The Nowhere Inn

"This is how actors play rock stars in movies."

St. Vincent sets out to make a documentary about her music, but when she hires a close friend to direct, notions of reality, identity, and authenticity grow increasingly distorted and bizarre. The Nowhere Inn is an absurd, comedic, and thriller that I'm still trying to wrap my head around. It's hard to pinpoint the genre, but whatever it is, it's working. This played apart of the midnight selection at Sundance 2020, and I remember it looked interesting (all of the midnight ones did that year) but I didn't understand what it was about. Even watching the trailer, it barely covers what it's about. St. Vincent (Annie Clark) and her real life friend Carrie Brownstein wrote and starred in the movie, of course. They have this amazing chemistry that didn't need any building beforehand. Everything you see is genuine. Though they're playing themselves, they have a unique character that we know isn't how it's like in real life. St. Vincent does fantastic with the transformation she goes through. It's so fun to watch her go through it all. And Carrie Brownstein, who I haven't really seen much before has really good acting skills. Had those two not been cast in their own movie, and I'm not sure if they originally started out writing themselves in, I don't think they could've pulled it off.

The story is extremely satirical. Once you start to realize what the movie is about, and it makes a point to it, you can see some of what will unfold. It pokes fun at documentaries and rockstars and performers and they way it's done is really cool and fun. When you consider the movie as a whole, then it gets a little more confusing. It's like a movie within a movie within a movie (I think that's right). What we mainly see is a mockumentary style story. There's different aspect ratios and styles to differentiate what story or movie we're focusing on. And the cinematography is pretty good. There's sequences shot on film, mostly the concerts, that are beautiful to look at. And it's edited really well. There are many achievements to be noted. With how trippy it is, it can be hard to figure out what the movie is trying to say. But that's also a point made in the movie where someone says something along the lines of "I don't think she really understood the movie we were making." A little more clarity would've helped, but I like having the mystery there. For a little bit the same things keep happening and I wanted a little more variety. It's one of those things where I thought they'd move on and show something else, but they keep going back to it. As a character, it's frustrating for Carrie but she lets it happen for some time. Nevertheless, this is a really fun movie. I was in the middle of watching it when my apartment building had a power outage so I had to watch it in halves. You need to be attentive and ready for anything when watching. By the end it goes completely off the rails and I'm not sure how to interpret it. Maybe a little more reading will help. Overall, The Nowhere Inn is a surprising movie that I would like to revisit again. It does land with everything, but for a psychological movie (that's the genre I'm going with) it has great craft and great start for Bill Benz to make more movies!

As "The Nowhere Inn" (2020 release; 91 min.) opens, Annie Clark a/k/a St. Vincent is in the back of a stretch limo that is driving through the dessert. The limo driver tells Annie he has no idea who she is , "and I've driven a lot of celebrities!". At some point he stops the limo and abandons Annie in the middle of the dessert. We get some concert footage, and then Annie introduces her good friend Carrie Brownstein (Sleater-Kinney; Portlandia) and informs us that Carrie is going to make a documentary about Annie... At this point we are 10 min into the film.

Couple of comments: this movie is very much a labor of love from Annie Clark and Carrie Brownstein, who co-wrote and also co-produced this. The film's director is Bill Benz, best known for his work on that other Brownstein project, "Portlandia"). Please note: "The Nowhere Inn" is NOT a documentary, but a fictional film brought to us as if it were a documentary. It's a mix of concert footage, fictional scenes, and interviews, all of it served up in a big mix of weirdness and self-conscious art. Normally, I'd be totally up for this, but truth be told that in this particular case, it simply landed with a dud. It's not for a lack of trying. Clark and Brownstein play up the question of where Annie Clark ends and St. Vincent begins. "We are not so different, me and her" observes Annie at some point. Certainly the movie suffers because there really is no plot to speak of, raising the question: what is the point of this film? So that Annie/St. Vincent can let us have a glimpse as to who she really is? If that is the case, she failed miserably as I haven't anymore a clue now that I've seen this, as compared to before.

"The Nowhere Inn" was filmed 2 1/2 years ago, and premiered at the 2020 Sundance film Festival, yes, pre-pandemic. Now 20 months later, the film was released in select US theaters. Being the St. Vincent fan that I am (I saw her on her very first tour in 2007, when she opened for the National, it was simply St. Vincent and her electric guitar, no backup band), I just had to check it out. The Sunday early evening screening where I saw this at my local art-house theater here in Cincinnati turned out to be a private screening: I was literally the only person in the theater. I cannot imagine this will play much longer in theaters. If you are a St. Vincent fan, I'd readily suggest you check this out, be it in the theater (if you still can), on VOD, or eventually on DVD/Blu-ray, and draw your own conclusion.

The film has striking visuals, but that's about all the nice things I can say about it. There is no story. The film is basically a self-indulgent, narcissistic expression of "look at me, me me me me". If this film was made for the singer to promote herself, I'm afraid it didn't work. I'm actually put off by it.

This movie has a good first part, but in the second part it gets confusing.

The film starts well and a bit funny, it begins by criticizing the audience and that we always want to see something interesting on the person behind the artist, it also states that it is very difficult for us as humans to open ourselves emotionally. It also argues that it is not necessary for the audience to know everything about our favorite artists and that by wanting to know that, we can easily be fooled into creating an identity of the artist that is not the same as that of the human being behind it. But in the second half it loses its sense of what it means with the metaphors, it is not known if the main character is exaggerating things or is just pretending, because of this that character begins to get fed up with its sarcastic and exaggerated way of acting, It's hard to understand the tone of this movie. The story is not told in the best way, just as the ending is overwhelming since it shows that sometimes we are afraid of opening ourselves emotionally to others and that sometimes we do not want to know ourselves, but it does so in a very intense and very sudden way.

It is not understood if it wants to be a fake documentary, or if something like this really happened or if they just did nonsense things and built a very crazy and intense story, I did nos like it and I would not recommend it, but if you are a fan of the artist which it is about, you may like it.

I wanted to love The Nowhere Inn, because I'm a fan of Carrie Brownstein, and I like mockumentaries. This is more of a drug-addled, surrealistic reaction to the superficiality of celebrity, classism, and the reality of the fakeness of filmed reality. There's a lot of interpersonal cruelty between Annie & Brownstein which is frustrating & anxiety-inducing while it is couched in what feels like a nightmare. What I like about The Nowhere Inn is it's a reaction, one of disgust, which is appropriate. The objective of a mockumentary is to be satirical, sarcastic, comedic, and slightly absurd - and while there are a few really funny moments, the story gets buried under layers upon layers of mess. All said and done, I asked myself if viewers of The Nowhere Inn are supposed to feel like they were on the outside of an inside joke. That is where that film has left me.