ÉVALUATION IMDb
6,6/10
12 k
MA NOTE
Ajouter une intrigue dans votre langueIn New York City, a husband and wife butt heads with the granddaughters of the elderly woman who lives in the apartment the couple owns.In New York City, a husband and wife butt heads with the granddaughters of the elderly woman who lives in the apartment the couple owns.In New York City, a husband and wife butt heads with the granddaughters of the elderly woman who lives in the apartment the couple owns.
- Réalisation
- Scénariste
- Vedettes
- Prix
- 5 victoires et 18 nominations au total
Ann Morgan Guilbert
- Andra
- (as Ann Guilbert)
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Avis en vedette
Small "Crash"
If you view people as case studies in arrested development, then everyone has an issue, and everyone has a story. It's how each deals with his or her issue that makes things interesting in life. And when those issues interrelate to family dynamics, things can get down right convoluted, both as tragic and comic. "Please Give" is such a vehicle. Everyone's issue is not only personal but becomes a family matter at some level. And in the end there is some truth to the concept that blood is thicker than water. Like the movie "Crash" we see how seemingly random personal issues bounce off of the others in our lives, how we react to the consequences given our relative family dynamics, and how we may move on. In the center of this mini-maelstrom is Kate, whose issue of guilt appears to be the nucleus of all matters. Everything seems to spread out from there, and like a galaxy in the distant sky, things coalesce or spin off into directions brilliantly. As usual, whoever makes up the trailer for this tidy package misdirects us completely, which is why I hate trailers.....
You might want "more" in a story, but this is so well made, funny, and moving, it's more than enough
Please Give (2010)
A sharp, witty, touching, slice-of-life gem of a movie directed by Nicole Holofcener. It has some of the trappings of an Indie movie, with very ordinary people taking the leads and quirky low budget filming and music to make it undramatic.
But the cast is top notch. The leads--there are four of them in a well balanced ensemble--are nothing if not believable. Maybe most impressive as an actress is Rebecca Hall, who played Vicky in "Vicky, Christina, Barcelona," completely transforming herself into an awkward, kindly, thoughtful and slightly whining young woman. Playing her sister is a hardened and unlikable Amanda Peet, who also has a Woody Allen feather in her cap, "Melinda, Melinda."
Then there is a moderne era antique store couple, Catherine Keener (a regular in the director's films) and Oliver Platt, a comfortable couple who buy their antiques people who have just had a relative with an apartment full of stuff die. Yes, there is some black humor, hilarious stuff, and there are layers of contemporary New York life with its superficial and materialist angst, and charm. As events compound, usually with conviction, the characters become more rounded and intriguing. And sympathetic. By the end, you feel for everyone, whatever their weird and sometimes selfish cores.
If the movie seems like a cross between Sex and the City and Six Feet Under, it's not a surprise--Holofcener has directed episodes from both series. Throw in her early apprenticeship under Woody Allen, and you get the humor as well as the high standards of writing and directing, combined, that Allen inspires. "Please Give" is slight, somehow, in its intentions. It takes a view of life that isn't so strange really, and where nothing all that unusual happens--the weirdness is just a reminder that we all have weirdness in our lives--and it makes it salient. That's the magic overall, lifting everyday traits into the light where they matter. Or matter differently. With a laugh.
Don't miss it!
A sharp, witty, touching, slice-of-life gem of a movie directed by Nicole Holofcener. It has some of the trappings of an Indie movie, with very ordinary people taking the leads and quirky low budget filming and music to make it undramatic.
But the cast is top notch. The leads--there are four of them in a well balanced ensemble--are nothing if not believable. Maybe most impressive as an actress is Rebecca Hall, who played Vicky in "Vicky, Christina, Barcelona," completely transforming herself into an awkward, kindly, thoughtful and slightly whining young woman. Playing her sister is a hardened and unlikable Amanda Peet, who also has a Woody Allen feather in her cap, "Melinda, Melinda."
Then there is a moderne era antique store couple, Catherine Keener (a regular in the director's films) and Oliver Platt, a comfortable couple who buy their antiques people who have just had a relative with an apartment full of stuff die. Yes, there is some black humor, hilarious stuff, and there are layers of contemporary New York life with its superficial and materialist angst, and charm. As events compound, usually with conviction, the characters become more rounded and intriguing. And sympathetic. By the end, you feel for everyone, whatever their weird and sometimes selfish cores.
If the movie seems like a cross between Sex and the City and Six Feet Under, it's not a surprise--Holofcener has directed episodes from both series. Throw in her early apprenticeship under Woody Allen, and you get the humor as well as the high standards of writing and directing, combined, that Allen inspires. "Please Give" is slight, somehow, in its intentions. It takes a view of life that isn't so strange really, and where nothing all that unusual happens--the weirdness is just a reminder that we all have weirdness in our lives--and it makes it salient. That's the magic overall, lifting everyday traits into the light where they matter. Or matter differently. With a laugh.
Don't miss it!
Subtle and Strong
A strong ensemble piece anchored by Catherine Keener, the movie is a funny and plausible reading of the neuroses of a functional, likable but in-pain group of working middle class New Yorkers.
What's most positive and enjoyable about the film is the desire of its characters to deal with their problems even when they're not aware they're doing it. But a natural striving to consciousness takes hold because they're all just open enough to admit they don't have all the answers. Watching them on a path that ineluctably carries them to self-awareness, and then each other, is one of the great movie pleasures of this year.
What's most positive and enjoyable about the film is the desire of its characters to deal with their problems even when they're not aware they're doing it. But a natural striving to consciousness takes hold because they're all just open enough to admit they don't have all the answers. Watching them on a path that ineluctably carries them to self-awareness, and then each other, is one of the great movie pleasures of this year.
No.1 Movie of 2010 So Far
'Please Give' wins my vote for Best Movie of 2010 So Far. It's the funniest film I've seen in years, and it also has depth, originality and intelligence.
It tells the story of two families in middle-class Manhattan, each dealing with a range of issues. One of the most prominent themes is death and dying, but somehow the film is not a downer. Ann Guilbert's portrayal of a cranky 90-year-old is laugh-out-loud funny, as is Sarah Steele's raw and honest depiction of adolescent awkwardness.
Amanda Peet also does stand-out work as a woman on the verge of middle age still struggling to be a pretty girl.
It tells the story of two families in middle-class Manhattan, each dealing with a range of issues. One of the most prominent themes is death and dying, but somehow the film is not a downer. Ann Guilbert's portrayal of a cranky 90-year-old is laugh-out-loud funny, as is Sarah Steele's raw and honest depiction of adolescent awkwardness.
Amanda Peet also does stand-out work as a woman on the verge of middle age still struggling to be a pretty girl.
Please Take
I've heard all the clichés about New York, and I have a daughter who owns an apartment in Hell's Kitchen, so I know what I'm writing about: If you want a superior cinematic exploration of the contradictions in one of the world's great cities, then see Please Give.
Upper middle class couple Kate (Catherine Keener) and Alex (Oliver Platt) own a shop that sells mid-20th century furniture and kitschy items at prices non-Manhattanites would consider high.
As dramatically interesting is their bid to purchase an adjacent apartment as soon as the elderly grandmother dies. The death watch is the essence of the theme about shameless New Yorkers' acquisitiveness, for which, when it comes to expanding one's own apartment, anything goes. It's especially poignant to watch the liberal, goodhearted Kate give $20 bills to the homeless along the street, volunteer for work that makes her cry, give a valuable vase to a former customer she has taken advantage of, and yet wait for grandma next door to croak.
But that's where writer/director Nicole Holofcener gets it right—New York is full of life's ironic contradictions: Do good and bad in equal measure, feel bad about the bad, and go on living in one of the most glamorous cities ever crafted for the appetitive and the kind hearted. Holofcener treats the issues, from teen age angst to adult infidelity, with a dramatic restraint that allows the scenes to breathe lightly when a teenager berates her mom in public or a husband cheats on his beloved wife.
Keener is a delight with her nuanced, exemplary life, and Amanda Peet as Mary, the seductive granddaughter of the aging neighbor, is spot on in her self-centered charm. The scene in the elevator with Alex, Kate, and Mary is as uncomfortable as any director could hope.
It's all in a delightful, deconstructed New York minute, or so it seems to a former hyper Easterner now laid-back Mid-Westerner.
Upper middle class couple Kate (Catherine Keener) and Alex (Oliver Platt) own a shop that sells mid-20th century furniture and kitschy items at prices non-Manhattanites would consider high.
As dramatically interesting is their bid to purchase an adjacent apartment as soon as the elderly grandmother dies. The death watch is the essence of the theme about shameless New Yorkers' acquisitiveness, for which, when it comes to expanding one's own apartment, anything goes. It's especially poignant to watch the liberal, goodhearted Kate give $20 bills to the homeless along the street, volunteer for work that makes her cry, give a valuable vase to a former customer she has taken advantage of, and yet wait for grandma next door to croak.
But that's where writer/director Nicole Holofcener gets it right—New York is full of life's ironic contradictions: Do good and bad in equal measure, feel bad about the bad, and go on living in one of the most glamorous cities ever crafted for the appetitive and the kind hearted. Holofcener treats the issues, from teen age angst to adult infidelity, with a dramatic restraint that allows the scenes to breathe lightly when a teenager berates her mom in public or a husband cheats on his beloved wife.
Keener is a delight with her nuanced, exemplary life, and Amanda Peet as Mary, the seductive granddaughter of the aging neighbor, is spot on in her self-centered charm. The scene in the elevator with Alex, Kate, and Mary is as uncomfortable as any director could hope.
It's all in a delightful, deconstructed New York minute, or so it seems to a former hyper Easterner now laid-back Mid-Westerner.
Le saviez-vous
- AnecdotesKate is shown reading a book, 'Assassination Vacation', by Sarah Vowell. That author appears in a brief but credited role as a shopper. The actress playing Kate, Catherine Keener, is also a featured voice in the audio book of 'Assassination Vacation'.
- GaffesWhen they take a car trip to see the autumn leaves, the green screen of the vistas is low quality, and the leaves outside the car windows on the trip are summer green.
- Bandes originalesNo Shoes
by The Roches
Lyrics by Paranoid Larry
Music by Paranoid Larry, Neil Murphy and Joe Shapiro
Courtesy of 429 records
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- How long is Please Give?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Please Give
- Lieux de tournage
- Ville de New York, New York, États-Unis(skintology spa)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 3 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 4 033 574 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 118 123 $ US
- 2 mai 2010
- Brut – à l'échelle mondiale
- 4 313 829 $ US
- Durée
- 1h 27m(87 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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