Ceci est mon Sang

Thirst: A bit speechless. Where to begin reviewing this film? Well, it is certainly a fantastic Thriller, some elements of Horror and Gore. It is unlike any film I have seen, and I have seen it all! Psychological, disturbing, creepy at times, culturally quite accurate (Korean), a must see for fans of Vampirism for sure, but also anyone that wants to see a disturbing, complex, form of a Thriller. I have not seen any other films by this Director but I certainly will be doing so now. Thirst has a bit of everything in it - not strictly about vampires by far. And to those reviews that mention that it is "Twilight" for adults? You have it wrong. It is nothing like Twilight. Yes, there are some similar traits but no, it is not a Vampire Romance...it is SO much more than that and the other positive reviews are bang-on and speak for themselves. I particularly enjoyed the character developments, the struggles with faith, family, friends as well as the eerie facial expressions. What a creative and well-written story. You need to see this for yourself and come to your own conclusions!

'Oldboy' director Park Chun-wook returns with what must be one of the yuckiest and at the same time most serious vampire flicks in movie history.

Trusting the latest Hollywood fad, vampires these days are supposed to be rather nonviolent, asexual, love-lorn chevaliers instead of the evil rampantly sexual blood-sucking mind-manipulating man-beasts of yore. This is the film you want to see if you want to remember the sticky thrills of the past... well, at least in the second half.

'Thirst' starts out with a lengthy character exposition culminating in a slightly different love story. The vampire transformation of a priest is, over quite some time, sidelined by the romantic and sexual aspects of the story, which makes for some awkward viewing. But the last 40 minutes or so are surprisingly gory. Well, maybe not so surprisingly if you know 'Oldboy' and 'I'm a Cyborg but that's OK', but I guess it's fair to say that 'Thirst' beats Park's earlier films in terms of in-your-face violence.

All in all, be warned that this is neither art cinema nor a horror flick. It may be too disgusting for many and too tame for some. 'Thirst' is original, entertaining and fortunately a little less weird than Park Chun-wook's earlier endeavors.

I like to keep my reviews short, i rather review the film than compare it or describe it scene by scene like a lot of people like to do, so let's get to it.

I honestly came close to not finishing the movie because I was looking for scary and this isn't much of that, but there is A LOT of blood and violence. The only reason I kept watching was because even though it wasn't creepy or scary, it was a beautifully shot and very well made film. The story feels different than other vampire movies it's not just a bunch of the same old vampire clichés. the acting is good for the most part, personally i think the 2 main characters were amazing. It's kind of long, but the movie gets better as it progresses, the ending is nothing less than what You would expect(considering who directed the film).

So in short, if you're looking for scary in the traditional sense You won't find it here, but if You're a fan of the Vampire and gore genres or just want to watch a good movie You'll certainly enjoy it.

More excellent film-making from Park Chan-wook, who shows no signs of flagging in his quest to bring his unique brand of inventive and unique movies to the world. This is his version of a traditional vampire movie, and while it's not quite as quirky as I'd expected from this director, it certainly packs a punch and proves a breath of fresh air in a cinematic world inundated by the latest Twilight movies.

Put simply, THIRST holds your attention. The storyline, about a priest who finds himself infected with a blood virus and then is slowly transformed into a bloodsucker, is never less than thoroughly entertaining. It goes without saying that the direction is flawless – every scene and sequence is expertly crafted, leaving no margin for error. Emphasis is on characterisation throughout, which is always a strong point, and the actors have the talent to fully bring their roles to life; the main actress is particularly fascinating.

Overall, this is a gruesome, gripping, melancholic look at the world of the vampire. Be warned, it's explicit and often in your face, but as with the rest of the director's output, this is a film that sets out to challenge assumptions and overcome cliché. It works a treat.

Sang-hyun was a catholic priest, until his faith was challenged and then ceased, after taking a fusion, that removed his delusion, his appetite for blood has increased.

Tae-ju has developed a miasma, after feeding on Sang-hyun's rich plasma, started out as some fun, but things can't be undone, after a vampiric feasting orgasma.

A crimson wave of fornication and frivolity in a fabulously feverish fable of frustration.