Ajouter une intrigue dans votre langueA group of men reunite for a friend's funeral.A group of men reunite for a friend's funeral.A group of men reunite for a friend's funeral.
- Prix
- 9 victoires et 11 nominations au total
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this is the only good honest film about irish culture i've seen .
the story is slow moving but very good (unless you need an action thriller to keep you awake).
i watched it last night and when i was coming out of the theatre one of the actors was strolling along beside me, chatting to his friends. UNREAL how often does that happen.
it's kind of like watching ros na run but with a proper story and actors.
overall its well worth a watch .even if its just to see what gaeilge sounds like on the big screen.
loved the part with the rebel tunes.
the story is slow moving but very good (unless you need an action thriller to keep you awake).
i watched it last night and when i was coming out of the theatre one of the actors was strolling along beside me, chatting to his friends. UNREAL how often does that happen.
it's kind of like watching ros na run but with a proper story and actors.
overall its well worth a watch .even if its just to see what gaeilge sounds like on the big screen.
loved the part with the rebel tunes.
Kings is a very fine film. It is a haunting, melancholic portrait of lost souls, the people on our streets who once belonged to some place, somewhere in another time, but who have fallen out of touch with the world around them. Director Tom Collins seizes on this feeling of loneliness and misplacement and forces us to confront it, as we immerse ourselves in the lives of Git, Jap, Máirtín, Shay and Joe. The haunting, ghostly memory of Jackie makes us also mourn his passing, as he appears to his friends between sleeping and waking, between day and night.
Indeed the film itself feels caught in time between dusk and dawn, as the characters let the world pass by in the final third of the film, when an ominous, creeping awareness invades on their drunken reverie. The atmosphere is one of a suspended moment the group of friends toast their lost companion in an eerie, empty back room, whilst muffled noise just creeps in from the bar outside. The Irish language they speak amongst themselves reflects the otherness of their lives, their misplacement in this world. As they leave and come back, it is as if they move from one world to the other, and when they finally go, they could be gone forever.
With excellent performances and a taut script, the evocative cinematography and soundtrack make this an achingly sad and beautiful work that is timeless in it's relevance.
Indeed the film itself feels caught in time between dusk and dawn, as the characters let the world pass by in the final third of the film, when an ominous, creeping awareness invades on their drunken reverie. The atmosphere is one of a suspended moment the group of friends toast their lost companion in an eerie, empty back room, whilst muffled noise just creeps in from the bar outside. The Irish language they speak amongst themselves reflects the otherness of their lives, their misplacement in this world. As they leave and come back, it is as if they move from one world to the other, and when they finally go, they could be gone forever.
With excellent performances and a taut script, the evocative cinematography and soundtrack make this an achingly sad and beautiful work that is timeless in it's relevance.
A beautifully-made film, "Kings" is one of the best movies of this year. The hand-held camera gives it an intimacy too often absent in close-up cinematic portraiture, and allows the viewer a real look at the shocking sadness of the lives of its subjects. Of a group of five friends who leave the west of Ireland in their teens in the late 1970s, Jackie is the first to die. Herein begins a long journey into oblivion for his four friends, all of them living lives very different from what was envisaged at the start of their English odyssey. What "Kings" does, more than anything, is take a long look at the generations of lost Irish in London, those who left Ireland on the boat to work on the building sites and to clean houses, and the sad waste of the loss of potential to the devils of booze. The films stays away from nostaglia or sentiment, and in doing so it creates for the viewer a real picture of how it was for all the thousands of immigrants, most of whom never saw home again.
Saw this at the Stony Brook Film Festival last night and was amazed to find (a) a nearly full house and (b) the audience got it. As an Irishman who lived in London in the 1960's I am well aware of the characters and their sad, difficult lives. (The years were a bit off as the film claimed they emigrated in 1977 - more like 10 years earlier). I had also seen the play it was based on "The Kings of the Kilburn High Road" a few years back. The play, if I recall correctly, is set entirely in the back room of the bar. The acting is first rate and while most of the dialogue is in Irish, with subtitles, it really works. This was a strange experience, to see a film about Irishmen and needing subtitles to understand everything being said. Not surprisingly, Colm Meaney lends heft to the film and the part of Joe. He always does. Well worth seeing although I wonder who the audience is for such a film? There are thousands of Irishmen still in England who lived lives like these poor unfortunates.
Overall this was an excellent film, the story was good, and so was the acting. the only thing that I found difficult was the fact that it as in a language I didn't understand, so I had to read the subtitles. Don't get me wrong after a while you get used to it, and you can still enjoy the film 100 percent. other than that it is a very good film, that I would recommend!
Also another aspect of this film was that the characters were very, very real. they all had different personalities. the only thing was, being from a very different country couldn't get their names until we were halfway into the film, so it did get a little confusing, but never the less I stand by what I said in the first paragraph, that this was a very well done film.
And although it was a story that was sadder then most, it did have parts that were happy, even funny! it wasn't all sad and depressing.
so yes, this is a good, very good film to see, so I recommend it!
Also another aspect of this film was that the characters were very, very real. they all had different personalities. the only thing was, being from a very different country couldn't get their names until we were halfway into the film, so it did get a little confusing, but never the less I stand by what I said in the first paragraph, that this was a very well done film.
And although it was a story that was sadder then most, it did have parts that were happy, even funny! it wasn't all sad and depressing.
so yes, this is a good, very good film to see, so I recommend it!
Le saviez-vous
- AnecdotesIreland's Official Submission to the Best Foreign Language Film Category of the 80th Annual Academy Awards (2008).
- ConnexionsFollowed by Kings: From the Bogside to the Bright Lights (2008)
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Reyes
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 5 000 000 € (estimation)
- Brut – à l'échelle mondiale
- 125 154 $ US
- Durée
- 1h 28m(88 min)
- Couleur
- Mixage
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