À Londres, une arnaque immobilière met des millions de livres à la portée de tous, attirant certains des gars les plus durs de la ville et de ses types d'enfers les plus établis, qui cherche... Tout lireÀ Londres, une arnaque immobilière met des millions de livres à la portée de tous, attirant certains des gars les plus durs de la ville et de ses types d'enfers les plus établis, qui cherchent tous à devenir riches rapidement.À Londres, une arnaque immobilière met des millions de livres à la portée de tous, attirant certains des gars les plus durs de la ville et de ses types d'enfers les plus établis, qui cherchent tous à devenir riches rapidement.
- Réalisation
- Scénariste
- Vedettes
- Prix
- 1 victoire et 5 nominations au total
- Stella
- (as Thandie Newton)
- Bertie
- (as David Bark Jones)
Avis en vedette
I like it!
Remember "Lock, Stock and Two Smoking Barrels"? That was a riot, mainly because of the quirky characters Ritchie cooked up. Then came "Snatch," which had its own brand of hilarity. But now, with "RocknRolla," it's like he's taken a dash of both those films and whipped up another batch. The characters are intriguing, sure, but the plot feels like it's been recycled, and things can get a bit messy along the way. Plus, the vibe's a tad darker this time, and the laughs aren't as frequent.
But hey, let's give credit where it's due. Technically speaking, the movie's still top-notch. And can we talk about the cast? Idris Elba, Tom Hardy, Mark Strong, Tom Wilkinson, Gerard Butler-talk about a lineup! Butler, especially, shines in those dance scenes with Thandie Newton and Tom Hardy.
So, yeah, "RocknRolla" is a decent flick, no denying that. It's just that the whole gangster shtick feels a bit worn out by now, you know?
Yeah, we've seen it all before, but...
RocknRolla does absolutely nothing new. A quick list of things it shares with Lock Stock and Snatch would read thus: fast paced, witty dialogue; complex, interwoven plot threads; central McGuffin driving the mayhem (#1 antique shotguns, #2 huge diamond, #3 a lucky painting); smart, rapid editing; a mountain of Cockney crime stereotypes. Even things such as hard-as-nails Russian henchmen return. It completes the upward curve of scale in Ritchie's crime films: from a rigged card game to a rigged boxing circuit to rigged property development. The crime lords get larger in stature, the sums of money owed have more zeros on the end and the capers required to resolve the situation more grand, but it's still the same concept.
You'd think this was a list of criticisms, and if you found Snatch wearingly familiar you shouldn't need it spelling out that this film won't impress you. Looking for originality? Look elsewhere. RocknRolla may be pushing the formula a little bit, but if you accept that it's still enormous fun. Ritchie's directing is as proficient as ever, it moves at a merry old pace and the plot just about stays on the rails. The characters are endearing and there's plenty of laughs to be had. Other than its dearth of invention, the only real flaw with the film lies in the opening fifteen minutes, where Ritchie sets up the plot strands which will then unravel. Whereas previous films did this in a smooth, unforced way, here Ritchie lathers it with a liberal helping of voice-over narration so there's absolutely no confusion possible as to who is who and what they're after, which on many occasions extends to pointing out the bleeding obvious. Show don't tell- it's the first rule in the book Ritchie! It may be getting to the point where RocknRolla must go down as a guilty pleasure, but guilty pleasures are often the most fulfilling kind. And so it is here.
Greatness!
Many greats in this and all play their roles perfectly.
Start to finish, this is an underrated classic.
Good action, good pace and a fantastic tale that really hits the mark.
No mail character, as such as every character is a main character.
I liked Cookie but everyone does well.
Guy Ritchie really delivered with this brilliant, fun, flick.
I'd love a #2 but we'll see if that ever happens.
Highly recommend this movie.
I think most people could appreciate it.
Mark Strong, brilliant as always.
Idris is too cool and Butler and Hardy show a lot of chemistry.
Love seeing Jeremy Piven too, what a legend.
Overall, a fantastic film, for everyone.
Enjoyable romp
Guy Ritchie's storytelling
The underworld has always been portrayed as a survivor series of some "only the strong survive" sort of manner; the guardian angel of the streets has only gotten so far through mischievous and bad business practices.
This movie tries to attack that ideology and in its place, reflect on the makeup of the personas behind the scenes, not the actual scenes.
One Two (Gerard Butler) and Mumbles (Idris Elba) tell the story but the true mastermind of all the mishaps that occur throughout the movie is hidden behind a familiar face in the entire transaction. No honor among thieves, indeed.
Truly enjoyable movie.
Le saviez-vous
- AnecdotesOn the day of filming the sex scene, Gerard Butler had a nasty throat infection and Thandiwe Newton refused to kiss him. Guy Ritchie then improvised and revised the scene into the very funny montage.
- GaffesMajority of the Russian lines in the movie don't correspond to the translation shown. Mostly the overall approximate meaning of a passage or dialogue is preserved, but even that is not always the case.
- Citations
Johnny Quid: You see that pack of Virginia killing sticks on the end of the piano?
Pete: Yes.
Johnny Quid: All you need to know about life is retained in those four walls. You will notice that one of your personalities is seduced by the illusions of grandeur: the gold packet of king-size with a regal insignia, an attractive implication towards glamour and wealth, the subtle suggestion that cigarettes are indeed your royal and loyal friends - and that, Pete, is a lie. Your other personality is trying to draw your attention to the flip side of the discussion: written in boring bold black and white, it's a statement that these neat little soldiers of death are in fact trying to kill you - and that, Pete, is the truth. Oh, beauty is a beguiling call to death and I'm addicted to the sweet pitch of its siren. That that starts sweet ends bitter, and that which starts bitter ends sweet. THAT is why you and I love the drugs and that is also why I cannot give that painting back. Now please, pass me a light.
Pete: Oh, you are something special, Mr. Johnny Quid.
- Générique farfeluThere is a scene in the closing credits: the complete scene of One Two dancing with Handsome Bob at the gay bar.
- ConnexionsFeatured in De wereld draait door: Episode #4.37 (2008)
- Bandes originalesI'm a Man
Written by Bo Diddley (as McDaniel)
Published by Jewel Music Publishing LTD/ARC Music Group
Performed by Black Strobe
2007 Playloudrecordings
Licensed courtesy of Playloudrecordings / Beggars Group
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- RocknRolla
- Lieux de tournage
- Connaught Tunnel, near London City Airport, Newham, East London, Londres, Angleterre, Royaume-Uni(Chase on railway with Russians after robbery.)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 18 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 5 700 626 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 144 701 $ US
- 12 oct. 2008
- Brut – à l'échelle mondiale
- 25 742 207 $ US
- Durée
- 1h 54m(114 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1






