Ajouter une intrigue dans votre langueThe city of New Rome faces the duel between Cesar Catilina, a brilliant artist in favor of a Utopian future, and the greedy mayor Franklyn Cicero. Between them is Julia Cicero, with her loya... Tout lireThe city of New Rome faces the duel between Cesar Catilina, a brilliant artist in favor of a Utopian future, and the greedy mayor Franklyn Cicero. Between them is Julia Cicero, with her loyalty divided between her father and her beloved.The city of New Rome faces the duel between Cesar Catilina, a brilliant artist in favor of a Utopian future, and the greedy mayor Franklyn Cicero. Between them is Julia Cicero, with her loyalty divided between her father and her beloved.
- Director
- Writer
- Stars
- Prix
- 3 victoires et 18 nominations au total
- Huey Wilkes
- (as Bailey Ives)
Sommaire
Avis en vedette
The cast is full of great actors. However, the editing and plot cohesion were definitely all over the place.
Cesar's arc reminded me a bit of Legion, with him discovering maddening powers.
I am sure this will be someones favorite movie, but i think it needs time to digest for most people. It feels like a film that needs a rewatch to find new perspectives. Maybe in future retrospect, Coppola's last movie will be seen differently but for now it just doesn't hit.
My favorite part of the film was definitely the Virgin Pledge sequence. It also did nothing for the story, however, the song was actually good and the visual delivery was pleasing to the eyeballs.
Overall, this film is definitely not for most people. I am embarrassed that I liked it. It's a terrible movie that I enjoyed for the outlandish performances that gave me a good laugh.
It's also the kind of movie where I'm not sure overanalysing will help. Coppola is trying to say so much in one film, and a good part of it comes out nonsensical as a result. There were a few points during the film where I wondered if it was all some practical joke. It might mean a lot to him, or maybe only parts do and the rest of the time, he's laughing at us.
Somehow, all at once, I'm disappointed, exhausted, confused, and impressed. There's a certain balance here with the entertaining and boring. Visuals that look striking alongside parts that are visually garish. It's a movie that film buffs will argue about and remember while 99% of the population will continue to live their lives in blissful ignorance of its existence.
I can't quite decide whether it would be better to have be among the blissful many or the baffled 1%. I can offer no advice to anyone else who's considering giving it 138 minutes of their finite time. I'm glad I saw it and I also feel it was a bit of a waste of time.
It's challenging to understand what Coppola's intention was with this film. It seems like he chose not to focus too much on characters but rather on themes. However, some scenes suggest that the audience should feel empathy for the characters, but one simply can't. One reason for that is the pacing of this film; it somehow manages to be fast, yet feel slow, and that might be because some scenes are dull. If we remove all the misleading character development, we are left with misleading idea development. Megalopolis bombards you with interesting ideas, but because there are quite a few of them, none of them evolves into a solid conclusion. As I already mentioned, it's hard to see where Coppola was going with all of this.
If his intention was to go against the classical narrative structure and challenge viewers with a different type of storytelling, then that didn't work either. Some scenes contain clichés, and the overall structure feels like a mix of 50s to 90s scenery. One interesting thing the movie does frequently is plant a seed that sometimes does not grow-it stays in that scene, and then we move to the next one. This method of storytelling is misleading and confusing for most audiences, and it probably would work better if this technique had a solid foundation throughout the whole film. But it simply does not feel right.
David Lynch once said that you can make any film, any art the way you want, as long as it feels right. His films are stranger and more difficult to understand than Megalopolis, yet when you watch Lynch's work, you don't feel misled-everything feels right, no matter how strange it is. Megalopolis sometimes feels right, sometimes it doesn't.
Megalopolis is a good example of how the director's stylistic touch matters to the look of the movie. The cinematography of this film was done by the same person who shot The Master. Yet this film feels like any expensive commercial shot today-too vivid, too warm, too basic.
I will definitely rewatch this film in the future, all jokes aside. This film has a shtick to it that I didn't quite get the first time watching. Overall, it's a bit sad that this is Coppola's last film, but I'm sure he has no regrets making it. After all, this is the guy who made Apocalypse Now, and I will respect him forever for his contribution to American cinema.
Le saviez-vous
- AnecdotesFrancis Ford Coppola wrote the script in the early 1980s, but the film was kept on the back-burner partially due to his financial debts. Pre-production finally began in 2001 after filming 30 hours of second unit footage and holding table read with Paul Newman, Uma Thurman, Robert De Niro, James Gandolfini, Nicolas Cage, Leonardo DiCaprio, Russell Crowe, Edie Falco, and Kevin Spacey, but the project was scrapped after the September 11 attacks, because a scene from the script (page 166) "predicted" the attacks. Coppola fully abandoned the project in 2007, and didn't begin developing it again until 2019.
- GaffesAt 21:47, Julia Cicero's voice changes mid sentence: "I sent a letter to you last night. A childish letter", then it goes instantly deeper with "and I want it back before you read it" revealing ADR work.
- Citations
Cesar Catilina: *You* wanna help me?
Julia Cicero: Yeah. And, well, I... well, I want to learn.
Cesar Catilina: And you think one year of... medical school entitles you to plow through the riches of my Emersonian mind?
Julia Cicero: Entitles me?
Cesar Catilina: Yes.
Julia Cicero: [scoffs] Entitles me?
Cesar Catilina: Yeees!
Julia Cicero: Entitles me?
Cesar Catilina: YEEEEEES!
Julia Cicero: You have no idea about me! You think I am nothing, just a socialite?
Cesar Catilina: No, not nothing, but I reserve my time for people who can think. About science. And literature, and... architecture and art. You find me cruel, selfish and unfeeling? I am. I work without caring what happens to either of us. So go back to the cluuuub, bare it all, and stalk the kind of people that you enjoy.
Julia Cicero: Fine! I will.
Cesar Catilina: Come back when you have more time!
- Autres versionsThe "Ultimate IMAX Experience" version of the film features a live actor asking questions during the filmed press conference.
- ConnexionsFeatured in Jeremy Jahns: Megalopolis - Movie Review (2024)
- Bandes originalesMy Pledge
Written by Grace VanderWaal
Performed by Grace VanderWaal
Courtesy of Columbia Records
By arrangement with Sony Music Entertainment
Produced and Orchestrated by Kris Kukul
Meilleurs choix
- How long is Megalopolis?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Megalópolis
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 120 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 7 629 085 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 4 007 797 $ US
- 29 sept. 2024
- Brut – à l'échelle mondiale
- 14 387 154 $ US
- Durée2 heures 18 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.00 : 1