Une jeune femme hérite du Book of Dark Whispers de sa mère pour découvrir 10 contes inquiétants. Avec Andrea Demetriades, Asher Keddie et Anthony LaPaglia, cette anthologie vous est présenté... Tout lireUne jeune femme hérite du Book of Dark Whispers de sa mère pour découvrir 10 contes inquiétants. Avec Andrea Demetriades, Asher Keddie et Anthony LaPaglia, cette anthologie vous est présentée par 11 réalisatrices de toute l'Australie.Une jeune femme hérite du Book of Dark Whispers de sa mère pour découvrir 10 contes inquiétants. Avec Andrea Demetriades, Asher Keddie et Anthony LaPaglia, cette anthologie vous est présentée par 11 réalisatrices de toute l'Australie.
Bree Bain
- Angela - segment The Intruder
- (as Bree Desborough)
Brian Bin Saabin
- Uncle 1 - segment Storytime
- (as Brian Bin Saaban)
Avis en vedette
And people here give it half the points, I pay attention. First thing I noticed was "Featured Review" (you can bet that I always read what FR says. Especially when the rating is 9/10 or 10.) First thing I noticed the reviewer got some in the wrong order. I "can see" the person was "paying attention". Sorry to say, I did not like this movie although I'm all for poppets that can cry like pinocchio (played him in fourth grade). (By the way the person missed the interesting thing about a "mermaid".) Still a fan of this site, not at all the other. Been watching horror movies for 70 years. And yes, I give 10 when it's a really innovative and intersting movie.
Another film from Monsterfest. I don't usually like short films but this one was definitely worth it. High production value which I didn't expect. All made by women apparently. The future looks bright.
Not sure what's going on with the extreme negativity here (well actually it's pretty obvious if you read between the lines, or some cases, just read the lines themselves). This is a decent bunch of indie shorts with a good wraparound story that works as well as it has to in holding the segments together.
From the get-go it's clear this is not something like Creepshow, which was made with one holistic vision, or even like the VHS anthologies, which were intended to run together. Most of the segments in this anthology seem to have been made at different times, with different aims, and as such they generally all have a different voice, a different style. So it's less an anthology and more like a presentation of short films that can loosely be lumped together as dark fiction with a twist.
As that, it's very successful at showcasing these disparate film makers, who all show promise in one way or another. They're all names to keep an eye on, for sure.
If you expect this to be polished Hollywood stuff you're looking in the wrong place. This is pretty raw, but it's full of honest, authentic, creatively told stories. Nothing more, nothing less.
Personal highlights: the twists of The Man who Caught a Mermaid, the atmosphere of Storytime, the concepts of Grillz, the tone of Little Sharehouse of Horrors, and the overall vision and uniqueness of White Song.
People need to stop calling things "bad" just because it's not what they want it to be.
From the get-go it's clear this is not something like Creepshow, which was made with one holistic vision, or even like the VHS anthologies, which were intended to run together. Most of the segments in this anthology seem to have been made at different times, with different aims, and as such they generally all have a different voice, a different style. So it's less an anthology and more like a presentation of short films that can loosely be lumped together as dark fiction with a twist.
As that, it's very successful at showcasing these disparate film makers, who all show promise in one way or another. They're all names to keep an eye on, for sure.
If you expect this to be polished Hollywood stuff you're looking in the wrong place. This is pretty raw, but it's full of honest, authentic, creatively told stories. Nothing more, nothing less.
Personal highlights: the twists of The Man who Caught a Mermaid, the atmosphere of Storytime, the concepts of Grillz, the tone of Little Sharehouse of Horrors, and the overall vision and uniqueness of White Song.
People need to stop calling things "bad" just because it's not what they want it to be.
Like most anthology movies, it's a bunch of God awful shorts rammed together in hopes someone will watch this rubbish.
The stories are as entertaining as they are scary. Most of them don't even have a finish. It's mostly all artsy fartsy indie crap too.
Whoever was in charge of the sound on this film should never work again. Way too much bass in the voices and music and it makes the horrid experience of wasting your time watching this trash even more unbearable.
There's nothing artistic here, there's nothing scary, nothing entertaining, nothing memorable. Don't bother with it.
The stories are as entertaining as they are scary. Most of them don't even have a finish. It's mostly all artsy fartsy indie crap too.
Whoever was in charge of the sound on this film should never work again. Way too much bass in the voices and music and it makes the horrid experience of wasting your time watching this trash even more unbearable.
There's nothing artistic here, there's nothing scary, nothing entertaining, nothing memorable. Don't bother with it.
It's better than Danzig's horror anthology, that's for sure. Would recommend if you're into this sort of thing as about half are good. One was particularly clever.
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- ConnexionsFeatures Storytime (2005)
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Lieux de tournage
- Brisbane, Queensland, Australie(segment "White Song")
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h 39m(99 min)
- Couleur
- Rapport de forme
- 1.78 : 1
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