ÉVALUATION IMDb
5,9/10
42 k
MA NOTE
Après un accident de voiture, une jeune femme qui se retrouve entre la vie et la mort rencontre un professionnel des pompes funèbres qui prétend avoir le don de faire passer les morts dans l... Tout lireAprès un accident de voiture, une jeune femme qui se retrouve entre la vie et la mort rencontre un professionnel des pompes funèbres qui prétend avoir le don de faire passer les morts dans l'au-delà.Après un accident de voiture, une jeune femme qui se retrouve entre la vie et la mort rencontre un professionnel des pompes funèbres qui prétend avoir le don de faire passer les morts dans l'au-delà.
- Director
- Writers
- Stars
- Prix
- 1 nomination au total
Luz Alexandra Ramos
- Diane
- (as Luz Ramos)
Avis en vedette
This film is about a young woman who wakes up lying in the morgue, with a mortician insisting that she is already dead.
"After.Life" is such a good thriller! The film successfully generates a chilling and desperate atmosphere about a person experiencing the transition between life and death. The plot is great because first it makes you think one way, then there are clues as to what is really happening, then the truth is presented in your face. Some people say there are plot holes, but I think all of the supposed plot holes are easily explained along the lines of what really happens in the film. Christina Ricci is phenomenal in playing this tormented character, adding much realism into the film. Just pay attention to all the details in "After.Life", and you will find it is a well constructed thriller.
"After.Life" is such a good thriller! The film successfully generates a chilling and desperate atmosphere about a person experiencing the transition between life and death. The plot is great because first it makes you think one way, then there are clues as to what is really happening, then the truth is presented in your face. Some people say there are plot holes, but I think all of the supposed plot holes are easily explained along the lines of what really happens in the film. Christina Ricci is phenomenal in playing this tormented character, adding much realism into the film. Just pay attention to all the details in "After.Life", and you will find it is a well constructed thriller.
A funeral director appears to have the gift of speaking to dead, and help with their passing to the either side. However, his latest work is a young female school teacher, but is she really dead or is he fulfilling a sick fantasy.
Director Agnieszka Wojtowicz-Voslo's After-life is intriguing, thought provoking and original throughout. The stark style of filming is reminiscent of Body to Body (2003) aka "Corps à corps".
While most of film centres around the character of Anna Taylor it is a wise casting choice by Matthew Lessall as beautiful Christina Ricci gives an emotional performance as a girl who's is not sure if she is dead or alive. Although, Ricci is on the mortuary slab and semi-nude for most part of the film, comparably to Anna Falchi in Dellamorte Dellamore (1994), to Wojtowicz-Voslo's credit it's never in an explicit or over sexualized presentation.
Liam Neeson is convincing as the mortician Eliot Deacon in a subtle performance where he communicates with the dead. He's creepy and cold, although not given a back story, his character has many layers. The tension between Neeson and Ricci is note-worthy and create some great moments.
Die Hard 4 star Justin Long is average as Ricci's fiancée, as he doesn't have the convincing weight of the other players. However, Young Chandler Canterbury as the little boy Jack is memorable. The supporting cast are a mix of familiar face's including Josh Charles and Shuler Hensley and the other officers.
Direction, lighting and music create an eerie atmosphere for this effective thriller mystery. There's horror too in the way of Anna Taylor's visions and Deacon working on the deceased prepping their bodies.
Overall, simmering entertainment with a closing act to ponder over.
Director Agnieszka Wojtowicz-Voslo's After-life is intriguing, thought provoking and original throughout. The stark style of filming is reminiscent of Body to Body (2003) aka "Corps à corps".
While most of film centres around the character of Anna Taylor it is a wise casting choice by Matthew Lessall as beautiful Christina Ricci gives an emotional performance as a girl who's is not sure if she is dead or alive. Although, Ricci is on the mortuary slab and semi-nude for most part of the film, comparably to Anna Falchi in Dellamorte Dellamore (1994), to Wojtowicz-Voslo's credit it's never in an explicit or over sexualized presentation.
Liam Neeson is convincing as the mortician Eliot Deacon in a subtle performance where he communicates with the dead. He's creepy and cold, although not given a back story, his character has many layers. The tension between Neeson and Ricci is note-worthy and create some great moments.
Die Hard 4 star Justin Long is average as Ricci's fiancée, as he doesn't have the convincing weight of the other players. However, Young Chandler Canterbury as the little boy Jack is memorable. The supporting cast are a mix of familiar face's including Josh Charles and Shuler Hensley and the other officers.
Direction, lighting and music create an eerie atmosphere for this effective thriller mystery. There's horror too in the way of Anna Taylor's visions and Deacon working on the deceased prepping their bodies.
Overall, simmering entertainment with a closing act to ponder over.
"After.Life" is a really intense thriller that will keep you in the dark, feeding you just small pieces to keep you guessing and speculating. And that worked so well.
The story told in "After.Life" is really riveting and compelling. It is the type of story that will keep you in suspense and wanting to see what happens next. The plot is Anna Taylor (played by Christina Ricci) is in a car accident and wakes up on a mortuary slab, where she is attended to by Eliot Deacon (played by Liam Neeson). And the story lets you guessing if she really is dead or alive, and whether it is all a ruse set up by Deacon. I am not going to reveal any more of the story, except that it was fantastic.
I like movies that keep you in the dark and have you grasping at clues, trying to figure out what really is happening. And "After.Life" really takes you on a thrill ride where you don't know what is true or false.
The cast was really good and they did good jobs with their roles. Especially Liam Neeson, in the role of the mortician Eliot Deacon. He was right on the money with this performance. I read that they had initially casted Alfred Molina for this part, and I think he would have done an equally good job (as he has been seen in a mortician role before). And also Christina Ricci was doing a good job with her role as Anna Taylor. And it is good to see that Justin Long is finally shedding that teenage role of his and stepping up into the bigger league of acting.
If you like thrillers, then "After.Life" is definitely worth checking out. The story blew me away and took me completely off guard. I hadn't expected it to be anything like this.
The story told in "After.Life" is really riveting and compelling. It is the type of story that will keep you in suspense and wanting to see what happens next. The plot is Anna Taylor (played by Christina Ricci) is in a car accident and wakes up on a mortuary slab, where she is attended to by Eliot Deacon (played by Liam Neeson). And the story lets you guessing if she really is dead or alive, and whether it is all a ruse set up by Deacon. I am not going to reveal any more of the story, except that it was fantastic.
I like movies that keep you in the dark and have you grasping at clues, trying to figure out what really is happening. And "After.Life" really takes you on a thrill ride where you don't know what is true or false.
The cast was really good and they did good jobs with their roles. Especially Liam Neeson, in the role of the mortician Eliot Deacon. He was right on the money with this performance. I read that they had initially casted Alfred Molina for this part, and I think he would have done an equally good job (as he has been seen in a mortician role before). And also Christina Ricci was doing a good job with her role as Anna Taylor. And it is good to see that Justin Long is finally shedding that teenage role of his and stepping up into the bigger league of acting.
If you like thrillers, then "After.Life" is definitely worth checking out. The story blew me away and took me completely off guard. I hadn't expected it to be anything like this.
AFTER.LIFE (yes, that is a dot between the two words suggesting this may be a video game...or blog, or something created in cyberspace) takes a long shot; can a one-line story keep an audience's attention for over 103 minutes? Not having noticed whether this played in theaters or is one of the direct to DVD films, that question is tough to answer. The director and writer Agnieszka Wojtowicz-Vosloo (writing in tandem with Paul Vosloo and Jakub Korolczuk) asks us to suspend belief and muse about the idea that there is a time between 'death' and the actual burial (or other means of final interment/disposal) when the spirit may struggle with the idea of life ending. It is an interesting hiatus to study and fortunately a cast was selected to portray the characters involved in this internet-like game that makes it watchable.
Schoolteacher Anna Taylor (Christina Ricci) and Paul Coleman (Justin Long) are in a rocky relationship: they could be headed toward marriage but Anna has trust issues that prevent her from committing to same. In a rage she leaves the frustrated Coleman, subsequently is killed in a car accident, and is taken to a mortuary where mortician Elliot Deacon (Liam Neeson) begins preparing her body for the funeral. Anna is unable to move anything but her mouth and denies that she is dead, a situation Deacon encounters with most every dead body he prepares for burial. And this is where the conundrum begins: is Anna dead or is she alive, kept prisoner by Deacon? Anna's hateful mother (Celia Watson) visits her daughter's corpse and has few kind words to say. Paul is devastated, comforted by his colleague Tom (Josh Charles), that Anna is dead and visits the mortuary to see the body but is refused admittance by Deacon. One of Anna's young students Jack (Chandler Canterbury) seems to have a special affinity for the dead and spies on the mortuary where he sees Anna standing in a window. Anna and Deacon have long talks about the after.life - that time when the soul is preparing to leave the corporal body - and Deacon continues to prepare Anna for her funeral. As she is buried the facts of the story straighten out a bit, but to reveal those facts would ruin what little suspense there is in this film.
Though the moody atmosphere is well captured by both the director of photography Anastas N. Michos and the musical score by Paul Haslinger, and the presence of Liam Neeson who plays his role very straight and Christina Ricci who plays her role almost entirely in the nude, give the story the requisite creepy effect. Yes, it is corny in many ways, but at least it is a bit different from the formula movies that keep churning out of Hollywood.
Grady Harp
Schoolteacher Anna Taylor (Christina Ricci) and Paul Coleman (Justin Long) are in a rocky relationship: they could be headed toward marriage but Anna has trust issues that prevent her from committing to same. In a rage she leaves the frustrated Coleman, subsequently is killed in a car accident, and is taken to a mortuary where mortician Elliot Deacon (Liam Neeson) begins preparing her body for the funeral. Anna is unable to move anything but her mouth and denies that she is dead, a situation Deacon encounters with most every dead body he prepares for burial. And this is where the conundrum begins: is Anna dead or is she alive, kept prisoner by Deacon? Anna's hateful mother (Celia Watson) visits her daughter's corpse and has few kind words to say. Paul is devastated, comforted by his colleague Tom (Josh Charles), that Anna is dead and visits the mortuary to see the body but is refused admittance by Deacon. One of Anna's young students Jack (Chandler Canterbury) seems to have a special affinity for the dead and spies on the mortuary where he sees Anna standing in a window. Anna and Deacon have long talks about the after.life - that time when the soul is preparing to leave the corporal body - and Deacon continues to prepare Anna for her funeral. As she is buried the facts of the story straighten out a bit, but to reveal those facts would ruin what little suspense there is in this film.
Though the moody atmosphere is well captured by both the director of photography Anastas N. Michos and the musical score by Paul Haslinger, and the presence of Liam Neeson who plays his role very straight and Christina Ricci who plays her role almost entirely in the nude, give the story the requisite creepy effect. Yes, it is corny in many ways, but at least it is a bit different from the formula movies that keep churning out of Hollywood.
Grady Harp
After Life explores the beliefs about the soul and what happens to it after we die.
The film is about Anna Taylor (Christina Ricci), a school teacher who supposedly dies in a traffic accident. She wakes up and finds herself in a mortuary with the undertaker, Elliott Deacon (Liam Neeson), talking to her, explaining that she is dead.
However, as time goes on, it becomes evident that not everything is what it seems. Deacon always locks the doors as if afraid that she may escape and every attempt she has made to communicate with her boyfriend, Paul Coleman (Justin Long) is disrupted by Deacon.
Is Anna really dead? Or does the undertaker have a more sinister plan for keeping her?
The film keeps you in suspense and guessing until the very end.
The film is about Anna Taylor (Christina Ricci), a school teacher who supposedly dies in a traffic accident. She wakes up and finds herself in a mortuary with the undertaker, Elliott Deacon (Liam Neeson), talking to her, explaining that she is dead.
However, as time goes on, it becomes evident that not everything is what it seems. Deacon always locks the doors as if afraid that she may escape and every attempt she has made to communicate with her boyfriend, Paul Coleman (Justin Long) is disrupted by Deacon.
Is Anna really dead? Or does the undertaker have a more sinister plan for keeping her?
The film keeps you in suspense and guessing until the very end.
Le saviez-vous
- AnecdotesChristina Ricci said in a 2022 interview that she had no problem being totally nude so much during filming, but what made her uncomfortable was other people being uncomfortable with her being naked. That made her feel really weird. So what she did, which she admitted actors probably wouldn't be allowed to do these days, is just stay naked and not wear a robe between scenes. She'd also go talk to crew members naked because she wanted everybody around her to stop reacting to it, because then she could forget that she was naked. Doing that made it one of the only times she's really felt comfortable being naked on camera.
- GaffesWhen Paul runs toward Anna's grave, he touches a tombstone which starts wobbling from side to side.
- Citations
Anna Taylor: Can I ask you a question?
Eliot Deacon: Yes, of course.
Anna Taylor: Why do we die?
Eliot Deacon: To make life important.
- Bandes originalesExit Music: For A Film
Written by Thom Yorke, Jonny Greenwood, Ed O'Brien, Colin Greenwood, Phil Selway
Performed by Radiohead
Produced by Radiohead with Nigel Godrich
Courtesy of Parlophone
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- How long is After.Life?Propulsé par Alexa
- What is 'After.Life' about?
- Is "After.Life" based on a book?
- So was Anna really dead or was she still alive?
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- After.Life
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 4 500 000 $ US (estimation)
- Brut – États-Unis et Canada
- 108 595 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 59 946 $ US
- 11 avr. 2010
- Brut – à l'échelle mondiale
- 2 425 535 $ US
- Durée1 heure 44 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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