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The Rockford Files
S 4.E 5
Tous les épisodesTout
  • Distribution et équipe technique
  • Commentaires des utilisateurs
  • Anecdotes
IMDbPro

The Dog and Pony Show

  • L'épisode a été diffusé 21 oct. 1977
  • TV-PG
  • 1h
ÉVALUATION IMDb
8,3/10
336
MA NOTE
Joanne Nail in The Rockford Files (1974)
CriminalitéDrameMystèreThriller

Ajouter une intrigue dans votre langueHelping a young woman with a history of mental illness leads Jim into crossing paths with the Mob and federal intelligence.Helping a young woman with a history of mental illness leads Jim into crossing paths with the Mob and federal intelligence.Helping a young woman with a history of mental illness leads Jim into crossing paths with the Mob and federal intelligence.

  • Réalisation
    • Reza Badiyi
  • Scénariste
    • David Chase
  • Vedettes
    • James Garner
    • Noah Beery Jr.
    • Joe Santos
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    8,3/10
    336
    MA NOTE
    • Réalisation
      • Reza Badiyi
    • Scénariste
      • David Chase
    • Vedettes
      • James Garner
      • Noah Beery Jr.
      • Joe Santos
    • 6Commentaires d'utilisateurs
  • Voir l’information sur la production à IMDbPro
  • Voir l’information sur la production à IMDbPro
  • Photos4

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    Distribution principale20

    Modifier
    James Garner
    James Garner
    • Jim Rockford
    Noah Beery Jr.
    Noah Beery Jr.
    • Joseph 'Rocky' Rockford
    • (as Noah Beery)
    Joe Santos
    Joe Santos
    • Dennis Becker
    Joanne Nail
    Joanne Nail
    • Mary Jo Flynn
    Walter Brooke
    Walter Brooke
    • NIA Agent Bill Simonds
    George Loros
    George Loros
    • Tommy Lorentz
    Michael Bell
    Michael Bell
    • NIA Agent Mike Krasny
    Ed Lauter
    Ed Lauter
    • Joseph Bloomberg
    Stuart Margolin
    Stuart Margolin
    • Angel Martin
    Gary Crosby
    Gary Crosby
    • Beau
    Al Ruscio
    Al Ruscio
    • Vic Cassell
    Howard Honig
    • Dr. Alan J. Adler
    Bill Quinn
    Bill Quinn
    • Judge Raymond Ordonez
    Robert Lussier
    • Leon
    Louisa Moritz
    Louisa Moritz
    • Helen
    Dan Barton
    • Hal
    Ken Sidwell
    • Attendant
    Harriet Mathey
    • Girl
    • (as Harriet Matthey)
    • Réalisation
      • Reza Badiyi
    • Scénariste
      • David Chase
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs6

    8,3336
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Avis en vedette

    8planktonrules

    Nailed it!

    The beginning of the episode is confusing. Jim and Angel are in court due to Angel being a dishonest jerk. Now here's the part that made no sense...where is Beth, Jim's lawyer?! Jim Rockford wouldn't go to court without representation and it looked as if the folks making the show just didn't want to pay her for a guest appearance! In addition, later in the show it REALLY needed Beth again...but the episode is Beth-less.

    Regardless, the judge sentences the two to get therapy and soon they both end up in group treatment together. Angel is defensive and disengaged. Jim actually seems to be trying to make the best of it. However, when a woman (Joanne Nail) in the group learns he's a private eye, after one of the sessions she tells him about a problem she's having. Jim doesn't seem to think it's serious and tells her so...and, of course, it's VERY serious! How serious? Watch and find out for yourself.

    This episode features a great driving stunt as well as a very interesting plot. However, once again, you wonder WHY Rockford would spend more than a second with Angel...a major weakness in many of the Angel episodes. I am knocking off a point due to the episode not making much sense at the beginning.
    7bkoganbing

    Can't live with Angel, can't live without him

    Poor Jim Rockford gets busted along with Angel for having some stolen property in his vehicle. But the judge orders group counseling for both of them. In which they meet Joanne Nail who is a young who everyone dismisses as paranoid when she says she's being followed. When she was in another mental asylum, a high priced one she met Ed Lauter who is making all kinds of extravagant claims.

    Before things are done both the National (Central) Intelligence Agency and a prominent Mafia crime family is involved due to the ravings of Ed Lauter and what kind of things he's spouting. Walter Brooke as the field office head of the NIA and George Loros of the crime family are an interesting pair of adversaries for Rockford. Loros especially, you feel sorry for him. Lauter is his brother-in-law and his father wants him killed, but his sister says spare him. That's why he's in the asylum in the first place.

    Once again Stuart Margolin comes through for James Garner even though he has to be dragged kicking and screaming. It's the way it is for Rockford and Angel, can't live with him, can't live without him.
    stones78

    Rockford and Angel show

    This episode highlighted the quirky relationship between the men, and how they really need each other when trying to solve a case. The show begins with a judge sentencing them both to community service, and I don't recall the exact reason they're in court, but they somehow wind up in a group therapy session, and a reluctant Rockford is hired by a woman there to find out who's been following her; she(Joanne Nail)has a history of mental illness and others think she's only paranoid. I thought her performance was perhaps average, and could've added more to the show. George Loros, on the other hand, gives a great performance as the confused mobster Tommy, as the scenes with him and Rockford at the mobster's house is riveting, especially when Tommy smashes a table right in front of Jim before deciding to kill him. Ed Lauter makes a small appearance, but I wished he had more screen time as the delusional Joseph Bloomberg, plus I recognized Al Ruscio playing the part of Vic. There is a cool chase scene with the Firebird running from Tommy's car, and we also get to see Rockford driving Rocky's truck. Rocky and Dennis have important scenes, and I had to chuckle when Jim pinches Dennis' cheek at the station. The real star for me though is the performance of Angel by Stuart Margolin, as he gets the majority of screen time and has several memorable scenes, especially in Rocky's house for dinner, and when he helps Jim distract a security guard. I also really liked how Jim uses Vic's gun to hit a fire alarm in order for the authorities to rush to the factory where Jim and a few agents were being held. This was a terrific episode, and keep an eye on the performance of Angel, who gets the award this time around.

    Intérêts connexes

    James Gandolfini, Edie Falco, Sharon Angela, Max Casella, Dan Grimaldi, Joe Perrino, Donna Pescow, Jamie-Lynn Sigler, Tony Sirico, and Michael Drayer in The Sopranos (1999)
    Criminalité
    Naomie Harris, Mahershala Ali, Janelle Monáe, André Holland, Herman Caheej McGloun, Edson Jean, Alex R. Hibbert, and Tanisha Cidel in Moonlight - L'histoire d'une vie (2016)
    Drame
    Jack Nicholson and Faye Dunaway in Chinatown (1974)
    Mystère
    Cho Yeo-jeong in Parasite (2019)
    Thriller

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Although Beth Davenport (Jim's lawyer) is seen in the opening credits, she doesn't appear in this episode, nor is she mentioned. This forces Jim to defend himself in court in the opening sequence, and later make out 3 crucial legal documents.
    • Gaffes
      There is no reason for Angel to distract the hospital front desk guy because Jim didn't use the distraction. It's just a plot device for Angel to recognize the patient.
    • Citations

      Jim Rockford: This is Jim Rockford. At the tone leave your name and message, I'll get back to you.

      Lou: [Beeep] Jimmy, Lou. You owe me five bucks. Matarazzo's average in the '68 Series was .310, not .315. Oh, and, ha-ha, Fran and I are getting divorced.

    • Bandes originales
      The Rockford Files
      (Main Title Theme)

      Written by Mike Post and Pete Carpenter

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    Détails

    Modifier
    • Date de sortie
      • 21 octobre 1977 (United States)
    • Pays d’origine
      • United States
    • Langue
      • English
    • Lieux de tournage
      • Southern California, Californie, États-Unis(Location)
    • sociétés de production
      • Roy Huggins-Public Arts Productions
      • Cherokee Productions
      • Universal Television
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h(60 min)
    • Couleur
      • Color
    • Mixage
      • Mono
    • Rapport de forme
      • 1.33 : 1
      • 4:3

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