Adieu les cons
- 2020
- 1h 27m
ÉVALUATION IMDb
6,7/10
7,6 k
MA NOTE
Une femme gravement malade tente de retrouver l'enfant qu'elle a été forcée d'abandonner quand elle avait 15 ans avec l'aide d'un homme au milieu d'un burn-out et d'un archiviste aveugle.Une femme gravement malade tente de retrouver l'enfant qu'elle a été forcée d'abandonner quand elle avait 15 ans avec l'aide d'un homme au milieu d'un burn-out et d'un archiviste aveugle.Une femme gravement malade tente de retrouver l'enfant qu'elle a été forcée d'abandonner quand elle avait 15 ans avec l'aide d'un homme au milieu d'un burn-out et d'un archiviste aveugle.
- Director
- Writers
- Stars
- Prix
- 7 victoires et 13 nominations au total
Michel Vuillermoz
- Le psy
- (as Michel Vuillermoz de la Comédie Française)
Laurent Stocker
- M. Tuttle
- (as Laurent Stocker de la Comédie-Française)
Avis en vedette
This movie is a great example of the misused talent available in the French cinema industry. Subsidies are used to produce movies with no substance.
The characters (including the police) are very caricatural and the story is very improbable, making it very hard to connect/relate to it.
After a first laugh with the attempted video, I spent the rest of the film searching for real emotions.
The main characters don't seem to have a home, don't sleep, eat or drink. No sense of time either.
Who is the movie for? Given the lack of imagination in the lines/simple personality of the characters, I'd say the primary audience would be teenagers? Then, why would you have such an inappropriate ending to trivialise a serious topic?
I watched this movie at the cinema and the disappointment was general. People were rushing out to go home.
So, this one doesn't deserve a Cesar for me, regardless of how stylised it is. A movie is a story/an experience that needs to be more meaningful than this.
The characters (including the police) are very caricatural and the story is very improbable, making it very hard to connect/relate to it.
After a first laugh with the attempted video, I spent the rest of the film searching for real emotions.
The main characters don't seem to have a home, don't sleep, eat or drink. No sense of time either.
Who is the movie for? Given the lack of imagination in the lines/simple personality of the characters, I'd say the primary audience would be teenagers? Then, why would you have such an inappropriate ending to trivialise a serious topic?
I watched this movie at the cinema and the disappointment was general. People were rushing out to go home.
So, this one doesn't deserve a Cesar for me, regardless of how stylised it is. A movie is a story/an experience that needs to be more meaningful than this.
In a million years I never would've come up with the plot of Albert Dupontel's César-winning "Adieu les cons" ("Bye Bye Morons" in English). The plot combines focuses on underage pregnancy, stressful work, and political activism. It does so without turning silly or preachy.
The viewer may have noticed that the movie is dedicated to Terry Jones and features a brief appearance of Terry Gilliam. Despite Monty Python's renown, I wouldn't have predicted a French dramedy casting or commemorating any of the members.
Anyway, it's a fine movie. Basically, it's about righting the wrongs. I'll have to see more of Dupontel's movies, and in the meantime I recommend this one.
The viewer may have noticed that the movie is dedicated to Terry Jones and features a brief appearance of Terry Gilliam. Despite Monty Python's renown, I wouldn't have predicted a French dramedy casting or commemorating any of the members.
Anyway, it's a fine movie. Basically, it's about righting the wrongs. I'll have to see more of Dupontel's movies, and in the meantime I recommend this one.
I watched Au Revoir Là-Haut (See You Up There for the English title) followed by Adieu Les Cons (Bye Bye Morons for the English title), both movies by writer/director Albert Dupontel, in which he also plays the major role. I can only say I'm a fan from now on. Au Revoir Là-Haut was more artistic than Adieu Les Cons, but they are both very enjoyable to watch. Adieu Les Cons is something different from the rest, with an interesting engaging story that is easy to follow and that has nice inventive twists and turns, it's all well written, but also very well acted and that from the whole cast. It clearly deserves it's high rating on here. I can't see what people could dislike about this movie. It's certainly one of the better French movies I watched this decennia. You can't really compare it to Au Revoir Là-Haut which has a totally different story but you certainly recognize that typical vibe you get from Albert Dupontel.
What a delightful touching comedy !
Great casting !
Magical mix of unlikely allies !!
Recommend viewing.
Great casting !
Magical mix of unlikely allies !!
Recommend viewing.
French films are a world apart -for good- and this is problably one of the very best you could watch right now. Original, imaginative and very well shot. Outstanding casting.
Le saviez-vous
- AnecdotesThe movie is dedicated to Terry Jones, former Monty Python member who died in January 2020, who had played in two of Albert Dupontel's movies: Le créateur (1999) (as God) and Enfermés dehors (2006) (as a homeless person). Incidentally, another former Monty Python member plays in the present movie: Terry Gilliam (as a hunter in the advertisement). Albert Dupontel has said that the Pythons are a source of inspiration for his work.
- ConnexionsReferences Brazil (1985)
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- How long is Bye Bye Morons?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Bye Bye Morons
- Lieux de tournage
- Avenue de la Poudrerie, Livry-Gargan, Seine-Saint-Denis, France(Suze searches her son, blind man driving, car accident)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – à l'échelle mondiale
- 16 955 924 $ US
- Durée1 heure 27 minutes
- Couleur
- Rapport de forme
- 2.39 : 1
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