Lucky Grandma

Easily one of the most uneven films of the year. The first half is a quite funny black comedy but in the second half it just kind of drops that and becomes a far more straight crime drama. The joke is I guess there's this grumpy old lady at the centre of it but that in and of itself isn't that funny. It actually becomes a bit sad and not in a good emotional way, sad in a 'I don't want to see gangsters attempt to strangle and shoot an old lady' kind of way. But at the same time she's not a particularly good person or sympathetic character so I don't really care that much either. What a strange experience this film is.

They don't come that much more un-Hollywood (quirky) than Lucky Grandma...when was the last time you watched a movie with a droll 80yr old chain-smoking woman as the main star? Is Grandma lucky? Well, challenged would be a better fit. Poor Grandma, 40 odd years working hard beside her husband only to find she's been left with virtually nothing. The best thing we can take away from this story is; Luck is an illusion you can't bank on...no matter what the fortune readers may tell you.

While there are good helpings of ironic humour and comical situations 'Grandma' at times presents with some slightly unsettling violence, occasioning death, courtesy of rivalry between a couple of local Chinese crime gangs. To find out how Grandma is drawn into these situations you'll just have to watch. Thankfully, the links with family offer an all-important and warming strength to Grandmas very edgy entrapments.

There are plenty of odd, well played Characters injecting fun throughout, along with some rather sinister types you'd be happy not to meet. An imaginative music score from Andrew Orkin adds nice touches - while the visuals provided by El Salvadorian Cinematographer, Eduardo Enrique Mayen supply professional contrasts between New York Chinatown's side streets, back alleys, and grannies' meagre apartment...where it seems there's always someone knocking on her door!

The first theatrical feature from director/writer Sasie Sealy gives us good cause to want to see her next effort.

An unhappy grandma from Chinatown in NYC, tries her luck at the casino and ends up mixed up with gangsters. Definitely an original story and what I enjoyed the most was that I could not predict what would happen next. The acting was superb, especially from the main character, Tsai Chin. And how often do we get to see a grizzled old lady carry a film! Sit back and enjoy it for the fun it is.

Found this movie via Alamo's OnDemand site - Lucky Grandma has something for everyone: Light humor, mob intrigue, a lovingly shot Chinatown, and a stand-out score that yanked me in with the first blast of the brass choir.

I don't think there are enough stories featuring the 70+ crowd out there; Tsai Chin paints a very human picture of entitlement (damn the consequences) after a life of hard work. Who doesn't deserve a sack of cash for making it that far?

'Lucky Grandma (2019)' stars Tsai Chin as a recently widowed, chain-smoking, no-nonsense Nai Nai who takes a trip to a casino after her fortune teller predicts extreme good luck and soon finds herself in possession of a large amount of money. Unfortunately, the money doesn't land in her lap the way she expects it to, and it certainly doesn't come with no strings as she'd hoped. Instead, her good luck quickly turns sour, or is at the very least far more complicated than she's comfortable with, and she finds herself in need of a bodyguard. Enter Big Pong, a gentle giant who's humorously mistaken as our hero's boyfriend at one point by her grandchild. Much of the movie is about the bond which forms between protector and protectee, as well as the various mistakes and mishaps that occur in the aftermath of the protagonist's lucky day, and the flick bounces between dark comedy and relationship drama in almost equal measure. It's quaint, led by a commanding central performance and filled with quirky moments that weave a tapestry of believable idiosyncrasies across the flick's Chinatown setting. It never quite gets out of second gear, though, and it ultimately doesn't really feel like it amounts to all that much. It's rough around the edges, with some fairly clunky acting and clumsy action set-pieces, but it's charming enough to keep you watching. It's also fairly well-observed, with its world feeling tangible and most of its characters seeming real (or, at least, real enough). It's short but sweet, an underwhelming yet enjoyable mixture of crime drama, dark comedy and quiet contemplation. It isn't as good as it could've been, but it's still a solid effort overall.