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Maverick
S 2.E 6
Tous les épisodesTout
  • Distribution et équipe technique
  • Commentaires des utilisateurs
  • Anecdotes
IMDbPro

Escape to Tampico

  • L'épisode a été diffusé 26 oct. 1958
  • TV-G
  • 1h
ÉVALUATION IMDb
8,1/10
143
MA NOTE
Paul Picerni in Maverick (1957)
Ouest

Ajouter une intrigue dans votre langueIn Mexico, Bret agrees to accompany a man wanted for murder back to New Orleans, and develops a friendship with him along the way.In Mexico, Bret agrees to accompany a man wanted for murder back to New Orleans, and develops a friendship with him along the way.In Mexico, Bret agrees to accompany a man wanted for murder back to New Orleans, and develops a friendship with him along the way.

  • Director
    • Douglas Heyes
  • Writer
    • Douglas Heyes
  • Stars
    • James Garner
    • Gerald Mohr
    • Barbara Lang
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    8,1/10
    143
    MA NOTE
    • Director
      • Douglas Heyes
    • Writer
      • Douglas Heyes
    • Stars
      • James Garner
      • Gerald Mohr
      • Barbara Lang
    • 6Commentaires d'utilisateurs
    • 2Commentaires de critiques
  • Voir l’information sur la production à IMDbPro
  • Voir l’information sur la production à IMDbPro
  • Photos

    Rôles principaux18

    Modifier
    James Garner
    James Garner
    • Bret Maverick
    Gerald Mohr
    Gerald Mohr
    • Steve Corbett
    Barbara Lang
    Barbara Lang
    • Amy Lawrence
    John Hubbard
    John Hubbard
    • Paul Brooks
    Paul Picerni
    Paul Picerni
    • Rene Gireaux
    Tony Romano
    Tony Romano
    • Chicuelo
    Ralph Faulkner
    • Herr Ziegler
    Louis Mercier
    Louis Mercier
    • Raoul Gireaux
    William D. Gordon
    William D. Gordon
    • Sam Garth
    Nacho Galindo
    Nacho Galindo
    • Carlos
    Phil Arnold
    Phil Arnold
    • Roulette Player
    • (uncredited)
    George Baxter
    George Baxter
    • Casino Patron
    • (uncredited)
    Barry Brooks
    • Poker Player
    • (uncredited)
    Paul Cristo
    • Casino Patron
    • (uncredited)
    Roy Engel
    Roy Engel
    • Fred Fowler
    • (uncredited)
    Tom Ferrandini
    • Casino Patron
    • (uncredited)
    Jack Henderson
    • Casino Patron
    • (uncredited)
    Jack Perrin
    Jack Perrin
    • Casino Patron
    • (uncredited)
    • Director
      • Douglas Heyes
    • Writer
      • Douglas Heyes
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs6

    8,1143
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Avis en vedette

    7stewgots-49006

    Heavy Duty Gerald Mohr

    Seems like this one could be twice as long- an hour isn't enough to tell the full story. Extremely likeable but tragic character in Steve Corbett (Mohr) and Brett is more of a secondary player in this one. With so much going on beneath the surface this episode is worth more than one viewing to catch it all, and though it's much more dramatic than a standard Maverick entry I still found it to be a strong season 2 offering. For some top notch reviews of Maverick episodes and many other series from the 50's and 60's, check out Hal's blog over at 'The Horn Section'- great analysis of the individual episodes and then some deep dives into the writers themselves. Makes a great companion for watching many of the cherished programs from that era.
    8lbowdls

    Very Good

    I really enjoyed this episode. More like an episode that Bart would be involved in as it's very dramatic, okay in a soap operish way. And yes it's very Casablanca like, as many have already said in reviews here. But glad it was Garner and Brett doing it.

    Unfortunately, unlike Casablanca this doesn't end in a friendly, happy way like walking hand in hand with the beginning of find friendship.

    However, there are good performances and some different twists and turns and it definitely gets you in, wondering what will happen and what the truth is. And it ultimately turns into a very dramatic ending.
    6bkoganbing

    Everybody comes to Gerald's

    Gerald Mohr who did two appearances as Doc Holiday in the first season of Maverick is back playing a Rick Blaine type of American expatriate who runs a a Rick like gambling establishment in Tampico. He's wanted for murder in the States, murder of Louis Mercier's son a prominent Creole family in New Orleans.

    James Garner gets an offer from Mercier and Paul Picerni his other son to go down to Tampico and somehow trick Mohr into leaving Tampico. Also a whole lot like trying to trick Pepe LeMoko into leaving the Casbah so he can be arrested. And like LeMoko it takes pretty singer Barbara Lang to do the job.

    But that's far from all in this nice mixture of both Casablanca and Algiers woven into a Maverick episode.
    8belanger75

    Maverick would have worked as a futuristic show-- here is why.

    This ep is chock full of anachronisms. The 20th century guitar, the modern attitude and ambience of the club (or restaurant) crowd, the beautiful lady singer's hairdo and songs, the dueling pants worn by the frenchman, the modern attitude and office of the club manager and so on.

    There was a 1984 film called 'Streets of Fire' where it looked like the 1950s but it was actually the 21st century and America had simply regressed to a 1950s look more or less. Or the 1958 film 'Teenage Caveman' where we think It is like 20,000 years ago but It is really a century or so from now after nuclear war turned back the clock to the stone age.

    It would have almost been possible after seeing this to think Maverick was really set in the 21st century after an economic apocalypse and oil shortage had turned the clock to the late 19th century. In fact maybe that is exactly what has happened. And eps that seemed to be set firmly in the 19th century by dates given are just Maverick's narrative inventions and he and his brother both live in the future. Or that Brett and Bart live in contemporary times and when they narrate their stories this is all what they think the 19th century looked like.

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The saloon Bret visits was originally the set for Rick's Cafe from Casablanca (1942). This statement appears to refer to the flat used as the exterior facade and entrance, as the interior set bears no resemblance to Rick's in Casablanca, and is in fact the same saloon/cantina set used in many other episodes.
    • Gaffes
      At the 10-minute mark there is a scene in The Cantina Americana where a man plays a Gibson acoustic guitar. Assuming the time line is in the 1870s, this would mean that the Gibson made an appearance approximately thirty years too soon as they were established in 1902.
    • Citations

      [first lines]

      Bret Maverick: [narrating] The trip from Memphis to New Orleans cost forty seven dollars, if you didn't play poker. For me, the price was two thousand, three hundred and fifty eight dollars. Ah, but I wasn't discouraged when we docked at New Orleans. I still had the thousand dollar bill I kept for emergencies fastened to the lining of my coat with a safety pin. One week later, I still had the safety pin.

    • Connexions
      Referenced in The Wiggles: Cold Spaghetti Western (2004)
    • Bandes originales
      He's Gone Away
      Traditional

      Performed by Barbara Lang

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    Détails

    Modifier
    • Date de sortie
      • 26 octobre 1958 (United States)
    • Langue
      • English
    • Lieux de tournage
      • Stage 22, Warner Brothers Burbank Studios - 4000 Warner Boulevard, Burbank, Californie, États-Unis
    • société de production
      • Warner Bros. Television
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h(60 min)
    • Couleur
      • Black and White
    • Rapport de forme
      • 1.33 : 1

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