Bones and All

Timmy plays the same role in everything, it would be interesting to see how he plays roles as he gets older and is not the moody, brooding, 20-something sex symbol that his team has marketed him as. But I mean they've done a good job as this TikTok generation is all about the shiny image on the outside with very little depth. He's attractive in this and for what it was did a good job, I found him likable and sympathetic and charming. Again he plays a bi-sexual character (I think) and the audience is teased and gaslighted again as he's only dated women in public in his real life and has never flirted with a man publicly, but does it in all these movies because it's "cool" (when it's pretend) while real lgbtq people don't live these pretty lives with beautiful straight acting men like Timmy wanting to charm us. The movie is a fantasy. I would like to see real representation one day. And I had a little bit of a sour taste in my mouth because I couldn't tell for sure if he was actually bi-sexual or just using a closeted man to take advantage of him. So that character plot point was a miss for me as it was brief and never discussed again in the film. Also his tears towards the end felt feigned, didn't seem like they were natural.

I didn't think he and the actress had any chemistry, didn't buy their love story, she's kind of bland and one note with zero charisma. Her vibe was as if she had taken a Benadryl everyday while shooting this film, she was half asleep the entire movie. I liked a lot of the small supporting actors and their naturalness, the cinematography was beautiful as were the scenic locations and the 80's nostalgia. Mark Rylance was very good in this and a great villain because you never really know if he's a villain until the story progresses, he just always irks you the wrong way but he's so good slowly revealing himself. I've heard people say he's "the greatest" living male actor, and I don't think that's true. If anything he's proof you can be well regarded by playing yourself because I always see him in all his roles, I know it's Mark. Even when he's really good. Or maybe great acting really isn't about "losing yourself" but finding yourself, interesting thing to think about.

Bottom line the movie has its grotesque moments and it has its pretty ambient atmosphere but I found it to be a one time watch for me. It's pretty forgettable as it doesn't really leave you with anything. I just walked away with feeling, okay.

What do you get when you join horror and romance in the same movie? You get BONES AND ALL. This movie, directed by Luca Guadagnino and written by Dave Kajganich, based on the novel by Camille DeAngelis, follows the story of Maren (Taylor Russell), a young woman abandoned by her father who goes on a thousand-mile odyssey across America. On her journey, she meets Lee (Timothée Chalamet), a disenfranchised drifter with whom she forms a bond. However, their pasts come back to haunt them and lead to a showdown that will determine if their love can survive the darkness of their otherness.

This movie intriguingly blends cannibalistic horror and romance, while exploring themes of identity, acceptance, and embracing one's truth. Taylor Russell as Maren gives a captivating performance that is both heartbreaking and empowering. Timothée Chalamet's portrayal of a young man trying to find peace in an unjust world is also spellbinding. The script is filled with striking dialogue, and the haunting score by Trent Reznor and Atticus Ross adds depth to this mesmerising story.

BONES AND ALL is an intense, heartbreaking, and uplifting tale that is sure to leave an impact. It's a must-watch for anyone who enjoys horror and romance, or simply needs a reminder of the power of love. Be warned though - this movie has lots of blood and gore, so it's not for the faint of heart.

I saw it for Timothée Chalamet. And his work is just admirable. But the great job is offered by absolutely impressive Mark Rylance, giving a version of evil absolutely fantastic.

No doubts, Taylor Russell represents the perfect option for role of Maurene.

One of virtues - the atmosphere of Reagan United States. In same measure, the touch, especially in the meetings, of South Gothic. Another virtue - the gentle poeetry, the travel becoming, in some measure, scene by scene, yours. The exploration of family, in the perspective of young adults is another good point.

The sin - maybe, the paradoxal hurry, the characters remaining more sketches .

But , indeed, a beautiful film, deserving the atention each minute from its two hours.

Two birds of a feather with a common appetite, living in the shadows with a curse they try to fight, struggle to give in, to temptations that spellbind, an addiction of the mind that leaves them hamstrung and confined; finding others with dependencies more practiced and distilled, whose lives have little meaning, all alone and unfulfilled, helpless and exposed by the hand they've all been played, the promised life and expectations, all diminished and betrayed.

Some great performances but all eclipsed by Taylor Russell who is outstanding as the conflicted Maren struggling to come to terms with who she is and what she can and cannot do about it.

Before I start this review, I have to admit I have a soft spot for Luca Guadagnino and his directing style, which really speaks to me on an emotional level.

The movie is not perfect, but I enjoyed watching it, as to me this mixture of gory horror and on the road romance is quite new.

The plot is quite thin and the pace of the movie is slow and indefinite, but to me this is not negative: in the two hours of screentime I was never bored, and I sort of felt like I was on the road along with the protagonists.

The lead actors were really good, and in my opinion this was one of the best performances by Timothée Chalamet, whose chemistry with Guadagnino is undeniable. I think he was particularly suited for this role, because his innocent face and body perfectly communicated the nature of his character, conflicted between his monstrous instincts and his good heart.

The best performance was anyway delivered by Mark Rylance, whose creepy character Sully was great for keeping the tension high throughout the whole movie.

I really loved the poetic atmospheres of the road trip scenes, so typical of Guadagnino.

The negative aspects that can't be denied are the poor development of the characters, which makes it hard to root for them, and the quality of the dialogues, which are often shallow.

Personally I didn't appreciate the ending scene and the related dialogue especially.

Despite some negative specs, I would absolutely suggest seeing it, if you don't mind some pretty gory scenes.