ÉVALUATION IMDb
6,9/10
7,5 k
MA NOTE
Le voyage de Sam Ali, un Syrien qui a fui au Liban pour échapper à la guerre, dans l'espoir de rejoindre l'amour de sa vie à Paris.Le voyage de Sam Ali, un Syrien qui a fui au Liban pour échapper à la guerre, dans l'espoir de rejoindre l'amour de sa vie à Paris.Le voyage de Sam Ali, un Syrien qui a fui au Liban pour échapper à la guerre, dans l'espoir de rejoindre l'amour de sa vie à Paris.
- Nommé pour 1 oscar
- 9 victoires et 12 nominations au total
Koen De Bouw
- Jeffrey Godefroi
- (as Koen de Bouw)
Avis en vedette
"The Man Who Sold His Skin" depicts a refugee forced into an unpleasant predicament. In showing the plight of refugees, Kaouther Ben Hani's Academy Award-nominated movie also looks at the cold attitudes of supposedly highbrow individuals. The sad thing is that there are probably people in real life who have gotten subjected to this sort of thing. I recommend it.
I hadn't realised that was by a Tunisian director. She did a good job to get Syrians to play nearly all of the principal parts. It really irritates me when the accents don't match the supposed country when I watch an Arabic-language film and I always wonder why so many films make do with impersonations. I used to live in Syria, so it is even worse when the actors are playing (and failing) the various Syrian accents.
I was also pleased to see that there was very little propaganda against His Excellency Bashar al-Assad, the elected President of Syria. He was referred to as a dictator at one point; I wish the translation on the subtitles had said "Autarch" which might have been better. However, despite the freedoms experienced by Syrians before the attack on her, the results of the scene in the train during the marriage proposal and its subsequent sequels are wearily familiar as were the family connections used as a solution.
Life as a refugee was shown unflinchingly. I have had experience of some of the tricks and strategies used by migrants to stay alive - I live in a different Arab country now and see sub-Saharan immigrants at exhibitions where food will be served so they can get a meal for free just as Sam and his friends do in the film.
It's at one of these exhibitions that Sam's life changes. He makes a pact that will allow him to follow his love to Europe to fulfil a promise and a dream. He has contracted out his body.
Not everything goes smoothly, of course. There wouldn't have been a film if it had. That the hour and forty four minutes flew past is a testament to the power of the storyline and plot development. The last two twists in the final minutes of the film had me in the depths of despair; I'd seen the first one coming. What else would DAESH had done? There's another development after that which resolves the film completely.
I had had this waiting to be watched for a month or so. Last night was an ideal time to watch; I was relaxed and ready for it. I recommend the film.
I was also pleased to see that there was very little propaganda against His Excellency Bashar al-Assad, the elected President of Syria. He was referred to as a dictator at one point; I wish the translation on the subtitles had said "Autarch" which might have been better. However, despite the freedoms experienced by Syrians before the attack on her, the results of the scene in the train during the marriage proposal and its subsequent sequels are wearily familiar as were the family connections used as a solution.
Life as a refugee was shown unflinchingly. I have had experience of some of the tricks and strategies used by migrants to stay alive - I live in a different Arab country now and see sub-Saharan immigrants at exhibitions where food will be served so they can get a meal for free just as Sam and his friends do in the film.
It's at one of these exhibitions that Sam's life changes. He makes a pact that will allow him to follow his love to Europe to fulfil a promise and a dream. He has contracted out his body.
Not everything goes smoothly, of course. There wouldn't have been a film if it had. That the hour and forty four minutes flew past is a testament to the power of the storyline and plot development. The last two twists in the final minutes of the film had me in the depths of despair; I'd seen the first one coming. What else would DAESH had done? There's another development after that which resolves the film completely.
I had had this waiting to be watched for a month or so. Last night was an ideal time to watch; I was relaxed and ready for it. I recommend the film.
"The Man Who Sold His Skin" is a visually stunning and thought-provoking film that delves into the themes of identity, personal sacrifice, and the commodification of human life. Through its exploration of the contemporary art world, it raises thought-provoking questions about the boundaries between art and exploitation. With exceptional performances, particularly from Yahya Mahayni as the protagonist, and exquisite cinematography that captures the juxtaposition of beauty and brutality, this film leaves a lasting impact on viewers. It is a captivating and memorable cinematic experience that skillfully combines social commentary, romance, and dark humor to create a unique and thought-provoking narrative. As the story unfolds, the film prompts reflection on the power dynamics at play in society and the sacrifices individuals make for personal freedom. "The Man Who Sold His Skin" is a true standout in its ability to engage, provoke, and resonate long after the credits roll.
YES! "The Man Who Sold His Skin" left me with so many answers to gut hunches I had about the businness of art and how it steals peoples souls. This is a story driven movie, simple filming some amazing shots and locations, economic dialogue that required some of the most intense acting from Yahya Mahani. This brothers abilty to show emotion was so thorough that I actually felt what he was going through. Such a powerful perfomance that I had to come on here and tell people of this movie. I have never seen or heard a story like this. A must see for REAL movie fans who need more then watching blind entertainment. I found this while searching tattoos.
A desperate man on the run from Syria, sells his back as a canvas for an eccentric artist. He sits as a display for audiences at galleries and museums. His girlfriend Has moved to Belgium with her new husband. He is well paid but has doubts about his choice. The story uses a real life situation where a man sold his skin to an artist. The movie was nominated for an Oscar and I rank it just below A Better Life in the foreign film category.
Le saviez-vous
- AnecdotesWhile director Kaouther Ben Hania was visiting the Louvre Museum in Paris in 2012, there was a retrospective of Belgian artist Wim Delvoye. There she saw, in Napoleon III's apartments, Delvoye's Tim (2006 - 08), in which the artist had tattooed the back of Tim Steiner, who was sitting on an armchair with his shirt off displaying Delvoye's design. The piece was sold to a German art collector and Tim is contractually obliged to spend a certain amount of time, topless and sitting still, in a gallery every year. Wim Delvoye appears in the movie as the insurance guy.
- GaffesWhen Sam Ali changes his seat at the train at 05:55, the place of the man in the back seat changes each time the camera switches between Sam and Abeer.
- ConnexionsFeatured in La 93e cérémonie des Oscars (2021)
- Bandes originalesFiliae maestae Jerusalem, RV 638: I, 'Filiae maestae Jerusalem'
Music by Antonio Vivaldi (uncredited)
Conducted and Performed by Philippe Jaroussky (Audio) (p)
Performed by Ensemble Artaserse (uncredited)
2014 Erato/Warner Classics, Warner Music UK Ltd.
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- The Man Who Sold His Skin
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 2 230 000 € (estimation)
- Brut – à l'échelle mondiale
- 227 290 $ US
- Durée
- 1h 44m(104 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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