Clark Kent, malgré son apparence humaine normale, est l'un des derniers membres d'une race éteinte. Il se retrouve forcé de révéler son identité lorsque la Terre est envahie par une armée de... Tout lireClark Kent, malgré son apparence humaine normale, est l'un des derniers membres d'une race éteinte. Il se retrouve forcé de révéler son identité lorsque la Terre est envahie par une armée de survivants qui menace détruire la planète.Clark Kent, malgré son apparence humaine normale, est l'un des derniers membres d'une race éteinte. Il se retrouve forcé de révéler son identité lorsque la Terre est envahie par une armée de survivants qui menace détruire la planète.
- Réalisation
- Scénaristes
- Vedettes
- Nominé pour le prix 1 BAFTA Award
- 7 victoires et 46 nominations au total
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Avis en vedette
Great movie
Man of Steel is a solid and more grounded take on Superman. I like how it explores Clark's struggle to find his place in the world instead of just jumping straight into the hero stuff. Henry Cavill fits the role really well, and the movie's visuals are stunning, especially during the big fight scenes. The tone is darker than most Superman stories, but it works for what it's trying to do. The action can get a bit over-the-top, and the pacing feels uneven at times, but overall it's a strong, emotional, and fresh take on the character.
Ignore the critics
I am old enough to have seen the original 2 Christopher Reeve Superman movies, and the idea of combining them is great. Henry Cavill is a better Superman, Amy Adams is a better Lois Lane, the script is far stronger, the baddies are more believable, I honestly can't understand the negatives; with the exception of the first 20 minutes, which just didn't work. A great attempt, far better than most DC movies, except the Nolan ones.
Powerful and emotional superhero origin story
"Man of Steel" is a bold and visually stunning take on Superman's origin. Henry Cavill delivers a strong and emotional performance as Clark Kent, giving the character real depth and humanity. The action scenes are massive and intense, and Zack Snyder's direction brings an epic, cinematic tone. While the pacing can feel uneven at times, and the destruction in the final act is over the top, the movie successfully reimagines Superman for a modern era - darker, more grounded, and emotionally driven.
Henry Cavill is the reason I like superman.
The origins of the movie and the main character is fantastic. Only downside to the movie is that Lois lane is involved a little to much for my liking. Understanding and learning his powers, who he chooses to be while taking on General Zod and the other kryptonians is a tall task. I really appreciate this movie and Henry Cavill better than Christopher Reeves hands down.
Zod Help Us, It's Actually Good
Man of Steel gets more hate than it deserves, and honestly, I don't get it. Snyder knew exactly what he was doing, this wasn't about bright colors and corny speeches. This was Superman dragged through a philosophy class, set on fire, and launched into a midair fistfight with a war criminal. The action was brutal in the best way, like watching gods beat each other into drywall for two and a half hours. And say what you want about the chaos, but visually? It slapped. The fight choreography was insane, the effects still hold up, and the destruction felt earned. When Zod and Superman leveled half of Metropolis, it wasn't just noise, it was inevitability. This was what it should feel like when titans go to war.
And yeah, you could feel Nolan's touch in the pacing. The flashbacks, the quiet tension, the weight of Clark trying to figure out who the hell he is. It wasn't a cartoon. It was a guy raised in Kansas trying not to vaporize people every time someone cut him off in traffic. Cavill was solid, not quirky, not chatty, just tired and trying, which made him way more interesting than the clean-cut boy scout we're used to. Zimmer's score deserves its own star rating. The whole thing felt like a reboot that finally took Superman seriously without sucking the fun out of it. Eight stars, easy. Let the purists cry. This one held up.
And yeah, you could feel Nolan's touch in the pacing. The flashbacks, the quiet tension, the weight of Clark trying to figure out who the hell he is. It wasn't a cartoon. It was a guy raised in Kansas trying not to vaporize people every time someone cut him off in traffic. Cavill was solid, not quirky, not chatty, just tired and trying, which made him way more interesting than the clean-cut boy scout we're used to. Zimmer's score deserves its own star rating. The whole thing felt like a reboot that finally took Superman seriously without sucking the fun out of it. Eight stars, easy. Let the purists cry. This one held up.
Blocage sonore
Prévisualisez la bande originale ici et continuez à écouter sur Amazon Music.
Le saviez-vous
- AnecdotesHenry Cavill refused to take steroids to muscle up for the role. He also refused any digital touch-ups or enhancement to his body in his shirtless scenes. He said it would have been dishonest of him to use trickery while playing Superman, and he wanted to push his body to the limits, to develop his physique into one that was worthy of the character.
- Gaffes(at around 1h 3 mins) When the ships arrive and broadcast the message to the world, multiple cities across the planet are shown, but it is nighttime in all of them.
- Générique farfeluThe Warner Brothers, Legendary Pictures, DC Comics and Syncopy Inc logos are shaded steel gray and appear in swirls and bends of Kryptonian metal.
If you look closely, the Warner Brothers, Legendary Pictures and DC Comics logos have Kryptonian writing.
- ConnexionsEdited into Superman 75 (2013)
- Bandes originalesRing of Fire
Written by June Carter Cash (as June Carter) and Merle Kilgore
Produced by Allison Crowe and Larry Anschell
Performed by Allison Crowe
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Man of Steel
- Lieux de tournage
- Ucluelet, British Columbia, Canada(Alaskan fishing town)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 225 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 291 045 518 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 116 619 362 $ US
- 16 juin 2013
- Brut – à l'échelle mondiale
- 670 145 518 $ US
- Durée
- 2h 23m(143 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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