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6,1/10
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This Sarah Phelps (am not British and know nothing of her work) seems to have aroused passionate criticism for her seemingly wholesale changes to the revered Agatha Christie's work.
If the accusations are correct and further reading seems to make that a fact then it seems rather pointless in even describing The Pale Horse (the TV serialisation) as based on Christie's novel. At no stage did this production feel like a Christie who-dunnit. The so-called three witches felt completely contrived from start to finish. And the ending? Well, there will be no use of spoilers here because this Phelps' yarn has none. Take your pick from a few guesses!
I fully agree with one review here which suggested the Christie estate should take legal proceedings against Sarah Phelps whose butchering of plot and character make this the worst Christie adaptation ever produced.
So disgusting that a rating is inappropriate.
The ending killed it. It was a good and enjoyable plot until it stoped making sense towards the end.
It's so exhausting watching Agatha Christie adaptations that literally should not legally be called an adaptation. The storyline was trash and nothing to do with the book. Other than it contained a great cast and visually was shot well, this is a must miss.
Butcher job on Agatha Christie story and a lackluster cast make this nearly unwatchable. The period detail also seems wrong with all that late 1960s clothes and hair.
Rufus Sewell and Rita Tushingham are the only recognizable stars in this mess. Most of the others should have stayed in acting classes a little longer. Especially awful is the woman paying Hermia.
Casting is suspect also in having Sewell married to a Black woman in 1960 London, let along a Black witch living with two white women in Much Deeping.
The whole witchy woman thing vs the usual Christie poisoning plot turns into a total muddle and makes the un-Christie ending really stupid. Oh yes, and cut the F bombs. They added absolutely nothing to the proceedings.
I did, however, like the car Sewell drives.
Rufus Sewell and Rita Tushingham are the only recognizable stars in this mess. Most of the others should have stayed in acting classes a little longer. Especially awful is the woman paying Hermia.
Casting is suspect also in having Sewell married to a Black woman in 1960 London, let along a Black witch living with two white women in Much Deeping.
The whole witchy woman thing vs the usual Christie poisoning plot turns into a total muddle and makes the un-Christie ending really stupid. Oh yes, and cut the F bombs. They added absolutely nothing to the proceedings.
I did, however, like the car Sewell drives.
I was really enjoying this until the very end. I didn't understand the ending and even reading the BBC's dissection on what it all meant left me none the wiser. I feel as if I wasted valuable TV time :-(
Le saviez-vous
- AnecdotesMark and Hermia have paintings of four English nobles on horseback over their bed. These are likely meant to represent the four horsemen of the apocalypse.
- GaffesWhen Mark Easterbrook speeds down the lane and stops his car to speak to Oscar Venable, the top is clearly up on the car. In the next scene as he comes to a stop in town, the top is down and secured by a leather cover.
- Générique farfeluNo cinematographer / director of photography / lighting cameraman was credited for either episode, although there was a credit for the 2nd unit DoP.
- ConnexionsVersion of The Pale Horse (1997)
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Вілла "Білий кінь" (2020)
- Lieux de tournage
- Bristol, Angleterre, Royaume-Uni(on location)
- sociétés de production
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