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IMDbPro

Megalopolis

  • 2024
  • 14A
  • 2h 18m
ÉVALUATION IMDb
4,7/10
38 k
MA NOTE
POPULARITÉ
969
119
Dustin Hoffman, Laurence Fishburne, Jon Voight, Giancarlo Esposito, Shia LaBeouf, Aubrey Plaza, Nathalie Emmanuel, and Adam Driver in Megalopolis (2024)
The city of New Rome is the main conflict between Cesar Catilina, a brilliant artist in favor of a utopian future, and the greedy mayor Franklyn Cicero. Between them is Julia Cicero, her loyalty divided between her father and her beloved.
Liretrailer1 min 21 s
8 vidéos
99+ photos
DrameFantaisieScience-fictionÉpiqueÉpopée de science-fictionTragédie

Ajouter une intrigue dans votre langueThe city of New Rome faces the duel between Cesar Catilina, a brilliant artist in favor of a Utopian future, and the greedy mayor Franklyn Cicero. Between them is Julia Cicero, with her loya... Tout lireThe city of New Rome faces the duel between Cesar Catilina, a brilliant artist in favor of a Utopian future, and the greedy mayor Franklyn Cicero. Between them is Julia Cicero, with her loyalty divided between her father and her beloved.The city of New Rome faces the duel between Cesar Catilina, a brilliant artist in favor of a Utopian future, and the greedy mayor Franklyn Cicero. Between them is Julia Cicero, with her loyalty divided between her father and her beloved.

  • Director
    • Francis Ford Coppola
  • Writer
    • Francis Ford Coppola
  • Stars
    • Adam Driver
    • Giancarlo Esposito
    • Nathalie Emmanuel
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    4,7/10
    38 k
    MA NOTE
    POPULARITÉ
    969
    119
    • Director
      • Francis Ford Coppola
    • Writer
      • Francis Ford Coppola
    • Stars
      • Adam Driver
      • Giancarlo Esposito
      • Nathalie Emmanuel
    • 553Commentaires d'utilisateurs
    • 250Commentaires de critiques
    • 55Métascore
  • Voir l’information sur la production à IMDbPro
    • Prix
      • 3 victoires et 18 nominations au total

    Vidéos8

    Official Trailer
    Trailer 1:21
    Official Trailer
    Official Trailer
    Trailer 2:09
    Official Trailer
    Official Trailer
    Trailer 2:09
    Official Trailer
    Teaser Trailer
    Trailer 1:32
    Teaser Trailer
    Megalopolis
    Trailer 2:03
    Megalopolis
    First Look Clip
    Clip 2:17
    First Look Clip
    Megalopolis: Do It For Me
    Clip 1:42
    Megalopolis: Do It For Me

    Photos304

    Voir l’affiche
    Voir l’affiche
    Voir l’affiche
    Voir l’affiche
    + 300
    Voir l’affiche

    Rôles principaux99+

    Modifier
    Adam Driver
    Adam Driver
    • Cesar Catilina
    Giancarlo Esposito
    Giancarlo Esposito
    • Mayor Cicero
    Nathalie Emmanuel
    Nathalie Emmanuel
    • Julia Cicero
    Aubrey Plaza
    Aubrey Plaza
    • Wow Platinum
    Shia LaBeouf
    Shia LaBeouf
    • Clodio Pulcher
    Jon Voight
    Jon Voight
    • Hamilton Crassus III
    Laurence Fishburne
    Laurence Fishburne
    • Fundi Romaine
    Talia Shire
    Talia Shire
    • Constance Crassus Catilina
    Jason Schwartzman
    Jason Schwartzman
    • Jason Zanderz
    Kathryn Hunter
    Kathryn Hunter
    • Teresa Cicero
    Grace VanderWaal
    Grace VanderWaal
    • Vesta Sweetwater
    Chloe Fineman
    Chloe Fineman
    • Clodia Pulcher
    James Remar
    James Remar
    • Charles Cothope
    D.B. Sweeney
    D.B. Sweeney
    • Commissioner Stanley Hart
    Isabelle Kusman
    Isabelle Kusman
    • Claudine Pulcher
    Bailey Coppola
    Bailey Coppola
    • Huey Wilkes
    • (as Bailey Ives)
    Madeleine Gardella
    Madeleine Gardella
    • Claudette Pulcher
    Balthazar Getty
    Balthazar Getty
    • Aram Kazanjian
    • Director
      • Francis Ford Coppola
    • Writer
      • Francis Ford Coppola
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs553

    4,737.9K
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    Sommaire

    Reviewers say 'Megalopolis' by Francis Ford Coppola is visually stunning yet divisive. Themes of societal decay, corruption, and tradition vs. progress resonate. Critics laud its ambitious vision, striking visuals, and performances by Adam Driver and Shia LaBeouf. However, many find the plot convoluted and characters underdeveloped. Pacing, editing, and tonal inconsistencies are often criticized, creating a disjointed experience. Despite flaws, some appreciate Coppola's bold artistic choices and thought-provoking nature.
    Généré par l’IA à partir du texte des avis des utilisateurs

    Avis en vedette

    5GreenmanReviews

    Surreal spectacle, Fractured narrative

    I love the dreamy, beautiful, bizarre, and surreal variety of shots and scenes, as well as the strange, meta commentary dialog with multiple meanings. The cinematography is just great, and i really appreciate the effort put into the decor, sets, worldbuilding and aesthetic architecture. Technically its very impressive the cinematography is great, there's a lot happening in the background of some scenes.

    The cast is full of great actors. However, the editing and plot cohesion were definitely all over the place.

    Cesar's arc reminded me a bit of Legion, with him discovering maddening powers.

    I am sure this will be someones favorite movie, but i think it needs time to digest for most people. It feels like a film that needs a rewatch to find new perspectives. Maybe in future retrospect, Coppola's last movie will be seen differently but for now it just doesn't hit.
    4wisneskilife

    Megaflopolis

    I so desperately wanted to be part of the minority who enjoyed Megalopolis. However, what an abhorrent nightmare; or maybe a fever dream is more accurate. There's no doubt that the actual bundle of ideas that make up Francis Ford Coppola's "masterpiece" are incredibly unique and interesting. The problem is the execution of those ideas and the dialogue that connects them together. I am obsessed with the idea of New Rome and all these quasi Roman characters plotting against each other like a Shakespearean Game of Thrones. But listening to Adam Driver give a quote from Hamlet and then immediately saying "in the clurrrrb" and Jon Voight saying "boner" are just unforgivable. I roughly understand the plot of Megalopolis, but I cannot even begin to fathom why any character does anything they say or do. The amount of talent that was wasted on what has to be one of the most beautiful, visually stunning backdrops, is disrespectfully confusing. With all of that being said, I will probably cause myself to suffer an additional viewing of Megalopolis, just to be sure I'm sure the experience was so exhausting.
    5ghettoplex

    This movie is not good, but I did have some fun with it.

    The cinematography was a spectacle for sure. The special effects however, were either a strong compliment to the shot sequences or embarrassing to look at. I did enjoy the films dream aesthetic, but the dialogue was either cartoonishly hard to keep up with or felt like it served no purpose for the plot/characters.

    My favorite part of the film was definitely the Virgin Pledge sequence. It also did nothing for the story, however, the song was actually good and the visual delivery was pleasing to the eyeballs.

    Overall, this film is definitely not for most people. I am embarrassed that I liked it. It's a terrible movie that I enjoyed for the outlandish performances that gave me a good laugh.
    5Jeremy_Urquhart

    That's one way to make a final statement as a filmmaker.

    It's the huge go for broke swing everyone said it was, and an immensely interesting mess. For everything that works in Megalopolis, there's something that doesn't. Parts are very creative and unlike anything else, and then long stretches pass that are utterly boring. It's 138 minutes long but feels like it exceeds the three-hour mark. Whether that makes it feel appropriately epic or too often dull will probably depend on the viewer.

    It's also the kind of movie where I'm not sure overanalysing will help. Coppola is trying to say so much in one film, and a good part of it comes out nonsensical as a result. There were a few points during the film where I wondered if it was all some practical joke. It might mean a lot to him, or maybe only parts do and the rest of the time, he's laughing at us.

    Somehow, all at once, I'm disappointed, exhausted, confused, and impressed. There's a certain balance here with the entertaining and boring. Visuals that look striking alongside parts that are visually garish. It's a movie that film buffs will argue about and remember while 99% of the population will continue to live their lives in blissful ignorance of its existence.

    I can't quite decide whether it would be better to have be among the blissful many or the baffled 1%. I can offer no advice to anyone else who's considering giving it 138 minutes of their finite time. I'm glad I saw it and I also feel it was a bit of a waste of time.
    6oleh_holodyshyn

    Francis Ford Coppola's last movie.

    On one hand, this film has some interesting ideas and visuals, but some ideas never evolve, and some visuals don't look good.

    It's challenging to understand what Coppola's intention was with this film. It seems like he chose not to focus too much on characters but rather on themes. However, some scenes suggest that the audience should feel empathy for the characters, but one simply can't. One reason for that is the pacing of this film; it somehow manages to be fast, yet feel slow, and that might be because some scenes are dull. If we remove all the misleading character development, we are left with misleading idea development. Megalopolis bombards you with interesting ideas, but because there are quite a few of them, none of them evolves into a solid conclusion. As I already mentioned, it's hard to see where Coppola was going with all of this.

    If his intention was to go against the classical narrative structure and challenge viewers with a different type of storytelling, then that didn't work either. Some scenes contain clichés, and the overall structure feels like a mix of 50s to 90s scenery. One interesting thing the movie does frequently is plant a seed that sometimes does not grow-it stays in that scene, and then we move to the next one. This method of storytelling is misleading and confusing for most audiences, and it probably would work better if this technique had a solid foundation throughout the whole film. But it simply does not feel right.

    David Lynch once said that you can make any film, any art the way you want, as long as it feels right. His films are stranger and more difficult to understand than Megalopolis, yet when you watch Lynch's work, you don't feel misled-everything feels right, no matter how strange it is. Megalopolis sometimes feels right, sometimes it doesn't.

    Megalopolis is a good example of how the director's stylistic touch matters to the look of the movie. The cinematography of this film was done by the same person who shot The Master. Yet this film feels like any expensive commercial shot today-too vivid, too warm, too basic.

    I will definitely rewatch this film in the future, all jokes aside. This film has a shtick to it that I didn't quite get the first time watching. Overall, it's a bit sad that this is Coppola's last film, but I'm sure he has no regrets making it. After all, this is the guy who made Apocalypse Now, and I will respect him forever for his contribution to American cinema.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Francis Ford Coppola wrote the script in the early 1980s, but the film was kept on the back-burner partially due to his financial debts. Pre-production finally began in 2001 after filming 30 hours of second unit footage and holding table read with Paul Newman, Uma Thurman, Robert De Niro, James Gandolfini, Nicolas Cage, Leonardo DiCaprio, Russell Crowe, Edie Falco, and Kevin Spacey, but the project was scrapped after the September 11 attacks, because a scene from the script (page 166) "predicted" the attacks. Coppola fully abandoned the project in 2007, and didn't begin developing it again until 2019.
    • Gaffes
      At 21:47, Julia Cicero's voice changes mid sentence: "I sent a letter to you last night. A childish letter", then it goes instantly deeper with "and I want it back before you read it" revealing ADR work.
    • Citations

      Cesar Catilina: *You* wanna help me?

      Julia Cicero: Yeah. And, well, I... well, I want to learn.

      Cesar Catilina: And you think one year of... medical school entitles you to plow through the riches of my Emersonian mind?

      Julia Cicero: Entitles me?

      Cesar Catilina: Yes.

      Julia Cicero: [scoffs] Entitles me?

      Cesar Catilina: Yeees!

      Julia Cicero: Entitles me?

      Cesar Catilina: YEEEEEES!

      Julia Cicero: You have no idea about me! You think I am nothing, just a socialite?

      Cesar Catilina: No, not nothing, but I reserve my time for people who can think. About science. And literature, and... architecture and art. You find me cruel, selfish and unfeeling? I am. I work without caring what happens to either of us. So go back to the cluuuub, bare it all, and stalk the kind of people that you enjoy.

      Julia Cicero: Fine! I will.

      Cesar Catilina: Come back when you have more time!

    • Autres versions
      The "Ultimate IMAX Experience" version of the film features a live actor asking questions during the filmed press conference.
    • Connexions
      Featured in Jeremy Jahns: Megalopolis - Movie Review (2024)
    • Bandes originales
      My Pledge
      Written by Grace VanderWaal

      Performed by Grace VanderWaal

      Courtesy of Columbia Records

      By arrangement with Sony Music Entertainment

      Produced and Orchestrated by Kris Kukul

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    FAQ

    • How long is Megalopolis?
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    Détails

    Modifier
    • Date de sortie
      • 27 septembre 2024 (Canada)
    • Pays d’origine
      • United States
    • Sites officiels
      • Official Site
      • Official site
    • Langues
      • English
      • Latin
      • Spanish
      • German
    • Aussi connu sous le nom de
      • Megalópolis
    • Lieux de tournage
      • Ville de New York, New York, États-Unis
    • sociétés de production
      • American Zoetrope
      • Caesar Film
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 120 000 000 $ US (estimation)
    • Brut – États-Unis et Canada
      • 7 629 085 $ US
    • Fin de semaine d'ouverture – États-Unis et Canada
      • 4 007 797 $ US
      • 29 sept. 2024
    • Brut – à l'échelle mondiale
      • 14 387 154 $ US
    Voir les informations détaillées sur le box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      2 heures 18 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
      • IMAX 6-Track
      • Dolby Atmos
    • Rapport de forme
      • 2.00 : 1

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    Dustin Hoffman, Laurence Fishburne, Jon Voight, Giancarlo Esposito, Shia LaBeouf, Aubrey Plaza, Nathalie Emmanuel, and Adam Driver in Megalopolis (2024)
    Lacune principale
    What is the Canadian French language plot outline for Megalopolis (2024)?
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