Satria Dewa: Gatotkaca

Might be a good start for a studio name satria dewa, but please fix this movie, i dont have a problem with the visual effect, the problem is with the music and the story, the story was uninteresting and the music was so dramatic. When will indonesian superhero movie will be good? What im saying this movie isn't bad or good, its like low average.

Cringey, lame and disconnected script, very lame jokes (I couldn't believe they could make Rigen and Butet, very funny comedians, to sound lame and weird), cheap and obnoxious advertisements and product placements all over, weird lighting and angles and continuities, storyline and acting like a low budget sinetron (telenovela), out of place and unnecessary characters (Quinn is annoying as hell), over the top but weird action scenes, awkward editing, and the list goes on.

I couldn't even force myself to finish watching this movie (I'm writing this as the video is playing, over half way through the movie). Was actually looking forward to see a good movie in this topic and story, instead I ended up cursing and being confused more and more as the movie plays.

All in all, a total disappointment.

To those who give 10/10 stars, I can only assume you either work with the production team (and/or sponsors) or are very supportive of someone you know that's related to them.

Plenty of sci-fi/fantasy flicks revolve around finding THE ONE of some prophecy who will save the world from ...whatever. Usually it's an average young guy (occasionally a kid or young woman) who seems an unlikely, underqualified wearer of that lofty mantel. Keanu Reeves in the Matrix was probably the most famous. Yuda, the hero of this iteration of the concept, can only claim to be the most... recent.

The movie runs too long for what it delivers. It takes almost half of its two hours just to get the kid started. Then another half hour of figuring out who's who on both sides of this eternal conflict. Waaaay too much exposition for the amount of action they manage to stage; overcrowded with past and present characters involved in this existential struggle. And when the big CGI-laden fights finally begin, they're mostly in dim lighting with misty overlays, and cut so jerkily that it's hard to appreciate whatever physical skills the players may be deploying.

All of this for the first installment of an intended series. No spoiler in saying the good guys win this battle, but it's not the end of the war. The Yuda character might play well in a tighter package, but the the producers have to clean house on writing, directing and editing to make the sequel(s) worth following.

GATOT KACA does an admirable job of introducing the origins of an Indonesian superhero, providing a detailed exploration of who he is and tracing his journey from an ordinary individual to a celebrated hero. The film manages to present this origin story with clarity, allowing audiences to gradually understand the character and his evolution.

The film begins with a strong foundation, methodically digging into the backstory and slowly revealing the details to the viewers. This deliberate pacing builds intrigue around the mysteries within the film, keeping the audience engaged as they uncover more about the plot and the characters. As the film progresses, it continues to unfold new information, effectively expanding the narrative and introducing additional characters that contribute to the overall story.

In terms of improvement, GATOT KACA appears to address and refine several aspects that were seen as shortcomings in other Indonesian superhero films, such as GUNDALA. It seems to build on the lessons learned from its predecessors and presents a more polished and engaging superhero experience.

Visually, the film is a standout. For an Indonesian production, it is quite impressive to see a superhero in flight with all the accompanying spectacular and magical effects. While it may not yet rival the visual grandeur of Marvel superhero films, the film still manages to deliver a visually captivating experience. The special effects and cinematography contribute significantly to the film's appeal, showcasing a superhero genre that is both exciting and unique within the context of Indonesian cinema.

Overall, GATOT KACA is a commendable effort in the Indonesian superhero genre. It combines a compelling origin story with impressive visuals and a thoughtful approach to character development, making it a film that deserves recognition and appreciation.

Watching the action scene makes me headache theres too much cut to cut clip, i cant focus and its hard to figure out what are they doing.

I know, that particular way of editing is to help the action scene to cover bad movement etc but in my opinion they were doing it too much.

I dont know who's responsible for this, but for a superhero movie i think the action part is one of the biggest factor people would watch.

And i think they could've done much better for the choreography, i thought this character would have a superstrength kinda like power, that the fight will full with breaking walls and stuff intead of just ordinary martial art fighting, i think the choregrapher should've work more on the imagination of the power of the superhero, and not just a choreofighting.