Dallas Buyers Club

Greetings again from the darkness. It's not unusual for an actor or actress to alter their physical appearance for a movie role. Sometimes those changes become the story: Robert DeNiro in Raging Bull and Christian Bale in The Machinist are two that come to mind. Regardless of the transformation or make-up, what really matters is the performance and the character. Just ask Eddie Murphy (Norbit) or Gwyneth Paltrow (Shallow Hal). In The Dallas Buyers Club, we actually get two incredible transformations that lead to two stunning performances.

Matthew McConaughey and Jared Leto each lost approximately 40 pounds for their respective roles as Ron Woodroof, the redneck, three-way loving, alcoholic, drug-addicted electrician/rodeo cowboy; and Rayon, the sensitive, street-savvy, would-be transsexual so desperate for a kind word. Their physical appearance will startle you more than once, but is quite effective in getting across the struggles of those infected with HIV virus in the 1980's. The numbers impacted exploded and the medical profession was ill-equipped to properly treat the patients.

This is based on a true story and a real life guy (Woodroof) who became a most unlikely beacon of hope for AIDS patients. Woodroof fought the medical industry, Pharmaceutical companies and the government (FDA, DEA, IRS). It's impossible to miss the message and accusations that most of these had a single goal of increasing profits, rather than curing the disease. And that's where the story lags a bit. Michael O'Neill and Dennis O'Hare are the faces of greed and bureaucracy, while Jennifer Garner, Leto, and Griffin Dunne represent the side with a heart. Woodroof seems to be a guy who just doesn't want to die, sees a business opportunity, and even learns a little bit about humanity along the way.

There have been numerous other projects that deal with AIDS, including: Philadelphia with Tom Hanks and the recent documentary How to Survive a Plague. This may be the first with a protagonist who is simply unlikeable, despite his passion and strong survival instincts. McConaughey doesn't shy away from the homophobic personality and cruel manner of speech that Woodroof possesses. We never doubt his frustration at those controlling the big picture, but we never really see him connect with those his brash tactics help.

McConaughey is on a dream run as an actor right now, and it certainly wouldn't be surprising to see him garner an Oscar nomination. But it would be a mistake to chalk that up to his losing so much weight - he really delivers a character that we won't soon forget. And let's not overlook Mr. Leto, who has been away from acting for 4 years touring with his band. He is a remarkable talent and a true screen presence. Compare this role to his Mark David Chapman in Chapter 27. It's not just the range of weight, but moreso the range in acting that so impresses.

Also worth noting here is the outstanding cinematography of Yves Belanger. This movie is shot in a way that brings out the intimacy of the moments, while not losing the big picture. Director Jean-Marc Vallee (The Young Victoria) and co-writers Craig Borten and Melisa Wallack work together for a solid foundation, but it's McConaughey and Leto that we will most remember ... and of course, the pics of the great Marc Bolan on the wall. www.MovieReviewsFromTheDark.wordpress.com

It is one of great films who you do not know why you admire . Sure, acting, story, mix of rodeo and AIDS, the romance, the real facts ,the fight against bad system. But each represents only detail. Its message can be the best answer for see it more as revelation than as a good movie. The basic, small truths. And the force and art of Matthew McConaughey to propose something almost unexpected from him. Or a great Jared Leto . Short - just more than a film.

Once it gets going, it's really great. Matthew McConaughey makes a transformation that rivals the levels of Christian Bale, and Jared Leto steals it when he shows up. Check it out before the Oscars! The fireworks caused by pitting never-say-die Texas bravado against heartlessness is a powerful mix, and the film manages to be an inspiring tale amidst all this sadness.

Much has already been written about Matthew McConaughey and Jared Leto's astonishing transformations, and brilliant performances. Solid and true, yes. They both deserve enormous accolades, Golden Globe and AMPAS-worthy, for these transformations and the effort of their craft. But I think the true heroes of this project are the Producers who took a chance on such dicey subject matter. Some reviews hail the project as "A Crowd Pleaser," and yet, you realise, these are TRULY marginal characters, and not entirely likable, as some have already said, in an Era (1970s-1980s early AIDS crisis) that is nearly forgotten in this age of HIV exposure-as-a-managed-care-condition, rather than a death sentence, as it was between 1979-1995. As much as this could be a feel-good film for the discovery and pioneer of protease inhibitor cocktails, it is a compelling character study of a time of crisis that has not been well-captured or documented adequately in quite some time. BRAVO to the Producers of this movie for giving this project the Greenlight, because the sexually-active youth of today would never know the Plague and tragedy that preceded their coming-of-age without a reminder like this.

Matthew McConaughey is barely recognizable as Ron Woodroof, an electrician/womanizer who ends up finding out he's contracted HIV/AIDS and has 30 days left to live. After searching deeper for information on a relatively unknown disease (at the time), he finds out that there is existing medication that is not yet approved in the U.S.A. that could help him survive longer.

However, after running into red tape when trying to obtain medication, he decides to smuggle massive amounts of pharmaceutical products and starts selling them to other HIV/AIDS infected patients, creating the "Dallas Buyers Club".

First of all, what a film. Jean-Marc Vallée's "C.R.A.Z.Y." was quite something to watch, but "Dallas Buyers Club" is a tremendous achievement. Vallée's directing is stellar, the script is top notch, and features a palette of characters that makes this story truly engaging and human.

Homophobia, illness, lust, being incapable of receiving proper treatment, smuggling, death, friendship, the limitations of the legal system, these are all themes that would lead one to think that this film is a depressing drama. It is not. And that's where the success of "Dallas Buyers Club" lies. All these themes would make the perfect recipe for a melodrama, wrap it up in a small package with a big star (McConaughey), and put the "Based on a true Story" stamp. But it's so much, much more.

"Dallas Buyers Club" avoids all the traps of melodrama by being whole-heartedly hilarious at times, with just the proper dose of raw emotion, and performances that will be remembered for ages. Half-way through the film, my friends and I looked at each other, in a bit of disbelief, unanimously agreeing that McConaughey deserves an Oscar for this. Jared Leto is also wonderful as Rayon, an AIDS-infected transvestite patient that will become a great friend and business partner, and that will trigger Woodroof's change of vision towards homosexuality. And it is not drastic. It comes in all kinds of subtleties and heart-warming moments. Hats off to Jennifer Garner as well, she is flawless.

Without ever offering a heavy-hearted tone, this is a story of perseverance and positivity with an interesting setting that sheds some light on an often forgotten page of history. Engaging social drama, well-written comedy, and wonderful cinematic experience altogether.