Ajouter une intrigue dans votre langueA widowed professor gets the summer on a Greek island to finish his database on ancient love spells. He brings his daughter. She tries to find a woman or mermaid for her socially awkward dad... Tout lireA widowed professor gets the summer on a Greek island to finish his database on ancient love spells. He brings his daughter. She tries to find a woman or mermaid for her socially awkward dad.A widowed professor gets the summer on a Greek island to finish his database on ancient love spells. He brings his daughter. She tries to find a woman or mermaid for her socially awkward dad.
Efi Papatheodorou
- Klymeni
- (as Effi Papatheodorou)
Vicky Protogeraki
- Niece 1
- (as Bicky Protogeraki)
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First of all thanks to the director, is rare to see now a film where there is no camera shaking, thank you for going back to slow camera pans and steady shots, that and the visuals made me enjoy the film.
The cast may have seemed to have had fun filming this--but you certainly won't.
Classicist goes to Greek island with his daughter to work on his research on ancient love spells. There his daughter befriends a mermaid, with whom she subsequently attempts to fix up her reclusive and work-obsessed father.
Sounds good when I put it that way but sitting through the film is a very different experience. If I had to describe this entire movie in one word, it would be "jagged." The plot lurches abruptly in random directions, with characters' motivations suddenly shifting unexplainably or we see them performing actions which are bizarre and out of place.
Not long after the professor arrives on the island, he calls Oxford and, in a drunken stupor, tells them he quits his job. There is no lead up to this. Nothing. Out of nowhere, a perfectly composed researcher is shown drunk and quitting. His daughter, who befriends the mermaid, does all she can to make her father and the mermaid meet only to suddenly change her mind because she realizes her father is in love with "a fish." Why is the daughter's motivation suddenly twisted around 180 degrees? In another scene, we see the daughter walking into a shop and addressed by a female shopkeeper with a dubbed male voice who snorts, pig-like. Why? We will never know. The villain is played by a local fisherman with a mechanical arm (your guess it as good as mine here) who wants to capture the mermaid for his own profit.
Countless of scenes consist of snippets of dialog which seem to have belonged in a bigger conversation. Then the scene cuts to yet another in a long stream of bizarre happenings.
I don't want to put this film down, because I rather like its strange but original nature. However, I must warn any potential viewers: If you are looking for an off-beat, strange little movie that'll slightly perplex you while it throws in a few slightly amusing parts, then sure, go see "Fishtales." However, if you are looking to be ENTERTAINED--if you want a movie with a coherent plot, which is well-paced, moves in a pleasant manner and captures you attention without you having to constantly pause and ask yourself, "what the..."--see "Splash" instead.
Classicist goes to Greek island with his daughter to work on his research on ancient love spells. There his daughter befriends a mermaid, with whom she subsequently attempts to fix up her reclusive and work-obsessed father.
Sounds good when I put it that way but sitting through the film is a very different experience. If I had to describe this entire movie in one word, it would be "jagged." The plot lurches abruptly in random directions, with characters' motivations suddenly shifting unexplainably or we see them performing actions which are bizarre and out of place.
Not long after the professor arrives on the island, he calls Oxford and, in a drunken stupor, tells them he quits his job. There is no lead up to this. Nothing. Out of nowhere, a perfectly composed researcher is shown drunk and quitting. His daughter, who befriends the mermaid, does all she can to make her father and the mermaid meet only to suddenly change her mind because she realizes her father is in love with "a fish." Why is the daughter's motivation suddenly twisted around 180 degrees? In another scene, we see the daughter walking into a shop and addressed by a female shopkeeper with a dubbed male voice who snorts, pig-like. Why? We will never know. The villain is played by a local fisherman with a mechanical arm (your guess it as good as mine here) who wants to capture the mermaid for his own profit.
Countless of scenes consist of snippets of dialog which seem to have belonged in a bigger conversation. Then the scene cuts to yet another in a long stream of bizarre happenings.
I don't want to put this film down, because I rather like its strange but original nature. However, I must warn any potential viewers: If you are looking for an off-beat, strange little movie that'll slightly perplex you while it throws in a few slightly amusing parts, then sure, go see "Fishtales." However, if you are looking to be ENTERTAINED--if you want a movie with a coherent plot, which is well-paced, moves in a pleasant manner and captures you attention without you having to constantly pause and ask yourself, "what the..."--see "Splash" instead.
This 2007 movie titled "Fishtales" from writers Alki David and Melissa Painter sort of felt a bit like the 1984 classic "Splash" movie starring Tom Hanks and Daryl Hannah, except "Fishtales" had no splash and had no Hanks or Hannah.
The storyline in "Fishtales" as presented by director Alki David was watchable, to a certain degree, but it was hardly a captivating or interesting storyline. And the pacing of the story was very, very slow, and that left the movie feeling very mundane for me.
"Fishtales" has Billy Zane on the cast list, which should be an indicator of you liking it or not. In my opinion, as I am not a fan of his, then I will go as far as to say that this movie was hardly among some of his better or memorable performances.
I believe that a movie like "Fishtales" might find a fan base in a younger adult female audience base. So I fell very short of that particular audience group.
While I managed to endure through the entire course of the movie, I can't claim to have been entertained or particularly enjoying the movie.
My rating of "Fishtales" lands on a mere three out of ten stars. The movie just didn't offer anything worthwhile for me, nor did it bring anything outstanding to the cinematic experience.
The storyline in "Fishtales" as presented by director Alki David was watchable, to a certain degree, but it was hardly a captivating or interesting storyline. And the pacing of the story was very, very slow, and that left the movie feeling very mundane for me.
"Fishtales" has Billy Zane on the cast list, which should be an indicator of you liking it or not. In my opinion, as I am not a fan of his, then I will go as far as to say that this movie was hardly among some of his better or memorable performances.
I believe that a movie like "Fishtales" might find a fan base in a younger adult female audience base. So I fell very short of that particular audience group.
While I managed to endure through the entire course of the movie, I can't claim to have been entertained or particularly enjoying the movie.
My rating of "Fishtales" lands on a mere three out of ten stars. The movie just didn't offer anything worthwhile for me, nor did it bring anything outstanding to the cinematic experience.
Der Schnibbler was too kind when he called this movie jagged. The screenwriter seems to have no clue about anything. I howled in the beginning when Billy Zane's character is warned of the precarious position of a "visiting professor emeritus." ("Emeritus" is a fancy word for "retired", hardly appropriate for the youthful Zane, and visitors don't retire because they never had a permanent job in the first place.) The mermaid doesn't make any attempt to hide herself, but the villagers are unaware of her. When the daughter first encounters her, both characters are unsurprised and swim together like old friends, with no hesitation or getting-to-know-you scenes. I could go on and on.
The filmmakers seem to have been making up the plot as they went along, while suffering some sort of amnesia as to what came before. Yes, it's a fantasy, but there is zero internal logic. And whenever they run out of ideas, they resort to gross-out jokes. (TWO crotch blows in 15 seconds? Give me a break.)
I will, however, admit that all the leads are photogenic. I hope that next time they will read the script before signing up.
The filmmakers seem to have been making up the plot as they went along, while suffering some sort of amnesia as to what came before. Yes, it's a fantasy, but there is zero internal logic. And whenever they run out of ideas, they resort to gross-out jokes. (TWO crotch blows in 15 seconds? Give me a break.)
I will, however, admit that all the leads are photogenic. I hope that next time they will read the script before signing up.
Histoire
Le saviez-vous
- AnecdotesThe mermaid tail that Kelly Brook and her stunt double, Hannah Stacey, wore for the film were specially moulded to fit each of them and took three and a half months to build.
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- How long is Fishtales?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Priče o sireni
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 14 000 000 $ US (estimation)
- Brut – à l'échelle mondiale
- 9 216 $ US
- Durée1 heure 34 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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