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MA NOTE
Ajouter une intrigue dans votre langueThe lives of Edith Bouvier Beale and her daughter Edith, aunt and cousin of Jacqueline Kennedy Onassis Onassis.The lives of Edith Bouvier Beale and her daughter Edith, aunt and cousin of Jacqueline Kennedy Onassis Onassis.The lives of Edith Bouvier Beale and her daughter Edith, aunt and cousin of Jacqueline Kennedy Onassis Onassis.
- Réalisation
- Scénaristes
- Vedettes
- A remporté 6 prix Primetime Emmy
- 36 victoires et 33 nominations au total
Louis Ferreira
- David Maysles
- (as Justin Louis)
Louis Grise
- Young Buddy
- (as Louis Grisé)
7,411.7K
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Avis en vedette
If you're stuck Edie, it's only with yourself.
Taking the magnificent 1975 documentary and turning it into a dram is a big risk - and I really feel that it payed off.
What was really great was the back-story that you didn't get in the documentary. Ken Howard (Michael Clayton, "Crossing Jordan") played Big Edie's husband, Malcolm Gets ("Caroline in the City") played George "Gould" Strong, and Daniel Baldwin was Julius Krug, all important characters in the 1936 portion of the film.
Drew Barrymore was absolutely magnificent as "Little" Edie, and Jessica Lange was amazing as "Big" Edie. The passive-aggressive attitude displayed made for some super entertainment. The co-dependency made for some outstanding drama. They were an endearing couple.
Things were really in a disgusting state with cats and raccoons all over the place when Jackie Kennedy Onassis (Jeanne Tripplehorn) shows up after numerous stories made the papers outlining the fact that the women were broke.
They were so far gone that they couldn't see how badly they looked in the documentary made about them. Eddie still thought she was destined to be a star.
If Drew Barrymore doesn't get a Golden Globe for this, something is very wrong.
What was really great was the back-story that you didn't get in the documentary. Ken Howard (Michael Clayton, "Crossing Jordan") played Big Edie's husband, Malcolm Gets ("Caroline in the City") played George "Gould" Strong, and Daniel Baldwin was Julius Krug, all important characters in the 1936 portion of the film.
Drew Barrymore was absolutely magnificent as "Little" Edie, and Jessica Lange was amazing as "Big" Edie. The passive-aggressive attitude displayed made for some super entertainment. The co-dependency made for some outstanding drama. They were an endearing couple.
Things were really in a disgusting state with cats and raccoons all over the place when Jackie Kennedy Onassis (Jeanne Tripplehorn) shows up after numerous stories made the papers outlining the fact that the women were broke.
They were so far gone that they couldn't see how badly they looked in the documentary made about them. Eddie still thought she was destined to be a star.
If Drew Barrymore doesn't get a Golden Globe for this, something is very wrong.
Deeply Moving, The film QUIVERS with FEELING
I remember vividly walking through the living room one day in the late 90's when my roommate was chuckling at the documentary GREY GARDENS on the Sundance channel. My eye immediately caught the images of Big and Little Edie in the yellow room and I became involved watching it too. Something about this little documentary just drew me into it. Yes, it was funny, but the humor was also mixed with feelings of horror and pity. I remember feeling a bit uneasy watching these women. One confined to an uncomfortable bed and the other confined to her shattered dreams of unrealized stardom. Both seemingly stuck in a dilapidated house in bad need of repair. What I find beautiful about the documentary is how it questions ones own perception on what "wealth" is. The documentary has that "never judge a book by it's cover" / "things are never quite what they seem" aspect to it. The greatness of the documentary is the message that "real" wealth in life comes in different forms, not just perceived material possessions. The outside doesn't necessarily reflect what's going on beneath the surface. After several viewings of the documentary, it's impossible to have pity for big and little Edie. They had wealth where it counted, in humor, intelligence, feeling, character and for each other.
GREY GARDENS with Drew Barrymore and Jessica Lange is a beautiful and deeply moving tribute to a couple of women whose lives might have been forgotten if it weren't for a couple of documentary filmmakers. Handsomely directed and paced by Michael Sucsy, the film resonates so many feelings that only the hardened will not be moved.
At times it is difficult not to compare and judge the performances of Lange and Barrymore with the real Big and Little Edie Beale, especially for those of us overly familiar with the documentary. Oddly enough some of the best scenes in the film are in the early years. If in moments Lange and Barrymore fail to completely live up to an exact interpretation of the Beales, they immediately redeem themselves with the conviction, understanding and love they have for the women and the material. The performances by Lange, Barrymore and Jeanne Tripplehorn will move and surprise you. The film honors, respects and celebrates it's subjects and like the documentary, it touches something deep down.
It reminds all of us that wealth comes in different forms and that true wealth is the loyalty two people can have for each other.
GREY GARDENS with Drew Barrymore and Jessica Lange is a beautiful and deeply moving tribute to a couple of women whose lives might have been forgotten if it weren't for a couple of documentary filmmakers. Handsomely directed and paced by Michael Sucsy, the film resonates so many feelings that only the hardened will not be moved.
At times it is difficult not to compare and judge the performances of Lange and Barrymore with the real Big and Little Edie Beale, especially for those of us overly familiar with the documentary. Oddly enough some of the best scenes in the film are in the early years. If in moments Lange and Barrymore fail to completely live up to an exact interpretation of the Beales, they immediately redeem themselves with the conviction, understanding and love they have for the women and the material. The performances by Lange, Barrymore and Jeanne Tripplehorn will move and surprise you. The film honors, respects and celebrates it's subjects and like the documentary, it touches something deep down.
It reminds all of us that wealth comes in different forms and that true wealth is the loyalty two people can have for each other.
From documentary to film
Well, you can't go wrong using Big and Little Edie as subject matter, be it in a documentary, a movie, or a musical. This beautifully photographed and opulent "Grey Gardens," starring Jessica Lange and Drew Barrymore as Big and Little Edie, again demonstrates what compelling people they were.
Not having seen any documentary yet, or the musical, which had some powerful emotions expressed in the music ("Another Winter in a Summer Town" as an example), I can only go by this particular "Grey Gardens." The story of the Beales is sad, harrowing, frustrating, and sometimes funny.
Both women are magnificent in their roles, particularly Lange, though my understanding is that the real Big Edie was a much better singer than shown here. Barrymore makes a stunning young Edie, living in New York and trying to make it as an actress and captures the mature woman - it's quite a stretch, too.
What's missing here is exactly what happened to these two beautiful and wealthy women, and I'm not sure it's covered in any other material about them. Why didn't Big Edie remarry? Why didn't Edie "The Body Beautiful" Beale get a rich husband? Why did the other children allow them to live the way they did? Was Little Edie untalented, or could she have had success as an actress? Were they always mentally unstable or eccentric or make each other that way?
I don't know after watching "Grey Gardens," though I'm sure Lange and Barrymore made some decisions about those things in order to play their roles.
The nice thing about "Grey Gardens," for me, anyway, is that Little Edie finally got what she wanted in life - fame (well, notoriety), the ability to perform, money, and a warm place to live. I'm happy about that for her. I just wish I knew more about the psychology that led up to all of it.
Not having seen any documentary yet, or the musical, which had some powerful emotions expressed in the music ("Another Winter in a Summer Town" as an example), I can only go by this particular "Grey Gardens." The story of the Beales is sad, harrowing, frustrating, and sometimes funny.
Both women are magnificent in their roles, particularly Lange, though my understanding is that the real Big Edie was a much better singer than shown here. Barrymore makes a stunning young Edie, living in New York and trying to make it as an actress and captures the mature woman - it's quite a stretch, too.
What's missing here is exactly what happened to these two beautiful and wealthy women, and I'm not sure it's covered in any other material about them. Why didn't Big Edie remarry? Why didn't Edie "The Body Beautiful" Beale get a rich husband? Why did the other children allow them to live the way they did? Was Little Edie untalented, or could she have had success as an actress? Were they always mentally unstable or eccentric or make each other that way?
I don't know after watching "Grey Gardens," though I'm sure Lange and Barrymore made some decisions about those things in order to play their roles.
The nice thing about "Grey Gardens," for me, anyway, is that Little Edie finally got what she wanted in life - fame (well, notoriety), the ability to perform, money, and a warm place to live. I'm happy about that for her. I just wish I knew more about the psychology that led up to all of it.
It's safe to say that this is a game-changing performance by Drew Barrymore.
I was stunned by the uncanny accuracy of the scenes related to that original film; the set and prop reproductions, the re-enactment of scenes from the documentary, and the make-up and costuming of Barrymore and Lange is simply stunning.
I have SEEN the full unedited version of this !!
I have to say that I was as dubious about this project as anyone Else...
Some one was remaking a documentary as a drama ?!? when the documentary may be the most perfect movie I have ever seen ?!? But in all seriousness this movie takes the subject firmly in hand and KNOCKS IT OUT OF THE PARK !!! ITS Brilliant !!! First off you can tell it was written by a true lover of the original, secondly Drew and Jessica are almost indistinguishable from there real counterparts.
I cant say more with out giving stuff away but this my be the best thing I have seen in years !
As Lil Edie would say ...."Its Absolutely Terrific"
Some one was remaking a documentary as a drama ?!? when the documentary may be the most perfect movie I have ever seen ?!? But in all seriousness this movie takes the subject firmly in hand and KNOCKS IT OUT OF THE PARK !!! ITS Brilliant !!! First off you can tell it was written by a true lover of the original, secondly Drew and Jessica are almost indistinguishable from there real counterparts.
I cant say more with out giving stuff away but this my be the best thing I have seen in years !
As Lil Edie would say ...."Its Absolutely Terrific"
Le saviez-vous
- AnecdotesIn the original Grey Gardens (1975), David Maysles asked Edith 'Little Edie' Bouvier Beale who she would want to portray her mother, Edith Bouvier Beale, if a movie based on Grey Gardens were made. She suggested Ethel Barrymore, Drew Barrymore's great-aunt, who died in 1959.
- Citations
Phelan Beale: Damn Ganymede.
George 'Gould' Strong: I'm right here Phelan, I can hear you!
- Générique farfeluAt the end of the credits, where the American Humane Society's traditional credit is displayed, Little Edie's voice adds "No animals were harmed in the making of this movie."
- Bandes originalesTea For Two
from the musical "No No Nanette"
Lyrics by Irving Caesar
Music by Vincent Youmans
Performed by Drew Barrymore and Jessica Lange
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- 灰色花園
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 12 000 000 $ US (estimation)
- Durée
- 1h 44m(104 min)
- Couleur
- Mixage
- Rapport de forme
- 1.78 : 1
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