ÉVALUATION IMDb
7,6/10
8,4 k
MA NOTE
Ajouter une intrigue dans votre langueJagna is a young woman determined to forge her own path in a late 19th century Polish village - a hotbed of gossip and on-going feuds, held together, rich and poor, by adherence to colorful ... Tout lireJagna is a young woman determined to forge her own path in a late 19th century Polish village - a hotbed of gossip and on-going feuds, held together, rich and poor, by adherence to colorful traditions and deep-rooted patriarchy.Jagna is a young woman determined to forge her own path in a late 19th century Polish village - a hotbed of gossip and on-going feuds, held together, rich and poor, by adherence to colorful traditions and deep-rooted patriarchy.
- Directors
- Writers
- Stars
- Prix
- 10 victoires et 19 nominations au total
Matt Malecki
- Szymek
- (as Mateusz Malecki)
Avis en vedette
Let me start of with the fact that the visuals are absolutely stunning. Im still shoked that a movie was made with oil paintings and to know its a polish movie fills my heart with pride. The breathteaking views of polish conutryside really filled my heart with joy and nostalgia. The lighting, colors, and placement of everything in each scene was extremely nicely done and helped deliver the movie through visuals. Accompanied by dynamic, imaginative music it was quite the pleasure to watch.
It was such a raw movie, showing off so much polish culture unfiltered. The beautiful and the ugly. Dancing, music, ordinary life with lingering judgment, envy and hate. I have not personally read the original book so i cannot judge this movie in regards to it but im sure its a really good adaptration and ill definitely give the book a read.
Watching the movie you wonder whose in the right and eventually realize that its no one. All characters are flawed in different ways, and thats whats so beautiful and real about this.
Why didnt i give it 10/10? Well as much as i loved it i dont think i fully connected with its story on a personal level, and at moments i couldn't really wrap my head around the plot.
I'm however really confident about this movie going to the Oscars.
It was such a raw movie, showing off so much polish culture unfiltered. The beautiful and the ugly. Dancing, music, ordinary life with lingering judgment, envy and hate. I have not personally read the original book so i cannot judge this movie in regards to it but im sure its a really good adaptration and ill definitely give the book a read.
Watching the movie you wonder whose in the right and eventually realize that its no one. All characters are flawed in different ways, and thats whats so beautiful and real about this.
Why didnt i give it 10/10? Well as much as i loved it i dont think i fully connected with its story on a personal level, and at moments i couldn't really wrap my head around the plot.
I'm however really confident about this movie going to the Oscars.
Wow... I did not expect this movie to be as incredible as it was!
As a Pole raised in England, I haven't touched bases with a lot of Polish literature. But this movie (based off of the Nobel Prize nominated book) was a great experience.
Not only is it beautifully made and animated, the story was extremely tragic and real.
All of the characters are greatly developed, the plot is enticing, and the music is just perfect.
I would recommend this movie to everyone, Polish or not. Not only is it insight and commentary on past Poland, but also on masculinity, femininity, class, and community.
10/10.
As a Pole raised in England, I haven't touched bases with a lot of Polish literature. But this movie (based off of the Nobel Prize nominated book) was a great experience.
Not only is it beautifully made and animated, the story was extremely tragic and real.
All of the characters are greatly developed, the plot is enticing, and the music is just perfect.
I would recommend this movie to everyone, Polish or not. Not only is it insight and commentary on past Poland, but also on masculinity, femininity, class, and community.
10/10.
Stunning and heartbreaking, highly reccomended!
Beautiful story about love, jealousy and greed. The movie was brilliantly acted, brilliant music (I still hear it in my ears).
I always loved Reymont's book, TV-series from 2973 was excellent, but this adaptation stole my heart, for sure.
I was afraid whether I would like the painted film, it turned out that it does not interfere with watching it at all, especially that the characters are not as distorted as in Vincent, you can recognize the actors. Btw it was a great pleasure to recognize the paintings woven into the movie, polish painters (Chelmonski, Falat), but also Vermeer, van Gogh, Munch.
Beautiful story about love, jealousy and greed. The movie was brilliantly acted, brilliant music (I still hear it in my ears).
I always loved Reymont's book, TV-series from 2973 was excellent, but this adaptation stole my heart, for sure.
I was afraid whether I would like the painted film, it turned out that it does not interfere with watching it at all, especially that the characters are not as distorted as in Vincent, you can recognize the actors. Btw it was a great pleasure to recognize the paintings woven into the movie, polish painters (Chelmonski, Falat), but also Vermeer, van Gogh, Munch.
This film is worth watching primarily for the artistic work. I believe that it would not have been so attractive if it had been made using ordinary techniques. It should be said that the film is Polish, as far as the cast and authors are concerned, but as far as the work on animation and drawing is concerned, it is absolutely Serbian and a lot of people worked on it. Maybe I'm wrong, but that's what I've been told. Anyway, it deserves to be awarded in every sense, because the idea is fantastic! The topic is always relevant, anywhere, whether in the village or at the court, at that time, and even now.
Sometimes you can appreciate the artistry involved in process of filmmaking, but not fully enjoy the experience of watching the actual movie.
This is precisely how I feel after watching the official submission of Poland for the 'Best International Feature Film' category of the 96th Academy Awards in 2024 titled: 'THE PEASANTS' ('Chlopi').
Synopsis: "Jagna is a young woman determined to forge her own path in a late 19th century Polish village - a hotbed of gossip and on-going feuds, held together, rich and poor, by adherence to colorful traditions and deep-rooted patriarchy."
Back in 2017 another Dutch -Polish production 'Loving Vincent' (story of Vincent Van Gogh) was made, with similar painting technique, roughly by the same Polish team. Which encouraged them to create Polish based story. 'Loving Vincent' received a huge amount of good critiques and was admired for its artistry. With this type of technique comes tremendous amount of paint work as each film frame (in PAL system 24 frames per second) needed to be painted over film footage. The reason why this technique worked in this Dutch production is that the subject of the film was about famous, tragic painter, so stylistically and subject wise there was a artistic coherence.
After watching'THE PEASANTS' I was wondering if this painting technique was not too much of a distraction and couldn't help to wonder if without it this film wasn't better off just having a standard color correction.
To be fully immersed in the story and appreciate the actual acting performances, we watch micro body expressions of the actors, judging quality of their characterization by how well the non verbal cues mix with what they say, so that every micro expression specially on their face and eyes, tells us subconsciously what actor in character things.
In 'THE PEASANTS' as camera moves around the whole picture constantly vibrates, just as it happens during psychedelic trip the colors morph and vibrate. The beauty of psychedelic trip is that they are relatively short and intense. 'THE PEASANTS' feels like a almost 2 hour psychedelic trip, which might leave the audience little nauseated. Constant movement in the frame, can potentially create an uneasy feeling in the viewer.
As much as I wanted to love this film, by the end I was happy I lasted till the end, having moments where I felt disconnected from the experience.
To be fair, It must be said all the performances are very solid and again this film is full of masterful work and yet the technique used feels little gimmicky and to be honest in the day and age of phone apps, which add cartoon or painting correction to the video footage, it isn't anymore that unique
To conclude 'THE PEASANTS' is a truly potentially tragic and emotional story, which in my opinion, due to painting technique looses what makes this story interesting. The emotionality is getting lost, which is such a pity.
I do however salute all the filmmakers for the amount of ground breaking work they have done, it's just for my taste, as well as the Academy (sadly 'THE PEASANTS' wasn't chosen to be nominated) seems to agree with my assessment.
I still do highly recommend it due to its artistic value.
This is precisely how I feel after watching the official submission of Poland for the 'Best International Feature Film' category of the 96th Academy Awards in 2024 titled: 'THE PEASANTS' ('Chlopi').
Synopsis: "Jagna is a young woman determined to forge her own path in a late 19th century Polish village - a hotbed of gossip and on-going feuds, held together, rich and poor, by adherence to colorful traditions and deep-rooted patriarchy."
Back in 2017 another Dutch -Polish production 'Loving Vincent' (story of Vincent Van Gogh) was made, with similar painting technique, roughly by the same Polish team. Which encouraged them to create Polish based story. 'Loving Vincent' received a huge amount of good critiques and was admired for its artistry. With this type of technique comes tremendous amount of paint work as each film frame (in PAL system 24 frames per second) needed to be painted over film footage. The reason why this technique worked in this Dutch production is that the subject of the film was about famous, tragic painter, so stylistically and subject wise there was a artistic coherence.
After watching'THE PEASANTS' I was wondering if this painting technique was not too much of a distraction and couldn't help to wonder if without it this film wasn't better off just having a standard color correction.
To be fully immersed in the story and appreciate the actual acting performances, we watch micro body expressions of the actors, judging quality of their characterization by how well the non verbal cues mix with what they say, so that every micro expression specially on their face and eyes, tells us subconsciously what actor in character things.
In 'THE PEASANTS' as camera moves around the whole picture constantly vibrates, just as it happens during psychedelic trip the colors morph and vibrate. The beauty of psychedelic trip is that they are relatively short and intense. 'THE PEASANTS' feels like a almost 2 hour psychedelic trip, which might leave the audience little nauseated. Constant movement in the frame, can potentially create an uneasy feeling in the viewer.
As much as I wanted to love this film, by the end I was happy I lasted till the end, having moments where I felt disconnected from the experience.
To be fair, It must be said all the performances are very solid and again this film is full of masterful work and yet the technique used feels little gimmicky and to be honest in the day and age of phone apps, which add cartoon or painting correction to the video footage, it isn't anymore that unique
To conclude 'THE PEASANTS' is a truly potentially tragic and emotional story, which in my opinion, due to painting technique looses what makes this story interesting. The emotionality is getting lost, which is such a pity.
I do however salute all the filmmakers for the amount of ground breaking work they have done, it's just for my taste, as well as the Academy (sadly 'THE PEASANTS' wasn't chosen to be nominated) seems to agree with my assessment.
I still do highly recommend it due to its artistic value.
Le saviez-vous
- AnecdotesAll scenes were shot on camera and then painted by over 100 artists. The film is made up of 40.000 paintings and they used 6 paintings per 1 second of footage. The painting job took 1350 litres/300 gallons of paint.
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- The Peasants
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – États-Unis et Canada
- 155 188 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 13 709 $ US
- 28 janv. 2024
- Brut – à l'échelle mondiale
- 10 064 347 $ US
- Durée
- 1h 54m(114 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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