Vadh

The story brings with it the nostalgia of classic Hindi literature, the scenes from the filming location depict the reality of a large majority of Indians, the pace with which the story develops & the turns it takes at several key moments are truly enjoyable, especially for someone who either comes from or wishes to understand the India that is.

In times when entertainment has been limited to short outbursts of senseless titillations, bringing out a story that doesn't offer it, is simple, slow, predictable & yet, is moving, realistic & thought provoking is commendable.

Acting of all characters especially the protagonist makes the movie all the more alive & a good example of how slow building movies can be a great watch.

The story is simple..very simple. A father takes loan for his son's better career in USA with a loan shark. He needs to break the shackle and he does in an unconventional way. However, the way sanjaya mishra and neena gupta perform as a parent you will feel the story is very near to you. In fact in your neighborhood. There is nothing in the story seems out of line. The tight script is the heart of the story.

I was wondering through youtube and came to know about "Checkovs gun" while writing a script . Here in this movie please focus on "Manohar Kahaniya" that sanjay mishra reads and sleeps while reading. The book keeps on coming in the story and O boy the director has used that prop so beautifully through out the movie.

A worthful watch.

The whole story centers around the blessing for a kid in disguise of the old couple who protected her. The character play of pandit ji and his wife is well played by the Sanjay and neena ji. Though the story overall sound like a story taken from a magazine but presented beautifully on the big screens. The entire cast have played their individual roles very well. So many emotions, hint of suspense and thrill makes it a whole. The locality, scenes, resources are perfectly picturised to shoot the scenes. Who likes to watch something new and theme based movies, should go for this one. Completely raw, no show off, no glitter, purely a middle class old couple story.

In town a retired couple low middle class are getting frustrated as son who was sent abroad for betterment and uplift family status is not successful and still struggling with his economical and social struggles abroad. A debt is opted by father from private ways where the bouncer takes the pressurised ugly cannot ask for ugly demands.

It finally done. Hasin Dilruba, Drashyam like trend story unfolds.

Here there is no suspense for viewers but for characters of the film!

How it is done? What next now, newer to us are displayed. What next is kept alive till the end. The couple chemistry excellent, courtesy parts helping wife getting down cycle rixa, house hold work by wife excellent. Sharing secrets, agony, plan next delicately handled. Sanjay Mishra N Gupta at their best. Don't Miss.

Vadh is a crime drama thriller film directed by jaspal singh sandhu and rajeev barnwal.

Sanjay mishra pulls a lifetime of a performance in this film. He is literally, the subtlest of actors i have seen. He plays a retired teacher with utmost sincerity, even his body had the marks of poverty. Neena gupta, though animated at times, does fairly well. Her chemistry with him was good. Manav vij and specially saurabh sachdeva shine throughout. Saurabh brings that madness in this otherwise calm and steady film. The assistant to manav's character was obnoxious, also given a petline which he says after almost every line.

The screenplay is impeccable in the first half but gets messy in the second. The setup in the first half is so strong that you want more from it in the latter. But in the second half, the investigation sets in which is written weak and gets resolved too quickly. The chekov's gun which was the first scene of the film was impactful, but the end feels rushed.

The background score is throbbing and impactful, clearly letting us feel the tension. But the cinematography is outstanding. Every shot of the noir genre is put to great use here. The scene in which lights go out after the perpetrator is killed is a brilliant one, the use of light and shadow was so pleasing. The ambiguity that sets in the second half was reminiscent of badlapur. The sound design too, was too true. The scene of cutting the pieces was really very violent. The metaphors of the perpetrator with the mice was good.

I rate it 9.