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6,0/10
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MA NOTE
Après avoir été nommée PDG de Sebben and Sebben, la plus grande société au monde et la plus insensée, Judy Ken Sebben doit trouver un moyen de maintenir un équilibre entre le travail et sa v... Tout lireAprès avoir été nommée PDG de Sebben and Sebben, la plus grande société au monde et la plus insensée, Judy Ken Sebben doit trouver un moyen de maintenir un équilibre entre le travail et sa vie de super-héroïne.Après avoir été nommée PDG de Sebben and Sebben, la plus grande société au monde et la plus insensée, Judy Ken Sebben doit trouver un moyen de maintenir un équilibre entre le travail et sa vie de super-héroïne.
Parcourir les épisodes
Richard Ayoade
• 2022
Da'Vine Joy Randolph
• 2022
Erik Richter
• 2022
Debra DiGiovanni
• 2021–2022
Peter Giles
• 2021–2022
Toks Olagundoye
• 2022
Mae Whitman
• 2022
Avis en vedette
I've written reviews for the two seasons of "Birdgirl" but now it looks unlikely that the show will return I thought I'd put something here, against the shows main page.
Unlike a lot of reviewers, I had no previous relationship with "Harvey Birdman: Attorney at Law", so didn't spend any time comparing this show to that one. Judged on its own merits I found an initially giddy series that eventually settled down into one I was rather enjoying by its end.
Judy Sebben (Paget Brewster) inherits her late fathers' multinational business, a task she seems ill-equipped for. The transition is complicated further by the fact that Judy is, in fact, Birdgirl, vigilante masked crimefighter. Judy struggles to balance the two roles with the help of her friends and co-workers, Meredith (Negin Farsad), Charlie (Lorelei Ramirez), her assistant Gillian (Kether Donohue) and office masseur Paul (Tony Hale).
I liked the animation style of "Birdgirl". It's similar to the classic Hanna-Barbera style, but digital and a touch less line heavy. The movement in the animation often apes that style too, in a way that pleased me. I liked the vocal performances also. Particularly Brewster, and a turn from John Doman that is a lot of fun.
I can understand anyone shook off by the first episode, it's a chaotic blend of ideas and moments and does little to introduce who the characters are. To say the show is called "Birdgirl" it's not as interested in that side of Judy's life as it is the business - and changes at Sebben and Sebben make up most of the six plots in this first run. The second episode, which I seem to recall was the "all nighter" episode, rather than the "Sharebear" one was much better, and as I settled into to the reveals about who the characters are that came across the six episodes, my enjoyment increased exponentially.
Though I can't see a confirmed cancellation anywhere, it does look increasingly like this is the end of the run for "Birdgirl" and, to be honest, I think maybe that's for the best. I would still like to investigate "Harvey Birdman", which is also on the Channel Four streaming service in the UK, so it is available to me at the moment.
Unlike a lot of reviewers, I had no previous relationship with "Harvey Birdman: Attorney at Law", so didn't spend any time comparing this show to that one. Judged on its own merits I found an initially giddy series that eventually settled down into one I was rather enjoying by its end.
Judy Sebben (Paget Brewster) inherits her late fathers' multinational business, a task she seems ill-equipped for. The transition is complicated further by the fact that Judy is, in fact, Birdgirl, vigilante masked crimefighter. Judy struggles to balance the two roles with the help of her friends and co-workers, Meredith (Negin Farsad), Charlie (Lorelei Ramirez), her assistant Gillian (Kether Donohue) and office masseur Paul (Tony Hale).
I liked the animation style of "Birdgirl". It's similar to the classic Hanna-Barbera style, but digital and a touch less line heavy. The movement in the animation often apes that style too, in a way that pleased me. I liked the vocal performances also. Particularly Brewster, and a turn from John Doman that is a lot of fun.
I can understand anyone shook off by the first episode, it's a chaotic blend of ideas and moments and does little to introduce who the characters are. To say the show is called "Birdgirl" it's not as interested in that side of Judy's life as it is the business - and changes at Sebben and Sebben make up most of the six plots in this first run. The second episode, which I seem to recall was the "all nighter" episode, rather than the "Sharebear" one was much better, and as I settled into to the reveals about who the characters are that came across the six episodes, my enjoyment increased exponentially.
Though I can't see a confirmed cancellation anywhere, it does look increasingly like this is the end of the run for "Birdgirl" and, to be honest, I think maybe that's for the best. I would still like to investigate "Harvey Birdman", which is also on the Channel Four streaming service in the UK, so it is available to me at the moment.
Why did they make this if they couldn't work off the main premise of Harvey Birdman? Lawyering for Hanna Barbera characters! Half the humor from the old show was taking those characters and subverting their place in a modern setting. Instead it's just a weird office with Birdgirl in it and no other relationship to the original show. Like, if they couldn't use those characters, why not try to use more modern cartoons like Dexter or Cow and Chicken or Ed Edd and Eddy, THEN add the familiar fast, non-sequitur humor.
Got bored, found HBAL on HBO and watched that again instead.
Got bored, found HBAL on HBO and watched that again instead.
Days ago, I just watched the new Adult Swim animated series, Birdgirl, a spin-off of one of the most brilliant Adult Swim cartoons, Harvey Birdman: Attorney at Law and I see little charm in it. Let me tell you, we all know that Judy Ken Sebben's father (and mostly one of funniest characters on Harvey Birdman: Attorney at Law) Phil Ken Sebben is gone for good and Judy refuses to believe it while other characters like the dog character and some Phil Ken Sebben imposter nominated Birdgirl as Phil's successor. Now I want to make this clear, the humor is more of a huge mixbag, sometimes it's kinda unfunny and sometimes it's actually a little clever. Some characters like Meredith the Mind Taker and the Dog with Bucket Hat (I'm sorry, but seriously what kind of a name is that?)
are at least interesting but Meredith is the most interesting one, and the writing...it's not that great, sometimes the writing makes the show kinda boring just like I have the same issue with Mike Tyson Mysteries. Even though I didn't like Mike Tyson Mysteries but at least I find the show a little more better. So there, the writing in Birdgirl is kinda bland and boring, but at least the animation and the art style are decent enough for me to tolerate. Oh and did I metion that this show has lack of any Hanna-Barbera characters? Yes, yes I did mainly because of licensing issures and I'm honestly fine with it because of I don't mind but I do feel sorry for the Harvey Birdman: Attorney at Law fans who do missed the Hanna-Barbera characters. Birdgirl isn't that great nor good, it's a mixbag cartoon with some high potential. Other cartoons spin-offs like Daria and The Casagrandes are much better and so is Heavy Birdman: Attorney At Law. Birdgirl is a very weak show in my book and if you like the show, that's great but to keep in mind, I don't find the show bad...it's meh. I'll stick to Harvey Birdman: Attorney at Law and other Adult Swim shows such as Rick and Morty, Final Space, Primal and Lazor Wulf and I'll might as well continue watching Birdgirl if I want to. I give Birdgirl a 5.3/10.
Adult Swim cancelled The Venture Bros. And Your Pretty Face is Going to Hell, two of the funniest, cleverest shows ever to grace the small screen. So what do they give us to replace them? Birdgirl.
In the Woke tradition Birdgirl is not funny, clever, witty etc... but it has girls. Most of the characters are female (with male characters portrayed as effeminate, weak and pathetic). Birdgirl tries hard and fails hard. It succeeds in being nonsensical without being absurd. It tosses 'jokes' at the viewer in rapid succession but none of them are funny.
This is the cartoon version of the female Ghostbusters movie. Weak sauce all around. Adult Swim going Woke is Adult Swim sinking to the bottom of the lake with concrete shoes on. Their pretty faces are already in Hell.
In the Woke tradition Birdgirl is not funny, clever, witty etc... but it has girls. Most of the characters are female (with male characters portrayed as effeminate, weak and pathetic). Birdgirl tries hard and fails hard. It succeeds in being nonsensical without being absurd. It tosses 'jokes' at the viewer in rapid succession but none of them are funny.
This is the cartoon version of the female Ghostbusters movie. Weak sauce all around. Adult Swim going Woke is Adult Swim sinking to the bottom of the lake with concrete shoes on. Their pretty faces are already in Hell.
I enjoyed the first episode. I hadn't watched much of the original series, and I can understand why fans of that would find this cynical and unappealing. I actually thought it was fairly funny, and it subverted some of my extremely low expectations. It may turn, but it's not garbage.
Le saviez-vous
- AnecdotesSpin-off to Harvey Birdman Attorney At law now focusing on Phil Ken Sebben's Daughter Judy Ken Sebben as CEO of Sebben & Sebben.
- ConnexionsSpin-off from Harvey Birdman, Attorney at Law (2000)
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