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La Famille Savage

Titre original : The Savages
  • 2007
  • 14A
  • 1h 54m
ÉVALUATION IMDb
7,1/10
39 k
MA NOTE
Philip Seymour Hoffman and Laura Linney in La Famille Savage (2007)
Theatrical Trailer from Fox Searchlight Pictures
Liretrailer2:25
10 vidéos
99+ photos
Comédie noireComédieDrame

Une soeur et un frère font face aux réalités de la responsabilité familiale alors qu'ils commencent à s'occuper de leur père malade.Une soeur et un frère font face aux réalités de la responsabilité familiale alors qu'ils commencent à s'occuper de leur père malade.Une soeur et un frère font face aux réalités de la responsabilité familiale alors qu'ils commencent à s'occuper de leur père malade.

  • Director
    • Tamara Jenkins
  • Writer
    • Tamara Jenkins
  • Stars
    • Laura Linney
    • Philip Seymour Hoffman
    • Philip Bosco
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    7,1/10
    39 k
    MA NOTE
    • Director
      • Tamara Jenkins
    • Writer
      • Tamara Jenkins
    • Stars
      • Laura Linney
      • Philip Seymour Hoffman
      • Philip Bosco
    • 140Commentaires d'utilisateurs
    • 199Commentaires de critiques
    • 85Métascore
  • Voir l’information sur la production à IMDbPro
    • Nommé pour 2 oscars
      • 17 victoires et 33 nominations au total

    Vidéos10

    The Savages
    Trailer 2:25
    The Savages
    The Savages
    Clip 1:25
    The Savages
    The Savages
    Clip 1:25
    The Savages
    The Savages
    Clip 1:14
    The Savages
    The Savages
    Clip 1:01
    The Savages
    The Savages
    Clip 1:16
    The Savages
    The Savages
    Clip 1:11
    The Savages

    Photos119

    Voir l’affiche
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    + 113
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    Rôles principaux44

    Modifier
    Laura Linney
    Laura Linney
    • Wendy Savage
    Philip Seymour Hoffman
    Philip Seymour Hoffman
    • Jon Savage
    Philip Bosco
    Philip Bosco
    • Lenny Savage
    Peter Friedman
    Peter Friedman
    • Larry
    David Zayas
    David Zayas
    • Eduardo
    Gbenga Akinnagbe
    Gbenga Akinnagbe
    • Jimmy
    Cara Seymour
    Cara Seymour
    • Kasia
    Tonye Patano
    Tonye Patano
    • Ms. Robinson
    Guy Boyd
    Guy Boyd
    • Bill Lachman
    Debra Monk
    Debra Monk
    • Nancy Lachman
    Rosemary Murphy
    Rosemary Murphy
    • Doris Metzger
    Harold Blankenship
    • Burt
    • (as Hal Blankenship)
    Joan Jaffe
    Joan Jaffe
    • Lizzie
    Katherine Kirkpatrick
    • Real Estate Agent
    • (as Laura Palmer)
    Salem Ludwig
    • Mr. Sperry
    Sandra Daley
    Sandra Daley
    • Attendant
    Peter Frechette
    Peter Frechette
    • Matt
    Jennifer Lim
    Jennifer Lim
    • Manicurist #1
    • Director
      • Tamara Jenkins
    • Writer
      • Tamara Jenkins
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs140

    7,139.4K
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    10

    Avis en vedette

    9wisewebwoman

    Well done!

    This film, along with "Away from Her" are the best elder-films I've seen all year (2007).

    There is an honesty to the movie about a brother and sister relationship that is genuine and heart warming. Philip Seymour Hoffman (Jon, the professor) and Laura Linney (as Wendy, aspiring playwright)are perfectly cast in the roles of the sister and brother who have to deal with their obnoxious, foul-mouthed elderly father, Lenny, played by Philip Bosco in a riveting performance.

    Their childhoods have been difficult, abuse is hinted at along with a runaway mother. They are now confronted with the care and responsibility of their father who has been deemed incompetent (and penniless). The effects of their childhood on these now adult children is played out well. They are incapable of intimacy with potential partners and even with each other.

    How they slowly gain an understanding of themselves and each other is an ongoing major thread of the movie and is beautifully depicted. A one of a kind sibling movie. 9 out of 10. Recommended.
    9rddj05

    Little Gem

    If you look for honesty portrayed in film, you can't do much better than The Savages. This is an example of the type of film that rarely sees the light of day, simply because it refuses to compromise. Despite it's grim subject matter, there is plenty of humor in this film, which mainly arises from the absurdity of situations that feel so genuinely familiar. All the performances across the board are fantastic, and Ms. Jenkins was miraculously able to get funding for a film that didn't include the casting of a single "pretty young thing". Every single person in the the film genuinely looks like the real article (note: for equally impressive casting, check out Sarah Polly's "Away From Her".) There are numerous places where this film could've taken a turn into typical Hollywood schmaltz and portrayed situations in a less-than-honest way, but it's director and actors refused to go there. Thank goodness they didn't.
    Benedict_Cumberbatch

    Getting Even with Dad

    "The Savages" has been terribly mismarketed. I'm sure plenty of people who went to watch it having seen only the previews, thought it was a comedy, and were disappointed. If anything, this is a "dramedy" - it will make you smile a few times, but never laugh out loud. But that's not a bad thing, the other way around.

    This is a story about two siblings, Wendy (Laura Linney, who earned a surprise - and much deserved - Oscar nomination for this performance) and Jon Savage (Philip Seymour Hoffman) who have to take care of their ailing, estranged father, Lenny (Philip Bosco). Fathers and kids relationships have been discussed in tons of movies, but Tamara Jenkins (real life wife of Jim Taylor, co-author of Alexander Payne's scripts - they both produced this movie, by the way) managed to create something fresh and beautiful in its own simplicity (and, at the same time, so complex and painfully real, for all of those who've had difficult family relationships - and who hasn't?). "The Savages" reminds me of Noah Baumbach's "The Squid and the Whale", also starring Laura Linney - but with a little less humor, and perhaps even more heart. Hoffman and Bosco are also great, as usual. Jenkins proves that she's a very sensitive writer/director, and I'm excited to check whatever she does next. I'm rooting for either her or Diablo Cody ("Juno") to win the Oscar for best original screenplay next month (coincidentally, both movies have The Velvet Underground's "I'm Sticking With You" in the soundtrack). 10/10.
    Gordon-11

    A realistic film that is satisfying and human

    This film is about how two brothers and sisters react to their father's development of dementia, and the subsequent deterioration of his mental condition.

    "The Savages" is a real and authentic film. It uses the pain of dealing with dementia as a backdrop, to explore the relationship of two siblings. Laura Linney's excellent portrayal of Wendy Savage, a daughter in deep denial, is captivating. Her emotional turmoil and her manipulation of others makes her character very deep and interesting. Jon Savage, on the other hand, repeatedly and brutally brings Wendy back on the ground. This strained interaction keeps the tension going throughout the film. Fortunately, this painful and difficult times enables them too understand themselves and care for each other. The ending is sad, but satisfying and human.

    "The Savages" is realistic film that people can easily relate to.
    8gelman@attglobal.net

    Good acting but a Sad and Depressing Story: Spoilers

    Any film that features Laura Linney and Philip Seymour Hoffman is certainly worth seeing, and the acting in "The Savages" is excellent, not only by Linney and Hoffman but by Philip Bosco who plays their father, Lenny, an elderly man suffering from dementia. The story line - - two grown children facing the task of caring for a failing parent -- is all too familiar in real life, and anyone who's been through it knows how emotionally wrenching it can be. The complication here is that both children feel that they were mistreated by their father during childhood.

    Jon, Hoffman's character, a drama professor is less devastated by the reality, though perhaps not by the memory. Wendy, Linney's character, is torn apart by both. There's another story line as well. Jon has just been separated from his long time girl friend, a Polish drama teacher whose visa has expired. Wendy, who's been trying to write a play about her childhood trauma and seeking a grant to permit her to do so, is having sex with an older married man (more at his convenience than hers).

    But the story is mainly about their search for a nursing home that will have their father. (Wendy would prefer a beautiful space that offers "assisted living" which her father can no longer manage.) And after they've found the nursing home, they have to cope with their father's demented behavior and their own emotional states. After Lenny dies, the script seeks a hopeful but unconvincing resolution. The brief, uncertain up-tick at the end does not make this film any less of a downer. But the acting is superb. It's to be expected of Linney and Hoffman. Though it's not likely that many viewers will have noticed Bosco before, he's been an excellent stage actor and, in some ways, his may be the most impressive performance of the three.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      David Harbour cited Philip Seymour Hoffman's performance as being an influence on his role as Alexei Shostakov in Black Widow (2021).
    • Gaffes
      Jon Savage drives his Polish girlfriend to the airport at 6:30 AM, in broad daylight. But in November in Buffalo, it would be pitch dark at this hour (even on November 1, sunrise isn't until 7:46).
    • Citations

      Jon Savage: Dad's not the one that has a problem with the Valley View. There's nothing wrong with Dad's situation. Dad's situation is fine. He's never gonna adjust to it if we keep yanking him outta there. And, actually, this upward mobility fixation of yours, it's counterproductive and, frankly, pretty selfish. Because it's not about Dad, it's about you and your guilt. That's what these places prey upon.

      Wendy Savage: I happen to think it's nicer here.

      Jon Savage: Of course you do, because you are the consumer they want to target. You are the guilty demographic. The landscaping, the neighborhoods of care; they're not for the residents, they're for the relatives. People like you and me who don't want to admit to what's really going on here.

      Wendy Savage: Which is what, Jon?

      Jon Savage: People are dying, Wendy! Right inside that beautiful building right now, it's a fucking horror show! And all this wellness propaganda and the landscaping, it's just there to obscure the miserable fact that people die! And death is gaseous and gruesome and it's filled with shit and piss and rotten stink!

    • Connexions
      Featured in Siskel & Ebert & the Movies: The Mist/This Christmas/August Rush/I'm Not There/Purple Violets (2007)
    • Bandes originales
      I Don't Want to Play in Your Yard
      Written by Henry W. Petrie (as Henry Petrie), Philip Wingate, and Dick Manning

      Performed by Peggy Lee

      Courtesy of Geffen Records

      Under license from Universal Music Enterprises

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    FAQ20

    • How long is The Savages?Propulsé par Alexa

    Détails

    Modifier
    • Date de sortie
      • 17 janvier 2008 (Singapore)
    • Pays d’origine
      • United States
    • Site officiel
      • Searchlight Pictures
    • Langues
      • English
      • German
      • Cantonese
    • Aussi connu sous le nom de
      • The Savages
    • Lieux de tournage
      • Sun City, Arizona, États-Unis
    • sociétés de production
      • Fox Searchlight Pictures
      • Lone Star Film Group
      • This Is That Productions
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Brut – États-Unis et Canada
      • 6 623 082 $ US
    • Fin de semaine d'ouverture – États-Unis et Canada
      • 151 859 $ US
      • 2 déc. 2007
    • Brut – à l'échelle mondiale
      • 10 653 221 $ US
    Voir les informations détaillées sur le box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 54m(114 min)
    • Couleur
      • Color
    • Mixage
      • SDDS
      • Dolby Digital
      • DTS
    • Rapport de forme
      • 1.85 : 1

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