7TheLittleSongbird

    Time is the limit

    'Law and Order: Special Victims Unit' is one of those shows that was good to brilliant in its early seasons. Thought initially that it "jumped the shark" later on, but re-watching the show over-time while the earlier seasons are quite a bit better the later seasons have grown on me somewhat and has seen some strong episodes. Not every episode in the earlier seasons worked from personal opinion but most did and the best of them fared brilliantly.

    Of a solid and remarkably well settled if not completely consistent Season 1 (one of the better first seasons of the 'Law and Order' franchise), "Limitations" is not one of the best. Actually consider it one of the weaker ones, with the weakest ones of the previous episodes being "Wanderlust" and "Stocks and Bondage", while still finding a lot to like about it. It's just that the best episodes of Season 1, such as "Payback", "Uncivilised", "Stalked" and "Closure", are so good.

    Will say what is good about "Limitations" first. It is as ever slickly shot without being drab or static while not being elaborate (which would not have been right). The music is only used when necessary and isn't over-the-top when it is used. The script has the mix of thoughtful, taut while having time to breathe and nuanced without being too loose mostly just right, apart from occasional lapses in realism.

    The story mostly compels, especially in the latter stages with a big twist that genuinely shocks and lifts the episode, already interesting to begin with, to a better level. The ending is a genuine surprise. Great to have the courtroom scenes back after having a few episodes that were dominant on the police investigation and at times the personal lives and that aspect is done well. The acting is mostly fine, with Mariska Hargitay managing as ever a mix of a firm edge and empathy. What was very striking, other than the non-heavy handed portrayal of many of the different aspects of rape (the main ones like the psychology of it, the dilemmas the police face and legal system limitations handled with ease, was the portrayal of Quakerism. Which is mostly done very fairness, sensitivity, non-bias and not passing judgment.

    Not everything works with a few things being off. Namely to do with the victim, not just the rather detached way she's written and performed (Jenny Baker lacks the necessary emotion for my tastes) but namely her refusal to tell the truth which was overdone, infuriating and not particularly realistic. Both also being against Quaker beliefs and behaviours too, rather too big an issue as they are fundamental.

    A tighter pace at times would have helped at times too, the initial parts of the case are slightly on the dull and ordinary side.

    In summation, decent but could have been better. 7/10

    Intérêts connexes

    James Gandolfini, Edie Falco, Sharon Angela, Max Casella, Dan Grimaldi, Joe Perrino, Donna Pescow, Jamie-Lynn Sigler, Tony Sirico, and Michael Drayer in The Sopranos (1999)
    Criminalité
    Naomie Harris, Mahershala Ali, Janelle Monáe, André Holland, Herman Caheej McGloun, Edson Jean, Alex R. Hibbert, and Tanisha Cidel in Moonlight - L'histoire d'une vie (2016)
    Drame
    Jack Nicholson and Faye Dunaway in Chinatown (1974)
    Mystère
    Cho Yeo-jeong in Parasite (2019)
    Thriller

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      This episode is based on the real life rape case of Kathleen Ham, which was one of the cases that helped get the statute of limitations for first-degree rape removed in New York in 2006. Ms. Ham was raped at the age of 26 in 1973, much the same way the victim in this episode was raped: her attacker climbed into her bedroom through an open window while she was asleep and raped her. Her attacker, Fletcher Worrell, was captured a short time later. He was arrested, charged and brought to trial but his trial ended in a mistrial due to a hung jury. Before Mr. Worrell could be retried he jumped bail and disappeared. He was on the run for 33 years before a background check to buy a gun in Georgia brought up the open bench warrant on him. He was arrested by the Georgia State Police and extradited back to New York. At the time a rape couldn't be prosecuted 33 years later, but in Mr. Worrell's case the statute of limitations had stopped running when he was formally charged with raping Ms. Ham. Further, even if he had run before he was formally charged, the clock on the statute of limitations also stops running if the perpetrator of the crime flees the jurisdiction. The clock on Mr. Worrell's prosecution was stopped as long as he wasn't in the state of New York. When Mr. Worrell was rearrested, a DNA sample matched semen taken after the rape of Ms. Ham, which lead to Mr. Worrell's conviction. This case raised the issue that it could easily be possible to run into a similar case where the statute of limitations did expire on a case where there was DNA evidence that could prove a rape happened, but prosecution even with the DNA evidence would still be barred by the statute of limitations. So this case helped show how the ability to test DNA, which didn't exist at the time the limitations statute was written, made the need for a statute of limitations on rape outdated and no longer necessary.
    • Gaffes
      When Benson and Stabler are interviewing the retired detective at the bar, the level of milk in the glass varies as the camera angle changes.
    • Citations

      [a rape victim has been found in contempt of court for refusing to reveal her rapist's identity]

      Captain Donald Cragen: Are you okay?

      Detective Olivia Benson: We just put a rape victim in the lockup. No, I'm not okay.

    • Connexions
      Featured in Law & Order: Special Victims Unit, Police Sketch: Dann Florek (2004)

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    Détails

    Modifier
    • Date de sortie
      • 11 février 2000 (United States)
    • Pays d’origine
      • United States
    • Langue
      • English
    • Lieux de tournage
      • Ville de New York, New York, États-Unis
    • sociétés de production
      • Wolf Films
      • Studios USA Television
      • Universal Television
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 44m
    • Couleur
      • Color
    • Mixage
      • Stereo
    • Rapport de forme
      • 1.33 : 1

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