Life on Mars

Life on Mars.

Another prime example of a good show that had a following killed off because of idiotic decisions by a Network, this one by one of the worst offenders, ABC. Had the show not gone on a 2-month hiatus and then a time and day change, it might have seen 2 or 3 seasons, easily.

This was one of the first shows of several in a line of 70's or 80's time period. Why? Because that is the time period most of the people now in charge grew up in. It's something they, and myself, relish for a return of. Back to a "Simpler" time, if you will. Of course, EVERY generation thinks and says that lol.

This was a remake of yet another British series of the same name and many of the same named characters, with, of course, a few differences to entice the American audiences. I'm not sure what it is, but the British sure seem to have a knack for strange and interesting Television and Movie entertainment.

The show has an AWESOME cast. Jason O'Mara is in the leading role as Detective Sam Tyler. He isn't really your "normal" leading man in action based Sci-Fi Television shows, but he does a great job when put into them. Terra Nova was another show he was an "odd" leading man in as well. And now also as a cast member of Agents of Shield. When you first see him, you think, "WHAT?" But after a few episodes, you settle in and can't imagine anyone else in that role. In one of the episodes of this show, his real life wife, the stunning Paige Turco is a guest star. You will recognize her as Clarke's Mother, Abby Griffen from the show The 100. In that same episode, you get a chance to hear Jason's REAL accent. Being that he is from Ireland, it, of course, is Irish.

Gretchen Mol plays Woman Police Officer, Annie Norris. She, of course, is a very beautiful woman, but they are able to "Temper" that beauty by her uniform and meek presence. At moments along the way, they spotlight that beauty by adding some growing strength and a Burnette look here and there. Mol is a natural blonde and hot, but nothing like when she turns into a Brunette and sizzles off the TV screen. She is truly one of those women who is much better looking as a brunette and not her natural blonde. The show takes some interesting twists and turns and Mol's character, what is normally a "3rd Tier" supporting role, blasts to the forefront.

Harvey Keitel is Lieutenant Gene Hunt, the leader of the 125 unit. He is the typecast of the old 70's man in charge, gruff, tough, mean, but with a tender side. His character, like all of them, seem to grow and change because of the presence of Det. Sam Tyler.

The rest of the cast is relative unknowns, but Michael Imperioli who plays Det. Ray Carling, begins to shine as the typical 70's "Sexist Pig" male that Feminists of that era battled for control with. He is some pretty good comic relief with his lines, jokes, and name calling.

I recommend this show in general, I gave it a 7, which for me, is a very "good" rating. Any of my ratings of 6 or up you will be happy with the show and easily be able to watch the entire series. If I rate a show 8 it is an awesome show, 9 would be one of the best shows I have ever seen and 10, doesn't exist it. It is hard to classify because it crosses a few genres, Sci-Fi, Police Procedurals, Drama. d then relies on another to keep it going. Much like many of the shows being made now.

Final Note: (And if you have read some of my other reviews, MY TYPICAL RANT TIME). In my opinion, the Networks, ABC, CBS, NBC, now FOX and probably soon, the CW, have a LONG HISTORY OF DESTROYING GOOD SCI-FI SHOWS with STUPID Decisions. This show was a victim the same way. Right now, the only way a good Sci-Fi show has a shot at several seasons is on a Cable Network or the CW. The main Networks rely too heavily on an old, outdated, FLAWED, system of measurements, the Neilsens. Nowadays, most of us are busy and DVR or Stream our TV and Movie entertainment. Perhaps a Social Media system should be set up to gauge audience interest rather than the horrible "Neilsen" system used FAR TOO LONG. As proof, imagine how long CBS or NBC would have allowed a show like The Walking Dead to go on. They would have killed it after the 1st season. CBS had a decent winner in Supergirl, but yet they transferred it to their CW. They now have the new Star Trek show, but wisely(?) (We shall see), they are going to be showing just the Pilot on their network and then going to their new "Streaming" service with it. They are going to make it their "Flagship" of their streaming service. If not done right, their streaming service will crash and burn like could easily happen if not handled correctly. NBC killed the show "Revolution" which had massive ratings and proved, done properly, a Sci-Fi show can live on the Networks, but an overly long Hiatus for the show killed it. The audience moved on to other shows and by the time it came back, no one was left to watch it. Plus, they changed the premise so much, it didn't really resemble much of the original 1st season.

Yes, I HATE the Networks and can't wait until the day they bankrupt themselves from stupidity and arrogance.

Keitel cannot save this awful remake of an excellent Brit series. How dumbed down are we going to go, folks? This is like taking a great novel and turning it into a Reader's Digest Condensed Book. Gone from this American version are: 1. THE MUSIC: the BBC version serves up actual smash hits from the era, many made right in the UK, while the US version largely serves up a cheesy soundtrack trying to mimic the authentic sound of the times. 2. ACTING. Period. 3. GOOD DIRECTING. Compare the time travel scene in episode 1 in both versions. The Brit version gets it right as the camera crescendos perfectly in time with the crescendo of Bowie's "Life on Mars." The U.S. version reduces that drama to a flattening camera angle change. 4. MANCHESTER, ENGLAND IN THE EARLY 70S - a much more unique canvas for the anachronisms to follow.

Oy! Watch the BBC version and skip this crap, unless you are only watching it for 1) Keitel or, 2) because you really like soap operas

Who can resist checking out a new series with a time-travel aspect? I couldn't - so I watched. The pilot was pretty good. The stories, however, looked as if they would get tiresome since he's perpetually in 1973. Fortunately, the show's developers leave a little hook at the end of each episode where he's flashing forward to the present time. What they they are going to do with it is unknown, but it keeps me interested and watching.

If you haven't seen the show, it's about a present-day police officer who is severely hit by a car while investing a crime. He wakes up as a police officer in 1973 and, in every episode, tries to figure out what happened and what he needs to do to get back.

After a slightly shaky start, the series is holding up. The constant references to what life was like in 1973 (esp. things we take for granted) keeps it interesting - but it's Jason O'Mara (who plays the lead character) who holds the show together. His style of skepticism, seriousness and conflict (1973 values vs. modern values) is really great to watch.

There are some similarities to Journeyman from NBC, but let's hope this one sticks around.

Having never heard of this show prior to its debut on ABC, I absolutely loved the American version. After a few episodes, the characters really developed, and the actors seemed to gel more than in the start. A lot of humor involved Michael Imperioli and Keitel condescending women's rights and confused by 'Spaceman's' current attitudes that we take as common sense.

The British version is obviously amazing, but it's two separate countries, so the issues and slang used (along with the scenery), are very different. To be honest, I didn't understand a lot of the references in the British version. I wasn't even alive in the 70s. I am almost positive a lot went over my head in the American version as well. The basic premise, the hallucinations, and character names are really the few things both have in common. The idea of a re-make is to improve something that was done poorly yet remained popular (usually a cult classic) or alter a successful idea to reach new audiences, not produce a carbon copy. Ricky Gervais understood that concept when bringing us the Office. Even today, his characters evolve yet maintain his original, core personalities, yet that may be due to his current involvement as producer and writer.

From reading the other reviews, I believe it was impossible for fans of the original to view the American version as something attuned to our history. The anger seemed more directed at Americans for even attempting this version, not its content, the sharp, sarcastic dialog (after the growing pains), or the humor in the ideals held a mere thirty years ago. Be that as it may, the outcry was heard and new fans of the series were stripped of a potential classic before it had a chance to develop into its beautiful and savvy predecessor. Sometimes the translation is lost on its way overseas (like Coupling), but I do not think that was the case here. Every week I was eager for a new episode. Every week I laughed and got more involved with the growing complexities within each character. Due to this, the final episode will infuriate just about everyone. It was an idea meant to be led to slowly and with a lot of misdirection, yet the cancellation sped us to the "wow" moment too quickly. It became a moment of confusion, instead of revelation.

I would advise purchasing either version and cranking the volume. Otherwise, you're not going to hear the music over your own laughing and voiced epiphanies. Both soundtracks are stellar, and half the fun is guessing at the end of the series like with Lost, and I promise, you will fail as soon as you start trying.

Both versions have a place in my heart. Enjoy them!

Our hero is thrust back in time by unknown means from 2008 to 1973 he is mysteriously holding a cops ID and is expected at the station house as a new transfer into H Keitels "team" of detectives. Its all confusing to him but he pulls himself together and for some reason goes to work every day as a new york detective working cases and living adventures with his new partners. We get to experience the culture shock first hand. There is also a dark unknown force always teasing Sam as to why he is there and that Sam is following someones unknown plan....

There are funny moments which are played out quite well almost looking like they are happening for real. Its a credit to the cast that they can pull it off considering the script quality.

more light hearted than the UK version and not quite so edgy. Even so in its own right its a decent show. the characters are intriguing and make you want to know more. As normal with yank shows there is always some big moral backdrop to the story which a lot of UK fans will find cheesy but the Americans love that stuff.....

each episode has its own story though they are all linked, I think the show could do with a bigger arc for us to get our teeth into spread out over several episodes or a season, though I would say it does look like its heading that way.

excellent cast. Though Harvey Keitel and Gretchen Mol both outshine Jason O'Mara the lead. He doesn't seem very realistic as a character and I wish he would take more advantage of the fact that he's from the future to make him more believable.

in summary thumbs up, good entertainment.