Doute

'Doubt' has turned out to be quite a fascinating puzzle. The story is pretty much told through dialogue rather than portrayal of events. Shanley's overwhelming screenplay is so effective and the element of mystery is carried out so strongly that even the viewer is left doubting the actions of the priest and the motives of the head nun (were her accusations legitimate or was it all an intent to ruin the priest). His incredible direction takes us through the psyche of the four principle characters.

Needless to say, the outstanding performances are just the necessary requirements that Shanley has successfully met. After all, who could ask for a better cast than Meryl Streep, Philip Seymour Hoffman, Amy Adams and Viola Davis? All these actors display some of the best acting of their career. It is both the dialogue delivery and the non-verbal gestures that strengthens the doubts in the viewers mind and makes the characters nonetheless more convincing.

The slightly washed-out colours give the look of the 60s but also adds to the mysterious atmosphere. 'Doubt' is a very thought-provoking film. It has one questioning. Should the nun have reacted or should she have waited for evidence? But what if it was already too late for evidence? What has doubt done to them? It has them questioning themselves constantly. It has stolen their sleep. We accept that it is human to doubt but what does doubt do to us? What kind of power does it hold above us? How do we react on it? When should we react on it? The director beautifully manages to convey and provoke this without appearing pretentious or preachy.

And when I say dark, I'm not referring to the clothes in the movie. It's morally ambiguous and it might leave you with more questions than answers, but it's striking nevertheless. The powerhouse performances we get to see in this movie, are worthy Oscar contenders and leave free interpretations as to which character will be to your liking (or which character you despise the most).

While many movies do give you moral clarity, this one plays with many things, that are never fully uncovered ... or maybe they are and I'm just not willing to accept them? Actually it leaves room for some interpretations of things that went down (no pun intended). It's about guilt, it's about doubt and many other things, that makes us human. How you receive the movie might say a lot more about yourself than the movie itself. Which is a great thing. A movie that actually makes you think, even long after the credits finished ...

As someone who lived this drama (unfortunately in all its aspects), I was transported back in time. The portrayal of Sister Aloysius in particular was stunningly accurate. It was a bit uncomfortable to watch only in that it rekindled those old memories, but the acting was outstanding.

Doubt is a movie that pulls no punches and wastes no time. It is about a nun who suspects a priest of having an inappropriate relationship with a student in their school. I had fully anticipated that there would be a slower build to the confrontations in the story, but I'm not sure why I thought that might happen. Considering how brash and brazen Meryl Streep plays the Principal of the school, I should have known that subtlety wasn't going to be her preferred method of handling things. Her first confrontation with the priest was a heart-pounding scene that almost made my palms sweat as if I was part of the uncomfortable situation. It was perfect that they chose to also have Amy Adams there to offer a contrast as someone who wants to avoid the conflict.

I applaud Doubt for some wonderful acting performances across the board. This movie features an all-star level of talent, and they have some serious dramatic scenes that feel tailor-made for Oscar nominations. The film is hard to watch, though. I almost squirmed right out of my chair during the scene with Viola Davis, and there are several scenes with a similar tone. It doesn't have a cathartic release at the end, in fact many of the worst elements of the plot never feel resolved. There's an uncomfortable ugliness to the way things play out in this movie, and it makes me want to watch Spotlight right after so I feel satisfied that something more has been done. Doubt is one of those movies where I respect it more than I like it. There's no denying this is quality film-making, but it is not the kind that I want to subject myself to many times in the future.

There are no better actors working in American film today than Meryl Streep and Phillip Seymour Hoffman. Streep has been on top for some time now and Hoffman has an unmatched resume of fine performances over the past five years. Pairing off as adversaries in John Patrick Shanley's stage play brought to screen they parry and prod throughout with each landing hay makers along the way.

Change is in the wind in 1964 for both the world and the Catholic Church (Second Vatican Council) as the country moves from conservatism to liberal thought. Sister Aloysius (Streep)is the principal of an inner city Catholic school who rules with an iron fist. Lamenting the loss of tradition (she thinks Frosty the Snowman is a song about worshiping false idols) she crosses swords with the popular and laid back Father Flynn who takes a more liberal view seeing the need to keep up with the times. His progressive ways gnaw at Sister Aloysius and she is soon suspecting Father Flynn of inappropriate relationship with altar boys even though she is without concrete proof.

The scenes between Streep and Hoffman are riveting from start to finish. Both attempt at first to be civil with each other but eventually they end up at each others throat bullying and threatening. It is a titanic emotional struggle that makes for a gripping drama flawlessly acted. I'm no big fan of Streep, finding the adopted accents she employs in some of her films false and hollow, but as the self righteous Nunzilla her pugnacious style and inflection rates with her Sophie's Choice performance. Hoffman has his work cut out for him to keep up with the formidable legend but he holds his own with equal footing.

In supporting roles Amy Adams is very effective as the unintended go between Sister James. Seized with doubt she like the audience mirrors our own misgivings as conflicted objective observers. Viola Davis as a troubled boy's mother has one lengthy powerful and painful scene that begins to tie loose ends together but offers no easy solution.

Writer director John Patrick Shanley does an admirable job in keeping the plot nebulous with ambivalent scenes and peripheral characters that purposefully enhance the suspense. Scenes are tightly edited with sparse but effective dialog giving the film its steady pace. Other than some jarring oblique angle shots the camera compositions and set design provide a somber ambiance for the drama and an arena for the perfectly measured performances by two masters of the craft in this fight to the finish that remains absorbing from beginning to end.