ÉVALUATION IMDb
6,0/10
95 k
MA NOTE
Deux enquêteurs newyorkais chevronnés travaillent sur une affaire d'exécutions en série de criminels qui avaient échappé à la justice.Deux enquêteurs newyorkais chevronnés travaillent sur une affaire d'exécutions en série de criminels qui avaient échappé à la justice.Deux enquêteurs newyorkais chevronnés travaillent sur une affaire d'exécutions en série de criminels qui avaient échappé à la justice.
- Réalisation
- Scénariste
- Vedettes
- Prix
- 1 victoire et 2 nominations au total
6,095.1K
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Avis en vedette
The Lack Of Forensic Clues
When Al Pacino and Robert DeNiro teamed for the first time in Heat the main complaint from fans was that there was not enough screen time for them together. In fact the one scene in that film that had them together was shoe horned into the film. It had to be because in that one the two were on opposite sides of the law.
No problem on that score here because in Righteous Kill, Pacino and DeNiro play a pair of veteran police detectives who take the job very seriously indeed. What they're working on now is as the leads in team that is tracking down a serial killer who likes to leave little poetical epitaphs behind for each victim.
The plot here is borrowed from Magnum Force, but in that film, Hal Holbrook has recruited a personal death squad from among the young officers of the San Francisco PD. and Clint Eastwood as Dirty Harry is trying to solve the case. When these guys do figure it out that it's a cop doing the killing, it's one individual however doing it on their own.
This is not a harmonious team that Lieutenant Brian Dennehy has put together. Carla Gugino is trying to show she's as tough as the men and a couple of younger detectives, John Leguizamo and Donnie Wahlberg are wanting bad to show up the older Pacino and DeNiro.
Righteous Kill is pure gold when the two acting legends are on the screen together. When the attention is not on them however, the story does drag a bit in spots. In fact the very lack of forensic clues at the crime scenes should have alerted this team as to where to look for the killer.
Still no opportunity to see Al Pacino and Robert DeNiro for the price of one ticket should be missed.
No problem on that score here because in Righteous Kill, Pacino and DeNiro play a pair of veteran police detectives who take the job very seriously indeed. What they're working on now is as the leads in team that is tracking down a serial killer who likes to leave little poetical epitaphs behind for each victim.
The plot here is borrowed from Magnum Force, but in that film, Hal Holbrook has recruited a personal death squad from among the young officers of the San Francisco PD. and Clint Eastwood as Dirty Harry is trying to solve the case. When these guys do figure it out that it's a cop doing the killing, it's one individual however doing it on their own.
This is not a harmonious team that Lieutenant Brian Dennehy has put together. Carla Gugino is trying to show she's as tough as the men and a couple of younger detectives, John Leguizamo and Donnie Wahlberg are wanting bad to show up the older Pacino and DeNiro.
Righteous Kill is pure gold when the two acting legends are on the screen together. When the attention is not on them however, the story does drag a bit in spots. In fact the very lack of forensic clues at the crime scenes should have alerted this team as to where to look for the killer.
Still no opportunity to see Al Pacino and Robert DeNiro for the price of one ticket should be missed.
Makes my heart bleed...
'Righteous Kill' not only disappoints, it's an epic failure. And I mean wanna-punch-everyone-involved failure. Re-watching that one petite coffee-house scene with De Niro and Pacino in 'Heat' will jolt more electricity into you than this whole waste of celluloid. 'Righteous Kill' is a movie that actually accomplishes to have both De Niro and Pacino hand in a performance so far under their usual level, I'm still in disbelief over it. A healthy suggestion: avoid all films by this untalented hack not worthy of the title 'director'. For example, he also made Pacino look bad in the stinker '88 minutes', a straight-to-cable thriller meets 'Phone Booth'.
Shouldn't these two legends make use of their golden years to partake in interesting movies, why doesn't Pacino make another Lumet (see: Dog Day Afternoon) or why not team up again with Mann again (Heat). Surely they have the power to pull the tablecloth toward them when it comes to getting roles in prestigious projects? Why they rather star in a movie that kids 'you can lick my balls any time' is beyond me.
If you think I'm being too dramatic, go see for yourself but don't come crying to me when you get your heart ripped out and served on a platter as well...
Shouldn't these two legends make use of their golden years to partake in interesting movies, why doesn't Pacino make another Lumet (see: Dog Day Afternoon) or why not team up again with Mann again (Heat). Surely they have the power to pull the tablecloth toward them when it comes to getting roles in prestigious projects? Why they rather star in a movie that kids 'you can lick my balls any time' is beyond me.
If you think I'm being too dramatic, go see for yourself but don't come crying to me when you get your heart ripped out and served on a platter as well...
Good Acting, Very Weak Script
Turk (Robert De Niro) and Rooster (Al Pacino) are longtime NYC police partners, in this Jon Avnet thriller that has them trying to stop an unknown serial killer, a person who leaves a poem at the scene of each crime. Victims are law-breakers who were freed on legal technicalities. Two other cops, played by John Leguizamo and Donnie Wahlberg, become suspicious of the investigation, and this hampers the efforts of Turk and Rooster.
The script on which the film is based is rather poor. The setup is muddled; none of the characters are especially sympathetic, and secondary characters are not well defined. Further, "Righteous Kill" is not that much different from other serial killer or urban crime films.
The mood here is dark, and the tone is rather cynical. Characters go out of their way to telegraph their toughness by using lots of "hard" language. There's an edginess to the characters, and that's okay. But I could have wished for a character with some degree of softness. That would have provided much needed balance to the overall tonal savagery.
Without a doubt, the film's best element is the acting. There's not a weak performance in the bunch. Of course, the focus is on De Niro and Pacino. This is really their film. And it's their camaraderie, their back and forth playful banter, that makes the film worth watching. Production design and costumes are credible. Color cinematography is generally dark, consistent with the story's mood.
In spite of a weak script, "Righteous Kill" does provide some good plot misdirection that will leave viewers unsure as to the story's outcome. But the film's main virtue is the casting of De Niro and Pacino, two contemporary screen legends whose performances here are quite good.
The script on which the film is based is rather poor. The setup is muddled; none of the characters are especially sympathetic, and secondary characters are not well defined. Further, "Righteous Kill" is not that much different from other serial killer or urban crime films.
The mood here is dark, and the tone is rather cynical. Characters go out of their way to telegraph their toughness by using lots of "hard" language. There's an edginess to the characters, and that's okay. But I could have wished for a character with some degree of softness. That would have provided much needed balance to the overall tonal savagery.
Without a doubt, the film's best element is the acting. There's not a weak performance in the bunch. Of course, the focus is on De Niro and Pacino. This is really their film. And it's their camaraderie, their back and forth playful banter, that makes the film worth watching. Production design and costumes are credible. Color cinematography is generally dark, consistent with the story's mood.
In spite of a weak script, "Righteous Kill" does provide some good plot misdirection that will leave viewers unsure as to the story's outcome. But the film's main virtue is the casting of De Niro and Pacino, two contemporary screen legends whose performances here are quite good.
De Niro and Pacino make it a good movie
This film has a lot of problem, but the great performances of its stars still make it worth seeing at the theater. The twist was way too predictable (I had it solved half an hour in, and I'm usually unable to figure out twists way ahead of time) and the script wasn't very impressive. The direction is OK, but nothing special. There were some pretty funny moments and one liners though. The only thing that makes this better than a sub-par thriller is De Niro and Pacino, both of whom put in great performances and really save this movie. The supporting actors do just fine, but are overshadowed. I was really anxious for a movie in which the pair finally share some significant screen time together, and this movie was about as good as could be expected, considering the makers of the film.
It isn't the best movie out right now (try Burn After Reading), but I do recommend going to see this one. I give it 7/10. I hope Robert De Niro and Al Pacino team up again, hopefully with a better screenplay and director.
It isn't the best movie out right now (try Burn After Reading), but I do recommend going to see this one. I give it 7/10. I hope Robert De Niro and Al Pacino team up again, hopefully with a better screenplay and director.
Mediocre film with great acting
It is what you would expect from Al Pacino and Robert De Niro. They've been doing these kind of roles for the past 30 years of their acting life. Applause, but no surprise there.
The film itself was not a blast. Totally predictable plot, stereotype good cop bad cop, drug dealers, bad neighborhood were huge minus to this movie. Lack of character development made the film implausible and some parts inconvicible no matter how great the acting was. Finally, the director's abuse of dramatic music without much happening throughout the film slowly eats away your patience.
Six out of ten is what I will give, 3 from Al Pacino and 3 from Robert De Niro.
The film itself was not a blast. Totally predictable plot, stereotype good cop bad cop, drug dealers, bad neighborhood were huge minus to this movie. Lack of character development made the film implausible and some parts inconvicible no matter how great the acting was. Finally, the director's abuse of dramatic music without much happening throughout the film slowly eats away your patience.
Six out of ten is what I will give, 3 from Al Pacino and 3 from Robert De Niro.
Le saviez-vous
- AnecdotesRobert De Niro and Al Pacino have said in interviews that they did not feel proud of the final result of Righteous Kill. They even stated feeling unworthy of their fans' appreciation during the premiere, with Pacino going as far as saying that it is a movie they are both trying to forget. Therefore, both actors agreed that the next project they collaborated in together would be one to be proud of. 11 years later, they were finally very proud and pleased with their next collaboration: Martin Scorsese's The Irishman (2019).
- GaffesWhen Karen Corelli goes to her apartment, thinking she is being followed, you can see the shadow of the cameraman just before she steps up the first step leading to her door.
- Générique farfeluAfter the credits, the sound of a train is heard.
- ConnexionsFeatured in Entertainment Tonight: Episode dated 12 September 2008 (2008)
- Bandes originalesWe Fly High
Written by Jim Jones (as James Jones), Zukhan Bey
Performed by Jim Jones
Published by All rights administered by Songs of Universal, Inc. (BMI) on behalf of itself and Sally Ruth Esther Publ.,
Inc. (BMI)/Zukhan Music/Art in the Fodder Music (BMI); admin by Arthouse Entertainment
Courtesy of Koch Records by arrangement with Shelly Bay Music
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Righteous Kill
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 60 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 40 081 410 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 16 288 361 $ US
- 14 sept. 2008
- Brut – à l'échelle mondiale
- 79 498 846 $ US
- Durée
- 1h 41m(101 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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