The Exorcist III: Legion

I am going to rate the director's cut of Legion differently to the theatrical, which is my preferred version. This review covers the Legion version which I honestly think is interesting and very entertaining but fails to be as good as the version with an actual exorcism. What this film does well is the story progression and the characters. It also has one of the best jump scares in cinematic history. How the story is told is a true highlight. I would also argue that the theatrical version is actually better than the original film, the definitive of the perfect sequel. This version isn't as good though in my opinion. For starters the quality of the new footage is pretty terrible and jars greatly with the main part of the film. It also doesn't really add anything or do anything differently for the first hour so the extra moments are really quite pointless. Now in the final half there are more changes and these are the ones that are interesting for fans of the theatrical version. But that is all this version is, a curiosity for fans. It removes the climatic exorcism and removes Father Karras to focus more on the gemini killer. So it's different and what makes the original so engrossing is still all there but the low quality of the inserted scenes are sometimes distracting but nevertheless interesting for fans.

The theatrical cut is in my opinion better. But I think it's a matter of taste. It doesn't matter which version you like, they are both great. But I think the theatrical cut is a little better.

Legion (2016)

When William Peter Blatty's novel Legion was turned into THE EXORCIST III, the director and studio battled over a lot of things including the title. Things got much worse for the director when the studio was unhappy with the film he turned in because it didn't feature any sort of exorcism. With the two sides battling the cast and crew were called back in to make an alternate ending, which not only featured an exorcism but also had Jason Miller returning so that they could have a better connection to someone from the original movie.

Sadly, Blatty's original cut has been lost but Shout Factory! did try to assemble something close to it on their latest Blu-ray release. LEGION has been presented on Blu-ray with a ninety-minute documentary on the film as well as a reconstruction of the original director's cut. The only problem is that the majority of the footage has been lost so the studio was forced to use a VHS workprint, which is shown full screen while the rest of the movie is the original 1.85:1. The quality on the new footage is fairly decent for a VHS rip but it is also quite distracting from the rest of the picture. It should also be noted that the opening credits are that of the theatrical version because credits for the original cut weren't done.

So, is the director's cut better? Honestly, I don't think so. This film is hard to judge because it doesn't contain all the original footage and it also suffers from some poor quality but on the whole I don't think this version was better. There's added dialogue sequences between George C. Scott and the Brad Dourif character. There's an additional scene of Scott investigating at the church as well as another scene by Father Karras' grave. The ending is also completely different since there's no exorcism stuff.

The new dialogue sequences certainly help expand on the Dourif character but I'm really not sure this version is any better. The exorcism sequence in the theatrical cut certainly stuck out like a sore thumb but commercially it's easy to see why it was added. I've never felt it hurt the film too bad and I liked the way Miller was used for a connection to the original. I'd also argue that the added scenes here really don't add any suspense and the final showdown between Scott and Dourif doesn't pack that much of a punch.

Still, fans of THE EXORCIST III has screamed for a director's cut for over twenty-five years. This here is the best it's going to get so fans will still want to check this out.

A much much better version of the film. Here the film has been tidied up a great deal so that the original concept of one character being played by one actor is restored. I also found it much slower and firstly much more of a detective story, which we only latterly come to consider might at least involve forces from the first film. The ending is also far better too. I think the director was trying to tell a slower more mediative story and in the end that vision wasn't allowed to come through. Instead they wanted a big showy elaborate finale where everything but the kitchen sink is thrown at us. Stick to this version though, it's far better, even if some scenes are still missing.

Judging from the two flicks he made, William Peter Blatty was a talented director. He had vision and ambition. But that didn't make him infallible. THE EXORCIST III is a case in point. The theatrical version was flawed and we loved to blame the "suits" who demanded changes and re-shoots. But now here's LEGION, the version Blatty intended to make and I'm sad to report that it's even more flawed than the theatrical version. The theatrical version had that silly exorcism at the end, which brought an up until that point thoughtful flick down to the level of bargain basement horror. But the ending of the director's cut isn't much better, it's extremely anti-climactic and a million miles removed from the theological ending of the book. Another big difference is that in the director's cut Brad Dourif plays both the Gemini Killer/Patient X and Karras. You gotta hand it to the "suits" at Morgan Creek who insisted on re-shoots with Jason Miller, because the going back and forth between Dourif/Gemini and Miller/Karras in the theatrical version works like a charm. That part is much better in the theatrical version.

What's great about EXORCIST III remains great in the director's cut: the performances, especially the lead role by George C. Scott, the eerie atmosphere and photography and the best jump scare I have ever seen.

All in all, EXORCIST III remains flawed in both versions. But it's great that we can establish that by ourselves, thanks to the good folks who assembled the director's cut from whatever crude material they could get their hands on. In that respect, it's mostly historically interesting.