Ajouter une intrigue dans votre langueA shot-for-shot remake of Les aventuriers de l'arche perdue (1981), started by three 12-year-olds and completed over a period of six years.A shot-for-shot remake of Les aventuriers de l'arche perdue (1981), started by three 12-year-olds and completed over a period of six years.A shot-for-shot remake of Les aventuriers de l'arche perdue (1981), started by three 12-year-olds and completed over a period of six years.
- Director
- Writers
- Stars
Scott Lionberger
- Dog Man
- (as Scott Lionburger)
- …
Avis en vedette
I just got back from the Indie SF Film Festival where this film was showing, and all I can say is that a few minutes into the film (home Betamax video camera (not Betacam)) I was in tears laughing.
True to Zala's comment during the Q&A at the end of the feature, there is no better audience to watch this with than a theatre filled with San Francisco Bay Area indy film makers and enthusiasts.
There were cheers. There was applause at key moments in the film. There were the obligatory "Oooooooohs" for the kissing scenes. Home made stunts: SFX: chase scenes: you name it, this film had it.
In case you don't know, this is a video production done by a bunch of middle-school cum high-school students who wanted to do their version of Spielberg's and Lucas' "Raiders of the Lost Ark". Nearly every shot is duplicated with a home video camera, showing the raw energy, "spunk", and otherwise enthusiasm of young aspiring film makers.
Seeing this production reminded me of all the video "films" my friends and I shot during the early 80s. Though not comparable in length, they were certainly comparable in zest for the medium. I, and the rest of the audience tonight at the Victoria theatre (off 16th and Mission) were kindred with Zala and company. Everything from the "adult supervision" who was more immature than the actual cast and crew, to the truck dug out of the swamp, to the good natured destruction of personal lives for a greater glory! It goes without saying that there's a huge cheese factor in this film, but its amateur quality striving for professionalism is its absolute charm, and does not fail from opening sequence to end credits.
But, with all highs, there are some lows, and regrettably the tragic loss of Snickers was keenly felt amidst tonight's group. Salute to a K-9 actor from all of us who've used their pets in various productions.
To conclude; if you're even a small Indiana Jones fan in the slightest, then you must, nay, need to see this production in all of its 20th dupe VHS glory. A must see for all film students, teachers, and professionals alike.
Enjoy! :-)
True to Zala's comment during the Q&A at the end of the feature, there is no better audience to watch this with than a theatre filled with San Francisco Bay Area indy film makers and enthusiasts.
There were cheers. There was applause at key moments in the film. There were the obligatory "Oooooooohs" for the kissing scenes. Home made stunts: SFX: chase scenes: you name it, this film had it.
In case you don't know, this is a video production done by a bunch of middle-school cum high-school students who wanted to do their version of Spielberg's and Lucas' "Raiders of the Lost Ark". Nearly every shot is duplicated with a home video camera, showing the raw energy, "spunk", and otherwise enthusiasm of young aspiring film makers.
Seeing this production reminded me of all the video "films" my friends and I shot during the early 80s. Though not comparable in length, they were certainly comparable in zest for the medium. I, and the rest of the audience tonight at the Victoria theatre (off 16th and Mission) were kindred with Zala and company. Everything from the "adult supervision" who was more immature than the actual cast and crew, to the truck dug out of the swamp, to the good natured destruction of personal lives for a greater glory! It goes without saying that there's a huge cheese factor in this film, but its amateur quality striving for professionalism is its absolute charm, and does not fail from opening sequence to end credits.
But, with all highs, there are some lows, and regrettably the tragic loss of Snickers was keenly felt amidst tonight's group. Salute to a K-9 actor from all of us who've used their pets in various productions.
To conclude; if you're even a small Indiana Jones fan in the slightest, then you must, nay, need to see this production in all of its 20th dupe VHS glory. A must see for all film students, teachers, and professionals alike.
Enjoy! :-)
10jasonx12
Currently the review meter is at 4.something stars. That is just plain wrong. I don't understand how anyone could see this and give it a bad rating. It's obvious more work and ingenuity went into it than most other actual Hollywood movies. The bar and truck scenes are both exciting and were brilliantly shot and edited...by freakin' kids! There's pyro, stunts, kissing, blood, violence, all that great stuff. How they were able to stay on course with such a long enormous project and have it come out so spectacularly well is the stuff of legend. These guys set themselves on fire and jumped out of moving trucks. They deserve to have a major film made about them.
Fascinating and watchable as hell.
Fascinating and watchable as hell.
"Raiders of the Lost Ark" is one of my favourite movies - in fact, to watch it with an audience 32 years later, it plays as perfectly today as when I saw it on a late June matinée at the Vancouver Centre theatre as a 12 year old in 1981.
Steven Spielberg's action masterpiece inspired me, and every one of my friends. We LOVED this movie. I saw it so many times in the theatre as a kid, and when it arrived on VHS in 1983, the film became so imprinted on my brain that I know the screenplay, the action and the music cues backwards and forwards as well as anything, even to this day. As much as I forget many, many things daily now, I still know "Raiders of the Lost Ark".
Along with "Back to the Future", Raiders remains a truly perfect modern-day film - perfectly written, directed, scored, and realized as a piece of exceptional movie entertainment - one that makes people happy, and they leave the theatre talking about it.
Spielberg was the guy. His movies constantly inspired my friends and I to make our own home-made movies (we erred on the side of James Bond pictures, sci-fi, and SCTV-style parodies - with a dash of John Landis anarchy) and we actually wrote screenplays, went out and shot footage, created special effects and worked to create a movie(s) of our own. This was all based on the fact that we were a TV generation - we saw all types of movies, from KVOS 8pm nightly movies, BCTV & CHEK 6 late shows, CKVU special stereo simulcasts with CFMI, everything. We absorbed the new VHS format and watched practically anything that was rentable. Pay TV was brand-new to Canada, too - and between the unedited and commercial-free "A" Hollywood titles, you ended up seeing classics and B-pictures and crappy Canadian tax-shelter dreck. And we studied the movies we saw, even the bad ones. Instead of sitting and just watching them though, with the advent of consumer-quality video cameras (thanks to the high school AV Club), we saw an opening: wanted to make some movies ourselves.
For me and my friends, it was a golden-age of movie making (the 1980s) and there were plenty of directors, ideas and plots to draw from. We put an awful lot of effort into creating pictures, but we never completed one from beginning to end - instead dropping one genre trope and moving on to the next in the excitement of seeing a cool new movie that wowed us. But boy, it was FUN. I learned an awful lot about real movie-making by actually doing it on the fly with my friends, working with a group of people who were all totally inspired by movies too. Even when I'm (rarely) shooting video today, I still use the things I learned working with my friends - editing inside the camera, framing, music, the cheats for shots, creating tension and emotion - stuff we all learned by endlessly studying movies, watching making-of documentaries and actually (sort-of) making short films with big picture ideas.
So, years ago I read an article in Entertainment Weekly or Premiere or somewhere on this thing that a group of friends in the U.S. south that had made a VHS shot-for-shot fan film re-creation of "Raiders of the Lost Ark" over many, many summers in the 1980s. They used the actual Lawrence Kasdan script, used the legendary John Williams underscore, and aped Spielberg's shots to make a kid-centric version of Raiders. Not only that, but they did stunts, created sets, even lit their parents' basement on fire to duplicate Marion Ravenwood's Nepalese bar set-piece where Indy fights the Nazi bad guy and his thugs.
Watching their ersatz movie adaptation simply blew me away. This was my early teenage dream played out on glitchy videotape: my experience as a kid who was crazy about movies, and who loved movies so much that to make a full-length movie inspired by the world's best movie (at the time) and as a way to be a part of making the same kind of entertainment that made audiences happy, excited and connected - just like the way I felt at the Vancouver Centre at that 2pm screening in 1981.
This is really a special film. It is entirely ingenious in its use of substitution, it nails the optimistic spirit of the original film and more over, you end up caring for the kids. I was particularly concerned for them when they actually lit each other on fire.
Their movie recreates in ultra-ultra-shoestring low-budget detail virtually every plot and action beat in the 1981 film so creatively, it's absolutely impossible to find any fault. The Adaptation is endlessly watchable - and as a viewer, you can't wait to see how they creatively tackle the next Spielberg multi-million dollar set-piece.
Just watch their version of the iconic desert truck chase: for my money, it is just as rip-roaringly good as Spielberg's version. And that's a REAL kid being dragged along that real gravel road. A kid that really, truly loves Raiders of the Lost Ark.
Steven Spielberg's action masterpiece inspired me, and every one of my friends. We LOVED this movie. I saw it so many times in the theatre as a kid, and when it arrived on VHS in 1983, the film became so imprinted on my brain that I know the screenplay, the action and the music cues backwards and forwards as well as anything, even to this day. As much as I forget many, many things daily now, I still know "Raiders of the Lost Ark".
Along with "Back to the Future", Raiders remains a truly perfect modern-day film - perfectly written, directed, scored, and realized as a piece of exceptional movie entertainment - one that makes people happy, and they leave the theatre talking about it.
Spielberg was the guy. His movies constantly inspired my friends and I to make our own home-made movies (we erred on the side of James Bond pictures, sci-fi, and SCTV-style parodies - with a dash of John Landis anarchy) and we actually wrote screenplays, went out and shot footage, created special effects and worked to create a movie(s) of our own. This was all based on the fact that we were a TV generation - we saw all types of movies, from KVOS 8pm nightly movies, BCTV & CHEK 6 late shows, CKVU special stereo simulcasts with CFMI, everything. We absorbed the new VHS format and watched practically anything that was rentable. Pay TV was brand-new to Canada, too - and between the unedited and commercial-free "A" Hollywood titles, you ended up seeing classics and B-pictures and crappy Canadian tax-shelter dreck. And we studied the movies we saw, even the bad ones. Instead of sitting and just watching them though, with the advent of consumer-quality video cameras (thanks to the high school AV Club), we saw an opening: wanted to make some movies ourselves.
For me and my friends, it was a golden-age of movie making (the 1980s) and there were plenty of directors, ideas and plots to draw from. We put an awful lot of effort into creating pictures, but we never completed one from beginning to end - instead dropping one genre trope and moving on to the next in the excitement of seeing a cool new movie that wowed us. But boy, it was FUN. I learned an awful lot about real movie-making by actually doing it on the fly with my friends, working with a group of people who were all totally inspired by movies too. Even when I'm (rarely) shooting video today, I still use the things I learned working with my friends - editing inside the camera, framing, music, the cheats for shots, creating tension and emotion - stuff we all learned by endlessly studying movies, watching making-of documentaries and actually (sort-of) making short films with big picture ideas.
So, years ago I read an article in Entertainment Weekly or Premiere or somewhere on this thing that a group of friends in the U.S. south that had made a VHS shot-for-shot fan film re-creation of "Raiders of the Lost Ark" over many, many summers in the 1980s. They used the actual Lawrence Kasdan script, used the legendary John Williams underscore, and aped Spielberg's shots to make a kid-centric version of Raiders. Not only that, but they did stunts, created sets, even lit their parents' basement on fire to duplicate Marion Ravenwood's Nepalese bar set-piece where Indy fights the Nazi bad guy and his thugs.
Watching their ersatz movie adaptation simply blew me away. This was my early teenage dream played out on glitchy videotape: my experience as a kid who was crazy about movies, and who loved movies so much that to make a full-length movie inspired by the world's best movie (at the time) and as a way to be a part of making the same kind of entertainment that made audiences happy, excited and connected - just like the way I felt at the Vancouver Centre at that 2pm screening in 1981.
This is really a special film. It is entirely ingenious in its use of substitution, it nails the optimistic spirit of the original film and more over, you end up caring for the kids. I was particularly concerned for them when they actually lit each other on fire.
Their movie recreates in ultra-ultra-shoestring low-budget detail virtually every plot and action beat in the 1981 film so creatively, it's absolutely impossible to find any fault. The Adaptation is endlessly watchable - and as a viewer, you can't wait to see how they creatively tackle the next Spielberg multi-million dollar set-piece.
Just watch their version of the iconic desert truck chase: for my money, it is just as rip-roaringly good as Spielberg's version. And that's a REAL kid being dragged along that real gravel road. A kid that really, truly loves Raiders of the Lost Ark.
10drumz
Like Blueghost, I saw it at SF Indiefest and had a great time.
To take stars away from this film based on its technical merits (eighties Betamax, bad sound) would be grinchlike and silly. Sure: when you go into a remake with a $5,000 budget, made by three friends who started in 1982 at age 12 and wrapped the project seven years later, you admire the concept even as you think you just might be in for a couple hours of junk. You would be wrong about the latter. This will stand as one of the most ridiculously awesome successful experiments ever committed to film.
They set one of their parents' basements on fire, and (at least as they tell it) the parents only belatedly caught on and demanded adult supervision, which apparently didn't help much in that the "supervisor" was a total pyro. They did the famous truck chase in all its glory. They obtained snakes. Spider monkeys proved trickier, so Snickers the dog filled in. They scored an honest-to-God submarine. What can I say? Bring on the documentary, and the original on video for all to see.
To take stars away from this film based on its technical merits (eighties Betamax, bad sound) would be grinchlike and silly. Sure: when you go into a remake with a $5,000 budget, made by three friends who started in 1982 at age 12 and wrapped the project seven years later, you admire the concept even as you think you just might be in for a couple hours of junk. You would be wrong about the latter. This will stand as one of the most ridiculously awesome successful experiments ever committed to film.
They set one of their parents' basements on fire, and (at least as they tell it) the parents only belatedly caught on and demanded adult supervision, which apparently didn't help much in that the "supervisor" was a total pyro. They did the famous truck chase in all its glory. They obtained snakes. Spider monkeys proved trickier, so Snickers the dog filled in. They scored an honest-to-God submarine. What can I say? Bring on the documentary, and the original on video for all to see.
10shanphil
10 out of 10? Yes!!! They did the impossible. How could I rate it any lower? If I could I'd give it an 11. Remarkable achievement. Remarkable desire, drive, and creativity. When I was the age they were when they started this, I was sitting around wasting time. Heck, I didn't think I could do the work for even one Boy Scout merit badge-and I didn't. Look what these boys accomplished. Love it! I hope it inspires young people for generations to come. Video games are fun, but get out there and create!
Le saviez-vous
- AnecdotesBecause Raiders was yet not available for rental or sale in video stores when the boys started in the summer of '82, they had no reference copy of the movie they were seeking to remake shot-for-shot. So, they got everything Raiders that they could get their hands on - photos from magazines, the published screenplay, storybooks, making-of publications, action figures, an illicit recording of the soundtrack from smuggling in a cassette recorder into a movie theater showing Raiders when re-released in 1982. With the amassed material, and by memory of seeing Raiders in the theater, they cobbled together a composite reconstruction of the original Raiders, shot-by-shot, laying it out in storyboard form. Before Raiders, Eric Zala wanted to be comic book artist growing up. This prepared him to hand draw over 600 individual detailed storyboards that became the blueprint they used for seven years, only rarely deviated from.
- ConnexionsFeatured in The People vs. George Lucas (2010)
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