Lors de la guerre en Iraq, un sergent récemment nommé à l'équipe de bombe est mis en conflit contre ses coéquipiers à cause de la manière non-conformiste de gérer son travail.Lors de la guerre en Iraq, un sergent récemment nommé à l'équipe de bombe est mis en conflit contre ses coéquipiers à cause de la manière non-conformiste de gérer son travail.Lors de la guerre en Iraq, un sergent récemment nommé à l'équipe de bombe est mis en conflit contre ses coéquipiers à cause de la manière non-conformiste de gérer son travail.
- Réalisation
- Scénariste
- Vedettes
- A remporté 6 oscars
- 125 victoires et 130 nominations au total
- Black Suit Man
- (as Suhail Al-Dabbach)
- Iraqi Police Captain at UN
- (as Imad Daoudi)
Avis en vedette
Waste of time
It has failed as far as I have been concerned because it is overly politically correct (which I do not condone because of its clearly manipulative goals). They want to pass a clear message, not a view to think over. I could call this a propaganda. In fact I do.
A mind-blowing war drama, a must-see!
There are a few things that everyone must notice while watching the movie. There is some superb acting present throughout the whole movie, especially by Jeremy Renner and Anthony Mackie and I wouldn't be surprised to see one or more Oscar nominations for acting. There are also some pretty extreme editing achievements, that even I, an amateur movie-lover, could see. Cinematography and some other technical achievements are stunning as well. As far as technical part of the film goes, this movie is more than successful, it is to be expected that there will be some technical Oscar nominations as well. Writing is simple but that's the way it is and all my congratulations go to Mark Boal and Kathryn Bigelow for creating such a powerful war-drama that sticks with you even long after watching this film.
I honestly hope that the Academy members won't forget abut this phenomenal movie achievement. I recommend everyone to watch this "tool" that allows us to see what the word WAR really means.
Best regards from Slovenia
Just like the war it portrays, this film lacks direction, focus and clarity of purpose.
The film drags along at a snail's pace at times, which works for some scenes, such as a great scene wherein the main characters are pinned down for several hours by insurgents in the middle of the desert - but mostly the slowness just feels slow. There is no real story here, yet it isn't just a docudrama, either. It doesn't seem to know what kind of a movie it is, or from which characters' view point it is being told. In my opinion the story that it started to tell (and would have made it a much more interesting film) was of the drug-like addictive nature of high risk behavior, and how people who engage in that sort of thing in war will return to civilian life only to find other dangerous, high risk behavior to engage in... which is not dissimilar thematically to another of director Kathryn Bigelow's films, "Point Break". Alas, it seemed as if she forgot about that angle halfway thru the film. The worst part of the film is the ending, which after 125 minutes of slow pacing suddenly races past what should have and could have given the film its purpose.
If I had seen this film back when it first came out, I think I would have said, "OK. A well-acted, decent film despite its problems." The thought that this film would be nominated for and would win so many major awards, including being the front runner for any Oscar whatsoever -- would not have even crossed my mind, and it is mindboggling to me now that that is the case.
Many Films Have Been Made About The War in Iraq...Very Few Have Been As Good As The Hurt Locker
The film explores the clichéd "War is hell" approach, but in a totally different way. We explore our characters and they do act like many army men. Anthony Mackie as Sergeant Sanborn is the normal army man who shows no emotion until the film ends. Brian Geraghty as Specialist Eldridge is the kind of army man who questions about what's going on there. The only one different from the pack is Jeremy Renner as Sergeant James. He's an adrenaline junkie, and he plays his character so well. He definitely deserved his Oscar nomination.
The direction is so good as well. The way this film was shot is like you are there, in the action, experiencing what the characters are experiencing. The film taps into humanitarianism.
I also really enjoyed the cameos from Guy Pearce, David Morse, and Ralph Fiennes. I know some people have complained about this, saying they didn't have enough time, but they're cameos. That's why they are so short.
Many films have been made about the War in Iraq...very few have been as good as The Hurt Locker. Overall, in my opinion, this was the best film of the year and one of the best films possibly ever.
The exciting field of bomb technician
This sad tale is centered on the unique skills of the tragically necessary field of bomb technician. Bomb techs, of course, are those heroic individuals who get called when a bomb or other explosive device is discovered. Their job, under life and death pressure daily, is to defuse the bomb and make things safe for the rest of us. Unfortunately, in war environments, this is a daily occurrence. What kind of person can do this kind of work? How do they do it day in and day out? Someone has to be a little crazy to do this in the first place, don’t they? These are the questions this movie explores. The movie evokes sadness, inspiration, sympathy, concern, and even awe as we watch the heroes of this movie struggle with their daily grind.
Oscars Best Picture Winners, Ranked
Oscars Best Picture Winners, Ranked
Le saviez-vous
- AnecdotesFilmed in Jordan. Access was denied for a week of filming at a U.S. Military Base in Kuwait.
- GaffesOne character says an Iraqi with a video camera is preparing a clip for YouTube. The scene takes place in 2004. YouTube was created in 2005.
- Citations
Staff Sergeant William James: [Speaking to his son] You love playing with that. You love playing with all your stuffed animals. You love your mommy, your daddy, your nature pajamas. You love everything, don't ya? Yeah. But you know what, buddy? As you get older... some of the things that you love might not seem so special anymore, you know? Like your Jack-in-a-Box. Maybe you'll realize it's just a piece of tin and a stuffed animal, but the older you get, the fewer things you really love, and by the time you get to my age, maybe it's only one or two things. With me, I think it's one.
- Générique farfeluThere are no opening credits, not even a title.
- ConnexionsEdited into De wereld draait door: Episode #5.104 (2010)
- Bandes originalesFear (is Big Business)
Written by Al Jourgensen (as Jourgensen) / Tommy Victor (as Victor) / Ministry
Performed by Ministry
Courtesy of 13th Planet Records, Inc.
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- The Hurt Locker
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 15 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 17 017 811 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 145 352 $ US
- 28 juin 2009
- Brut – à l'échelle mondiale
- 49 259 766 $ US
- Durée
- 2h 11m(131 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1







