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S 3.E 10
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731

  • L'épisode a été diffusé 1 déc. 1995
  • TV-14
  • 45m
ÉVALUATION IMDb
8,7/10
5,2 k
MA NOTE
Don S. Williams in Aux frontières du réel (1993)
AventureCriminalitéDrameMystèreScience-fictionThriller

Ajouter une intrigue dans votre langueMulder becomes trapped aboard a train rigged with an explosive device. Scully searches for the truth behind the government's secret experiments.Mulder becomes trapped aboard a train rigged with an explosive device. Scully searches for the truth behind the government's secret experiments.Mulder becomes trapped aboard a train rigged with an explosive device. Scully searches for the truth behind the government's secret experiments.

  • Réalisation
    • Rob Bowman
  • Scénaristes
    • Frank Spotnitz
    • Darin Morgan
    • Jeff Vlaming
  • Vedettes
    • David Duchovny
    • Gillian Anderson
    • Stephen McHattie
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    8,7/10
    5,2 k
    MA NOTE
    • Réalisation
      • Rob Bowman
    • Scénaristes
      • Frank Spotnitz
      • Darin Morgan
      • Jeff Vlaming
    • Vedettes
      • David Duchovny
      • Gillian Anderson
      • Stephen McHattie
    • 11Commentaires d'utilisateurs
    • 7Commentaires de critiques
  • Voir l’information sur la production à IMDbPro
  • Voir l’information sur la production à IMDbPro
  • Photos39

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    Distribution principale12

    Modifier
    David Duchovny
    David Duchovny
    • Fox Mulder
    Gillian Anderson
    Gillian Anderson
    • Dana Scully
    Stephen McHattie
    Stephen McHattie
    • Red-Haired Man
    William B. Davis
    William B. Davis
    • Smoking Man
    Michael Puttonen
    Michael Puttonen
    • Conductor
    Robert Ito
    Robert Ito
    • Dr. Shiro Zama
    Steven Williams
    Steven Williams
    • Mr. X
    Colin Cunningham
    Colin Cunningham
    • Escalante
    Don S. Williams
    Don S. Williams
    • Elder
    Brendan Beiser
    Brendan Beiser
    • Agent Pendrell
    Sean Campbell
    Sean Campbell
    • The Soldier
    • (uncredited)
    Victoria Maxwell
    • Mother
    • (uncredited)
    • Réalisation
      • Rob Bowman
    • Scénaristes
      • Frank Spotnitz
      • Darin Morgan
      • Jeff Vlaming
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs11

    8,75.2K
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    10

    Avis en vedette

    9Sleepin_Dragon

    Apology is Policy.

    A direct continuation from the previous episode, my opinion of the last is the same as this, absolutely terrific. A story that feels like it wouldn't have been out of place in the first series. Nisei and 731 sees the show return to its roots, and doing what it does best of all, chasing Aliens.....apparently.

    Fast paced and energetic, this is blessed with a cracking script, and places both investigators in trouble, there are multiple nail biting moments.

    It's one of those episodes that's well worth watching a second time, there is so much happening, it's almost easy to miss a few bits.

    Not a huge amount of answers given to Mulder or Scully, they are teased, and tempted with snippets, but plenty to rev the duo up for future cases.

    Interesting to see the tag line altered for this one.

    I loved it, I thought this was really impressive, 9/10.
    8fernandoschiavi

    A continuation of the series' intricate mythology, delving into themes of government conspiracy, human experimentation, and the ethical implications of scientific advancement

    The tenth episode of the third season of "The X-Files," titled "731," directed by David Nutter, serves as a gripping continuation of the series' intricate mythology, delving into themes of government conspiracy, human experimentation, and the ethical implications of scientific advancement. Following the events of "Nisei," this episode picks up with Mulder (David Duchovny) infiltrating a train that is rumored to be transporting a human-alien hybrid. The stakes are high as Mulder races against time to uncover the truth while Scully (Gillian Anderson) investigates the implications of her own abduction.

    The narrative begins with Mulder's desperate attempt to board the moving train, which is laden with secrets and danger. The pacing is expertly crafted, maintaining a sense of urgency as Mulder navigates through tense encounters and confrontations. The episode effectively intertwines action with exposition, revealing critical information about Operation Paperclip and its dark legacy involving human experimentation. This historical context adds depth to the narrative, linking Mulder's personal quest for truth with broader societal issues regarding accountability and ethics in science.

    Visually, "731" employs a dark and claustrophobic aesthetic that enhances its themes of fear and paranoia. Nutter's direction captures the oppressive atmosphere of both the train and the military facilities associated with the experiments. The cinematography effectively contrasts light and shadow, symbolizing the duality of truth and deception that permeates the episode. Critics have praised this visual storytelling for its ability to immerse viewers in the unsettling world of conspiracy and cover-up.

    The performances in this episode are particularly strong, especially from Duchovny as he portrays Mulder's determination and desperation in his quest for answers. His emotional depth is evident as he confronts both external threats and his own fears regarding the implications of his discoveries. Anderson's Scully provides a rational counterbalance; her skepticism grounds Mulder's theories while emphasizing her commitment to uncovering the truth behind her own experiences. The supporting cast also delivers notable performances, particularly in their interactions with Mulder and Scully, which reveal both complicity and fear among those involved in the conspiracy.

    Thematically, "731" raises important questions about morality, accountability, and the consequences of scientific experimentation. The episode examines how individuals can become complicit in atrocities when driven by ambition or fear; it explores how government entities manipulate knowledge for their own gain while disregarding ethical considerations. Additionally, it highlights societal attitudes toward past injustices; characters like Kazuo Sakurai (played by Michael Shamus Wiles) represent the complexities of loyalty and betrayal within a system fraught with corruption. This exploration invites viewers to reflect on their beliefs regarding justice, accountability, and the moral implications of historical actions.

    In conclusion, "731" stands out as a significant entry in "The X-Files," successfully blending elements of psychological drama with historical commentary while advancing key plotlines that resonate throughout future episodes. While it may leave some questions unanswered, it effectively maintains tension and intrigue throughout its runtime. The exploration of these themes within a modern context invites viewers to consider their perceptions of truth and morality in society, solidifying "The X-Files" as a thought-provoking examination of human experience amidst extraordinary phenomena. As it reflects broader societal concerns regarding historical injustices and governmental secrecy, this episode leaves audiences pondering their own relationships with accountability and ethical responsibility.

    Intérêts connexes

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    Criminalité
    Naomie Harris, Mahershala Ali, Janelle Monáe, André Holland, Herman Caheej McGloun, Edson Jean, Alex R. Hibbert, and Tanisha Cidel in Moonlight - L'histoire d'une vie (2016)
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    Jack Nicholson and Faye Dunaway in Chinatown (1974)
    Mystère
    James Earl Jones and David Prowse in La guerre des étoiles V: L'empire contre-attaque (1980)
    Science-fiction
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    Thriller

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The tagline changes from "The truth is out there" to "Apology is policy".
    • Gaffes
      The journals in Dr. Zama's possession, handwritten all in Japanese, are seen a couple of times during the episode. On two different occasions, as Mulder flips through their pages, we can see that all of the pages are exact duplicates of each other: four identical pages in the original journal, and two identical pages in the "rewritten" journal seen towards the end of the episode.
    • Citations

      Scully: Don't you see Mulder, you're doing their work for them. You're chasing aliens that aren't there, helping them to create the story that covers the shameful truth. And what they can't cover they apologize for. Apology has become policy.

      Mulder: Maybe. Maybe you're right, Scully. But I don't need an apology for the lies. I don't care about the fictions they create to cover their crimes. I want them held accountable for what did happen. I want them to apologize for the truth.

    • Générique farfelu
      The tagline reads "Apology is Policy."
    • Connexions
      Featured in El comisario: Secreto a voces (2005)
    • Bandes originales
      On a Train
      Written by Mark Snow

      Performed by Mark Snow

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    Détails

    Modifier
    • Date de sortie
      • 1 décembre 1995 (United States)
    • Pays d’origine
      • United States
    • Sites officiels
      • Hulu
      • Instagram
    • Langue
      • English
    • Lieux de tournage
      • Stage 2, North Shore Studios, North Vancouver, British Columbia, Canada
    • sociétés de production
      • Ten Thirteen Productions
      • 20th Century Fox Television
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 45m
    • Couleur
      • Color
    • Mixage
      • Stereo
      • Dolby
    • Rapport de forme
      • 4:3

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